Jaime F . Jiménez-Fernández | University of Sevilla. Spain (original) (raw)
He is an actual PhD candidate in the field of Philological Studies: English Language and Culture. His research is mainly devoted to British literature of World War I with a special emphasis on women and their production. He is currently researching about the re-conceptualization of pacifism, the efforts of British pacifist women during the Great War and the demythification of old-fashioned stereotypes imposed upon both the movement and its members, especially women. He is also a member of the research group “Escritoras y escrituras” (HUM753) at the University of Seville and of the “Asociación Española de Estudios Anglo-Norteamericanos” (AEDEAN).
He holds a Degree in English Studies (specialized in literature) from the University of Seville (Spain) and two Masters' Degree; one in English Linguistics, Literature and Culture by the University of Seville and another in Education-teaching by the International University of La Rioja (UNIR).
He also spent an Erasmus year at the Manchester Metropolitan University (academic year of 2014-2015).
ORCID: https://orcid.org/0000-0003-3780-3547
Supervisors: Carolina Sánchez-Palencia Carazo
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Papers by Jaime F . Jiménez-Fernández
ESCRITURAS AL LÍMITE: CANON, FORMA Y SUJETO EN LA LITERATURA CONTEMPORÁNEA, 2022
The telling of the Great War (1914-1918), mainly through the point of view of combatants, is one ... more The telling of the Great War (1914-1918), mainly through the point of view of combatants, is one of the best scenarios exemplifying how women have been obviated and censored throughout history. Moreover, the engagement of pacifist women has been doubly belittled due to a misinterpretation of the term pacifism. Consequently, this paper aims at re-examining the origins and values of pacifism and giving visibility to pacifists Jane Addams, Mabel St Clair Stobart and Rose Macaulay.
Revista Internacional de Literaturas y Culturas, 2020
The telling of the Great War (1914-1918), mainly through the point of view of combatants, is one ... more The telling of the Great War (1914-1918), mainly through the point of view of combatants, is one of the best scenarios exemplifying how women have been obviated and censored throughout history. Moreover, the engagement of pacifist women in the conflict has been doubly belittled due to a misinterpretation of the term 'pacifism'. Consequently, this paper aims at reexamining the origins and values of pacifism from a western perspective and giving visibility to pacifists Jane Addams, Mabel St Clair Stobart and Rose Macaulay and their efforts during the event.
ESCRITURAS AL LÍMITE: CANON, FORMA Y SUJETO EN LA LITERATURA CONTEMPORÁNEA, 2022
The telling of the Great War (1914-1918), mainly through the point of view of combatants, is one ... more The telling of the Great War (1914-1918), mainly through the point of view of combatants, is one of the best scenarios exemplifying how women have been obviated and censored throughout history. Moreover, the engagement of pacifist women has been doubly belittled due to a misinterpretation of the term pacifism. Consequently, this paper aims at re-examining the origins and values of pacifism and giving visibility to pacifists Jane Addams, Mabel St Clair Stobart and Rose Macaulay.
Revista Internacional de Literaturas y Culturas, 2020
The telling of the Great War (1914-1918), mainly through the point of view of combatants, is one ... more The telling of the Great War (1914-1918), mainly through the point of view of combatants, is one of the best scenarios exemplifying how women have been obviated and censored throughout history. Moreover, the engagement of pacifist women in the conflict has been doubly belittled due to a misinterpretation of the term 'pacifism'. Consequently, this paper aims at reexamining the origins and values of pacifism from a western perspective and giving visibility to pacifists Jane Addams, Mabel St Clair Stobart and Rose Macaulay and their efforts during the event.