The official website for independent record label 4AD. (original) (raw)
On 26th March, Tune-Yards released their fifth studio album, sketchy.
Beneath the layered sounds of “hold yourself.” lies Garbus’ most explicit lyrics she’s ever written; a clear-eyed moment of grief and simmering rage that builds from the song's calming introduction to its explosive culmination. “This song is about feeling really betrayed, by my parents’ generation, and at the same time, really seeing how we are betraying the future,” Garbus explains.
Tune-Yards’ last release, i can feel you creep into my private life, was a self-reflexive question mark at the end of a decade of outspoken, polyphonic indie music. From 2009 to 2018, Tune-Yards (both Merrill and her partner and collaborator Nate Brenner) released four critically acclaimed albums, traveled the world relentlessly to play live shows, and composed the psychedelic score to Boots Riley's surrealist cinematic masterpiece Sorry To Bother You. "We had really been non-stop hustling," Merrill reflects. "And when we're hustling, we're complicit in all of the systems that I really don't believe in."
Interrogating these systems and her role within them had left Merrill feeling heavy with grief and lost about how to move forward. The duo pressed on, inspired by the Beastie Boys Book and Questlove’s Creative Quest, and began jamming daily for hours in their home rehearsal studio “like athletes”. They ditched computer screens for live instruments (Merrill on drums, Nate on bass) and before long full songs started to emerge.
Unlike the lyrical introspection of previous outing i can feel you..., on sketchy. Merrill balances self-inspection and reflection with bombastic rallying cries, reminiscent of the furious tones of early days Tune-Yards. The result is a colorful and joyous record with lyrics that cut to the bone. "I started remembering that people come to us to be entertained, to move, to feel joy. And together, I think, we can wake up.”
2021
4AD
2021 saw 4AD release debut albums by Dry Cleaning and Spencer., plus saw the return of Tune-Yards and the the first releases on 4AD by Erika de Casier and Helado Negro. Explore these albums, and many more, in this year's Foreword...
2018
Another very busy year at 4AD saw stellar releases from vital artists including Tune-Yards, U.S. Girls, The Breeders...
4AD: 2017
A busy year of releases, including The National's first #1 album and the return of The Breeders.
