John Ruskin: Web versions of books and articles on this site (original) (raw)

Helsinger, Elizabeth K. Ruskin and the Art of the Beholder. Cambridge: Harvard University Press, 1982.
Hewison, Robert. John Ruskin: The Argument of the Eye. Princeton: Princeton University Press, 1976.
Landow, George P. The Aesthetic and Critical Theories of John Ruskin. Princeton: Princeton University Press, 1971.
_____. Ruskin. ("Past Masters" Series) Oxford: Oxford University Press, 1985.
_____. Victorian Types, Victorian Shadows; Biblical Typology in Victorian Literature, Art, and Thought. Boston and London: Routledge & Kegan Paul, 1980. [Especially chapters 3 and 4.
_____. William Holman Hunt and Typological Symbolism. New Haven and London: Yale University Press, 1979. [Ruskin's influence on the Pre-Raphaelites.]
_____. "Your Good Influence On Me:" The Correspondence of John Ruskin and William Holman Hunt. Manchester, England: Rylands Library, 1977.
Sawyer, Paul L. Ruskin's Poetic Argument: The Design of the Major Works. Ithaca: Cornell University Press, 1985.

Helsinger, Elizabeth K. “The Structure of Ruskin's Praeterita”.
Landow, George P. "J. D. Harding and John Ruskin on Nature's Infinite Variety." Journal of Aesthetics and Art Criticism, 28 (1970), 369 — 80.
_____. "Ruskin and Baudelaire on Art and Artist." University of Toronto Quarterly 37 (1968): 295-308.
_____. Ruskin as Victorian Sage: The Example of "Traffic"
Peterson, Linda H. “Ruskin's Praeterita: The Attempt at Deconstruction” in Victorian Autobiography: The Tradition of Self-Interpretation. New Haven: Yale University Press, 1986.
Helen Gill Viljoen, "Ruskin in Milan, 1862": A Chapter from Dark Star, an unpublished Biography of John Ruskin edited by James L. Spates and introduced by Van Akin Burd.

Last modified 7 May 2019