Jessica Harpley | University of the Arts London (original) (raw)

Jessica Harpley

Address: London, United Kingdom

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Papers by Jessica Harpley

Research paper thumbnail of Glittering Baubles: An Examination of Chatelaines in Britain, 1839-1900

The Journal of Dress History, 2020

This article examines the Victorian chatelaine, a rarely investigated accessory with a function t... more This article examines the Victorian chatelaine, a rarely investigated accessory with a function that has been attributed to the lack of pockets in Victorian women's clothing. Whereas previous study into the chatelaine has concentrated on design and material culture, this article explores perceptions and representations of the chatelaine. A textual and visual analysis of literary and photographic representations of the chatelaine considers how the accessory functioned to expose women's possessions to the male gaze, and regulated femininity via unique gesticulations and appended tools.
Multiple conflicting qualities emerge, portraying the chatelaine as an aid to domesticity
and femininity, and as a flirtatious novelty central to interactions with the opposite sex.
Adopted by women of all ages, the chatelaine served a variety of functions, providing
women with the means to display and enact their domesticity, femininity, and
fashionability whilst engendering an emotional supportive role through its tactile
materiality.

Book Reviews by Jessica Harpley

Research paper thumbnail of Little Black Dress: A Radical Fashion Edited by Georgina Ripley, Edinburgh: NMS Enterprises Limited-Publishing, 2022

Research paper thumbnail of The Pocket: A Hidden History of Women's Lives, 1660-1900

Journal of Design History, 2021

Research paper thumbnail of Glittering Baubles: An Examination of Chatelaines in Britain, 1839-1900

The Journal of Dress History, 2020

This article examines the Victorian chatelaine, a rarely investigated accessory with a function t... more This article examines the Victorian chatelaine, a rarely investigated accessory with a function that has been attributed to the lack of pockets in Victorian women's clothing. Whereas previous study into the chatelaine has concentrated on design and material culture, this article explores perceptions and representations of the chatelaine. A textual and visual analysis of literary and photographic representations of the chatelaine considers how the accessory functioned to expose women's possessions to the male gaze, and regulated femininity via unique gesticulations and appended tools.
Multiple conflicting qualities emerge, portraying the chatelaine as an aid to domesticity
and femininity, and as a flirtatious novelty central to interactions with the opposite sex.
Adopted by women of all ages, the chatelaine served a variety of functions, providing
women with the means to display and enact their domesticity, femininity, and
fashionability whilst engendering an emotional supportive role through its tactile
materiality.

Research paper thumbnail of Little Black Dress: A Radical Fashion Edited by Georgina Ripley, Edinburgh: NMS Enterprises Limited-Publishing, 2022

Research paper thumbnail of The Pocket: A Hidden History of Women's Lives, 1660-1900

Journal of Design History, 2021

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