Morten Riis | Aarhus University (original) (raw)

Morten  Riis

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Papers by Morten Riis

Research paper thumbnail of World of the News Vol.1 - Issue 2 (Transmediale/APRJA 2012)

Artistic research can be faster than scientific research and can react much more directly to curr... more Artistic research can be faster than scientific research and can react much more directly to current social and technological developments.

Research paper thumbnail of Experiencing the non-sensuous

Proceedings of the 6th Nordic Conference on Human-Computer Interaction Extending Boundaries - NordiCHI '10, 2010

... Morten Breinbjerg, Morten S. Riis, Tobias Ebsen & Rasmus B. Lunding Centre of Dig... more ... Morten Breinbjerg, Morten S. Riis, Tobias Ebsen & Rasmus B. Lunding Centre of Digital Urban Living Information & Media Studies, University of ... already mentioned, we chose to avoid stereotyped diagrams like bar charts and hereby an iconic representation in favour of another ...

Research paper thumbnail of The Media Archaeological Repairman

Organised Sound, 2013

ABSTRACT

Research paper thumbnail of Wavefront Aesthetics: Attuning to a dark ecology

In this article, we offer an object-oriented ontological perspective to complement the diversity ... more In this article, we offer an object-oriented ontological perspective to complement the diversity of sounding ontologies, challenging the human perspective as the only valid perspective and call for the necessity of including perspectives of objects such as a speakers, voices and light sensors. Subscribing to this view also confronts music and sound art as consistent autonomous categories and focuses on how the pieces attune to the environment, emphasising meetings, transformations and translations through and with other objects. These meetings generate an ecological awareness of causal aesthetics where objects time and space each other. This contrasts with traditional analysis of music and sound art, which is based on the assumption that time and space are containers in which sound and music unfold. We analyse two contemporary pieces by the authors in an attempt to unfold a dark ecological1 approach to test the implications, limits and potentials for future use and development.

Research paper thumbnail of World of the News Vol.1 - Issue 2 (Transmediale/APRJA 2012)

Artistic research can be faster than scientific research and can react much more directly to curr... more Artistic research can be faster than scientific research and can react much more directly to current social and technological developments.

Research paper thumbnail of Experiencing the non-sensuous

Proceedings of the 6th Nordic Conference on Human-Computer Interaction Extending Boundaries - NordiCHI '10, 2010

... Morten Breinbjerg, Morten S. Riis, Tobias Ebsen & Rasmus B. Lunding Centre of Dig... more ... Morten Breinbjerg, Morten S. Riis, Tobias Ebsen & Rasmus B. Lunding Centre of Digital Urban Living Information & Media Studies, University of ... already mentioned, we chose to avoid stereotyped diagrams like bar charts and hereby an iconic representation in favour of another ...

Research paper thumbnail of The Media Archaeological Repairman

Organised Sound, 2013

ABSTRACT

Research paper thumbnail of Wavefront Aesthetics: Attuning to a dark ecology

In this article, we offer an object-oriented ontological perspective to complement the diversity ... more In this article, we offer an object-oriented ontological perspective to complement the diversity of sounding ontologies, challenging the human perspective as the only valid perspective and call for the necessity of including perspectives of objects such as a speakers, voices and light sensors. Subscribing to this view also confronts music and sound art as consistent autonomous categories and focuses on how the pieces attune to the environment, emphasising meetings, transformations and translations through and with other objects. These meetings generate an ecological awareness of causal aesthetics where objects time and space each other. This contrasts with traditional analysis of music and sound art, which is based on the assumption that time and space are containers in which sound and music unfold. We analyse two contemporary pieces by the authors in an attempt to unfold a dark ecological1 approach to test the implications, limits and potentials for future use and development.

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