MAURIZIO COLADONATO | Accademia di Belle Arti di Napoli (original) (raw)
Chemist with degree from the University of Rome, “La Sapienza”, from 1988 until today I’m teaching “Chemistry Applied to Art Conservation”, “Materials and Methods for Experimentation” for the art conservation training programs at ICR in Rome and “Chemistry and Diagnostics for Art Conservation” at Italian fine arts Academies and Universities as well as foreign Universities and Organizations. At ICR I had carried out research on methods and materials for cleaning, paying special attention to eco-sustainability.
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Ethnographic artifacts are intrinsically fragile, due to the natural constituent materials degrad... more Ethnographic artifacts are intrinsically fragile, due to the natural constituent materials degradation. A polychrome and polymateric ethnographic shield from Borneo, owned by the National Prehistoric Ethnographic Museum "Luigi Pigorini" in Rome, has been carried out to restoration regarded mainly the painted surface cleaning and the feathers recovery, following criteria such as adopting not invasive methods to preserve the original materials and using eco-sustainable products.
Following a short investigation into the damages which most frequently occur to glass plate negat... more Following a short investigation into the damages which most frequently occur to glass plate negatives, the authors wish to report on the state of the researches carried out to that regard. The results of a research conducted by the Istituto Nazionale per la Grafica jointly with the Istituto Centrale per il Restauro on some historical glass plate negatives of the second half of the 19th century produced by bromised gelatine process are being described. The glass plate negatives which have been examined showed big conservation problems with regard both to the photographic emulsion and the protective varnish if any. The research has led to identify the biodeteriorating agents by cultural and microscopic techniques as well as the constituting materials by chromatographic (HPLC) and spectroscopic (FTIR) techniques.
vetri a Roma by MAURIZIO COLADONATO
In: 'Consolidamento: teorie, materiali e modalità per un intervento consapevole e compatibile', Atti del Seminario IGIIC (Lucca 6 dicembre 2013), s. l. , 2016
Ethnographic artifacts are intrinsically fragile, due to the natural constituent materials degrad... more Ethnographic artifacts are intrinsically fragile, due to the natural constituent materials degradation. A polychrome and polymateric ethnographic shield from Borneo, owned by the National Prehistoric Ethnographic Museum "Luigi Pigorini" in Rome, has been carried out to restoration regarded mainly the painted surface cleaning and the feathers recovery, following criteria such as adopting not invasive methods to preserve the original materials and using eco-sustainable products.
Following a short investigation into the damages which most frequently occur to glass plate negat... more Following a short investigation into the damages which most frequently occur to glass plate negatives, the authors wish to report on the state of the researches carried out to that regard. The results of a research conducted by the Istituto Nazionale per la Grafica jointly with the Istituto Centrale per il Restauro on some historical glass plate negatives of the second half of the 19th century produced by bromised gelatine process are being described. The glass plate negatives which have been examined showed big conservation problems with regard both to the photographic emulsion and the protective varnish if any. The research has led to identify the biodeteriorating agents by cultural and microscopic techniques as well as the constituting materials by chromatographic (HPLC) and spectroscopic (FTIR) techniques.
In: 'Consolidamento: teorie, materiali e modalità per un intervento consapevole e compatibile', Atti del Seminario IGIIC (Lucca 6 dicembre 2013), s. l. , 2016