A Gallery of Victorian Sculpture: Female Nudes (original) (raw)
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Sitting, Crouching, Kneeling, or Reclining Figures
Five seated nudes” by Aimé-Jules Dalou. Left: The Bather. Middle left: The Bather Surprised Middle: Bather before the bath. Middle right: Bather drying her right foot. Right: Seated Nude. [Click on these images for larger pictures.]
Left: Sir Edgar Bertram Mackennal's Grief. Right two: Edward G. Bramwell's Hero Mourning over the Body of Leander
Left: Charles Bell Birch's A Wood Nymph. Middle left: Andrea Carlo Lucchesi's The Myrtle's Altar. Middle right: William Calder Marshall's Hebe. Right: Sir Edgar Bertram Mackennal's "For she sitteth on a seat in the high places of the city".
Left: E. H. Baily's Eve listening. Middle left: Harry Bates's Pandora. Right: Margaret M. Giles's Hero
Left: Albert Toft's Spring. Middle left: Albert Toft's Hagar. Middle right: R. J. Wyatt's The Nymph Ino and the Infant Bacchus. Right: Benjamin Clemens's Andromeda
Left: Edith C. Maryon's The Triumph of Peace. Middle: Albert Toft's Antigone. Right: Benjamin Clemens's Eurydice
Left: Edith C. Maryon's The Triumph of Peace. Middle left: Johan Keller's Loreley [sic]. Middle right: J. Wenlock Rollins's A Sea Maiden. Right: Harold Parker's The long, long Dreams of Youth
Left: J. L. Franklin's Circe. Right: John Holmes's Vanity Right: Paukl Montford's Water-Nymph.
Left: Harold Parke's Ariadne. Middle: Henry A. Pegram's Fortune. Right: Akbert Toft's Contemplation.
Related Material
- The Sculptural Nude: Material and Formal Considerations
- Standing Female Nudes
- Prone Female Nudes
- Male Nudes
- Naked or Nude
- The Two Aphrodites: Celestial and Vulgar, Vegetable and Crystalline
- Mediterranean versus Northern Conceptions of the Ideal Nude
Victorian Web Visual Arts Sculpture The Nude Next
Last modified 19 February 2020






























