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A Quotation from Ruskin? "There is hardly anything in the world that someone cannot make a little worse and sell a little cheaper, and the people who consider price alone are that person's lawful prey."
General A Brief Introduction to His Life and Works Introduction (by Paul Sawyer) Juvenilia Marcolini , 1836 "Leonis ", 1836 The Poetry of Architecture , 1837 The King of the Golden River, 1841 John Ruskin and The Literary Fairy Tale As literary fantasy Reading and discussion questions Modern Painters, 1843-60 Introduction to individual volumesVolume I Volume II Volume III Volume IV Volume V Interarts Criticism — Painting, Poetry, and Architecture as Sister Arts Ruskin and the tradition of ut pictora poesis The use and moral value of art Painting and poetry as expressive arts Implications of the alliance Ruskin on the Grotesque The Symbolical Grotesque — theories of allegory, artist, and imagination Imitation, the Languages of Art, and Nature's Infinite Variety Pathetic Fallacy Aesthetic Theories Ruskin's refutation of "False Opinions Held concerning Beauty" Typical Beauty Vital Beauty Sublimity The Picturesque The Seven Lamps of Architecture, 1848 Full text plus additional images and added links inspired revival of the Adobe Style of the American Southwest. The Stones of Venice, 1851-53 “The Quarry,” text of the opening chapter Introduction "On the Nature of Gothic "On the Nature of Gothic — E. K. Helsinger The Grotesque The Plan: History as Typology (Sawyer)History as Nostalgia (Sawyer) "A Joy Forever" 1857 John Ruskin's Political Economy of Art: Valuing Victorian Artist's Labor Unto This Last, 1860 Sitemap (homepage) Complete text (on this site) Introduction (Landow) Introduction (Sawyer) Ruskinian satiric definition A Symbolical Grotesque from Ruskin's "The Roots of Honor" Mocking Pseudo-Science in "The Roots of Honor" Margaret Oliphant on Unto This Last
Munera Pulveris, 1863, 1872 Sitemap (homepage) Complete text (on this site) Introduction from Library Edition The Ethics of the Dust Discussion The Queen of the Air problematic relation of perception to interpretation of myth Discussion 1 andDiscussion 2 Sesame and Lillies, 1864-69 The Crown of Wild Olive "Work" (text ) (discussions)"Traffic," 1858 (text — discussions ) Fors Clavigera, 1871-84 Introduction Associates artist and worker Sympathy and the Sympathetic Imagination Narrates loss of belief — compared to Praeteria Religion of humanity Symbolism and Concealed Meanings Ruskin: Writing about Himself Writing about Himself Proserpina discussion Deucalion discussion Ruskin's Oxford Lectures Ruskin's 1883 Lecture on the "Realistic Schools of Painting" Praeterita, 1886-88 Sitemap Introduction Ruskin's Childhood The Structure of Ruskin's Praeterita Dominant Patterns and Structure Early religious training and belief Loss of belief Return to belief Ruskin interpreting Ruskin (chapter in the Oxford "Past Masters" volume on Ruskin Related Materials Mitsuharu Matsuoka's Hyper-Concordance allows word searches the complete texts of The King of the Golden River, Sesame and Lilies, and The Stones of Venice
Last modified 2 June 2023
