Lukasz Jastrubczak | Akademia Sztuki w Szczecinie (original) (raw)
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Papers by Lukasz Jastrubczak
It is the primacy of formalism and the promotion of art for art's sake as a symbol for individual... more It is the primacy of formalism and the promotion of art for art's sake as a symbol for individualistic freedom that led to a very simplistic definition of didactics and to its blacklisting.
Conference Presentations by Lukasz Jastrubczak
Revisiting Heritage, 2019
The text is describing the initiatives of CentrumCentrum, a pata-institution located in north-wes... more The text is describing the initiatives of CentrumCentrum, a pata-institution located in north-western Poland. Established in 2014 by a visual artist and a filmaker, CentrumCentrum is focused on reconstructions of events, translations of forgotten texts, institutional critique and pedagogy. In the text we look closer on the projects led by the institution: reconstruction of the “Happening for a Dead Bore”, that didn't take place in Argentina in 1966; the collaborative visual game played together with an institution from Zambia; polish translation of “The Crystalists” manifesto. We also get aquainted with some of the specimens from the institution's collection. Since CentrumCentrum's activities are very much focused on recontextualization of the past events, in the text we will also find reflections in the art-historical context, mostly connected to the neo-avantgarde of the 60's and 70's from South America and Eastern Europe.
It is the primacy of formalism and the promotion of art for art's sake as a symbol for individual... more It is the primacy of formalism and the promotion of art for art's sake as a symbol for individualistic freedom that led to a very simplistic definition of didactics and to its blacklisting.
Revisiting Heritage, 2019
The text is describing the initiatives of CentrumCentrum, a pata-institution located in north-wes... more The text is describing the initiatives of CentrumCentrum, a pata-institution located in north-western Poland. Established in 2014 by a visual artist and a filmaker, CentrumCentrum is focused on reconstructions of events, translations of forgotten texts, institutional critique and pedagogy. In the text we look closer on the projects led by the institution: reconstruction of the “Happening for a Dead Bore”, that didn't take place in Argentina in 1966; the collaborative visual game played together with an institution from Zambia; polish translation of “The Crystalists” manifesto. We also get aquainted with some of the specimens from the institution's collection. Since CentrumCentrum's activities are very much focused on recontextualization of the past events, in the text we will also find reflections in the art-historical context, mostly connected to the neo-avantgarde of the 60's and 70's from South America and Eastern Europe.