Drawings by John Ruskin, 1819-1900 (original) (raw)

• Houses and Cathedral Spire, Ulm, 1835
• Cottage near Altdorf, 1835
• Ancient Maison, Lucerne, 1835
• The Cathedral Spire, Rouen, 1835
• The Ducal Palace, Venice, 1835
• Piazzetta and St. Mark's, Venice
• Fribourg. 1835
• The Grand Canal, Venice. c. 1835
• Swiss Cottage, 1837
• Fisher Street, Carlisle, 1837
• The Chapel of Roslin, 1838
• Roslin Chapel
• Merton College and Magpie Lane, Oxford, 1838
• Nice. 1840
• Bay of Naples. 1841
• Lodgings at Oxford (90 High Street) (c. 1840-41)
• The Glacier des Bois, 1843
• Santa Maria della Spina, Pisa; East End, 1846-47
• Trees in a lane, perhaps at Ambleside, 1847
• Byzantine Ruin, Rio di Cà Foscari, Venice, 1851
• Gothic Capitals. c.1851-52
• Captals, Convex Group, 1851
• Cornice Decoration, 1851
• Byzantine Captals, Convex Group, 1851-53
• Aigulle Structure. 1856
• St Wulfran, Abbeville, detail of carved figures on south porch, 1868
• Eton College Chapel
• Richmond
• Rialto Bridge, Venice, 1877
• Canareggio<venice< span="">, 1877</venice<>
• Canal, Venice, 1877
• Two Oak Sprays, 1879
• Trees and Pond
• Panorama of the Alps
• Vignette to “A Tour of the Continent”
• Mont Blanc from St Martin's: studied for rock cleavage only
• Design For a Capital for the Oxford Museum
• The Aspen, under Idealization
• The Pass of Faido, 1845
• Portrait of a Girl's Head on a Pillow, 1875
• Study of Wild Rose, 1871
• Sketch of Leafage with a single wash
• Same Leaves, Farther Carried. The two upper groups only, leaving the highlights blank
• Completion of the Same Study
• The Twelve Heraldic Ordinaries
• A Weathered Dressed Stone in a Minimal Landscape
• Pulpit and Church Interior
• Fisher Street
• Il Palazzo del Cammello, Venice

Drawings for Modern Painters

• Aiguille Structure
• Monte Rosa, Sunset
• Hesperid Aeglé (Ruskin after Giorgione)
• True and False Griffins: Mediaeval and Classical
• Quivi Trovammo — The dragon from Turner's Garden of the Hesperides
• The Pass of Faido (1st Simple Topography)
• The Pass of Faido (2nd Turnerian Topography)
• Abstract Lines

Drawings for The Seven Lamps of Architecture

• Plate I. Tracery from the Campanile of Giotto, Florence
• Plate II. art of the Cathedral of St. Lô, Normandy
• Plate III. Traceries from Caen, Bayeux, Rouen, and Beauvais
• Plate IV. Intersectional Mouldings
• Plate V. Capital from the Lower Arcade of the Doge's Palace, Venice
• Plate VI. Arch from the Façade of the Church of San Michele, Lucca
• Plate VII. Pierced Ornaments from from Lisieux, Bayeux, Verona, and Padua
• Plate VIII. Window from the Ca' Foscari, Venice
• Plate IX. Tracery from the Campanile of Giotto, Florence
• Plate X. Traceries and Mouldings from Rouen and Salisbury
• Plate XI. Window in the Campo St. Benedetto, Venice
• Plate XII. Fragments from Abbeville, Lucca, Venice and Pisa
• Plate XIII. Portions of an Arcade on the South Side of the Cathedral of Ferrara
• Plate XIV. Sculptures from the Bas-reliefs of the North door of the Cathedral of Rouen

Drawings for The Stones of Venice

• Windows of the Fifth Order (I)
• Windows of the Fifth Order (II)
• Working Study of a Doorhead in the Campiello della Chiesa, San Luca, Venice
• Wall-Veil Ca’ Trevisan

Bibliography

Ruskin, John. Works, "The Library Edition." eds. E. T. Cook and Alexander Wedderburn. 39 vols. London: George Allen, 1903-1912.

Related Materials and Web Resources outside the Victorian Web

• Birmingham Museums and Art Gallery, which has 84 works by or associated with Ruskin, has made images of them and information about them available online in their Pre-Raphaelite Online Resource at www.preraphaelites.org.

Last modified 1 April 2020