George Gordon, Lord Byron (original) (raw)
Works
- “English Bards and Scotch Reviewers: A Satire” (text)
- Byron-Southey conflict
- Byron's Cain, or the World After the Fall (discussion)
Literary relations: sources, influences, reception
- Byron's Literary Afterlife in the Victorian Era
- “Bite-sized chunks of culture”: How Anthologies reshaped Victorian ideas of Romantic poetry
- Byron's early importance to Elizabeth Barrett Browning
- EBB revises Byron's representation of women in Don Juan
- A Drama of Exile alternately imitates and revises Byron's Cain
- Macaulay on Byron’s Characters
- Carlyle's mention of Byron in Heroes
- Byronic Figures in the Silver-Fork Romance
- Charles Kingsley on Byron and Shelley/a>
- Byron's Influence on Tennyson's “Ulysses”
- Byron's Influence on John Ruskin
- Byron and Victorian poetic style
- Bulwer-Lytton's “Byronic apprenticeship,”
- Bulwer-Lytton's Byronic Ismael: An Oriental Tale, with Other Poems
- Bulwer-Lytton's Glanville in Pelham is Byron
- A. H. Hallam borrows from Byron
- Influence on Dante Gabriel Rossetti
- Poetry, Public Monuments, and Postcards — a review of Timothy Mole’s What the Victorians Made of Romanticism
- Rochester as Byronic hero
- Chesterton on Byron, English Romanticism, and the French Revolution
- Sir Henry Taylor attacks Byron and Shelley's exaltation of feeling over reflection and image over thought
- Swinburne on Lord Byron as a Bad Person and a Bad Poet
Byron and nineteenth-century art
- Ford Madox Brown's illustration of “The Prisoner of Chillon”
- Richard Belt's statue of Lord Byron (described by Jo Darke in her Monument Guide (1991) as “the worst statue in London;” no image on this site)
- Khaled, Gardi's statue based on Byron's poem “Lara”
- Joseph Mallord William Turner, Venice, the Bridge of Sighs (epigraph from Childe Harold's Pilgrimage)
- Joseph Mallord William Turner, Childe Harold’s Pilgrimage - Italy
Related material and online resources
Last modified 21 November 2020