Ruskin and the Arts (original) (raw)

Painting Ruskin's drawings and watercolors — A Ruskin Gallery (70 images) Ruskin and book illustration Joseph Mallord William Turner (1775-1851) Turner and the sister arts Ruskin on Turner's Isolation Ruskin on Turner's Color Ruskin on Turner's "palpitating, perpetual change" Turner, Wordsworth, and the Sublime Turner and the Picturesque Turner and Pathetic Fallacy Ruskin's allegorical interpretations of Turner Ruskin on The Fall of Shaffhausen Ruskin on the Mercury and Argus Ruskin on the Slave Ship Ruskin on Snow Storm: Steamboat off a Harbour's Mouth The Pre-Raphaelites Ruskin's Influence on the Pre-Raphaelite Brotherhood Portraits of the Artists and Their Critic: Ruskin's Relation with the Pre-Raphaelite Brotherhood The letters of Ruskin and W. Holman Hunt Pre-Raphaelite Approaches to Ut Pictura Poesis: Sister Arts or Sibling Rivalry? Ruskin's art teachers, Samuel Prout and J. D. Harding The Falling Rocket: Ruskin, Whistler and Abstraction in Art Henry James on Whistler's suit for libel Architecture The Seven Lamps of Architecture (complete text) “The Quarry,” Ch. I, The Stones of Venice Ruskin's Venice — several hundred photographs with Ruskin’s commentaryRuskin and the Meaning of Architecture Gothic Gothic buildings in France Ruskin draws and discusses “There is no sacredness in round arches, nor in pointed”: Gothic Architecture and Religion Venetian Gothic A. W. N. Pugin The Oxford Natural History Museum Ruskin's Seven Lamps of Architecture inspired revival of the adobe style in the American Southwest

Ruskin's self-portrait. Ruskin as a Subject of art Portraits of Ruskin in various media — A Ruskin Gallery Sculptures of Ruskin Caricature (A Gallery of Ruskin Caricature)Photography Photographs taken by Ruskin or under his directionA Courtyard at Abbeyville, 1858 Portrait photographs of Ruskin Photography in His Art Theory [needed]Music Ruskin's views of music [needed] Ruskin the inspiration for David Lang and Manuela Holterhof's opera, Modern Painters Art Theory Interarts Theory The use and moral value of art Ruskin's conception of painting and poetry as expressive arts Ruskin's theory of Typical (Symbolical) Beauty Ruskin's theory of Vital Beauty Ruskin's theory of the sublime Two modes of the picturesque Ruskin and nineteenth-century attitudes toward allegory The Symbolical Grotesque — theories of allegory, artist, and imagination Ruskin's allegorical interpretations of Turner "Constant art" and the allegorical ideal Ruskin on fantasy in art The Ruskin, University of Lancaster 7 views

Last modified 13 April 2020