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Öz: Dönme Dolap farklı coğrafyalardaki iki farklı çocukluk deneyimi üzerinden bir göç yolculuğunu... more Öz: Dönme Dolap farklı coğrafyalardaki iki farklı çocukluk deneyimi üzerinden bir göç yolculuğunun yankılarını ele alan resimli bir kitaptır. Bu çalışmada Dönme Dolap göstergebilimsel analize tabi tutularak göçmenlere yönelik "Kapımızdaki Yabancılar" tartışmasına atıfla çocuk coğrafyalarının eleştirel bir değerlendirilmesi yapılacaktır. Tülin Kozikoğlu'nun kaleme aldığı Hüseyin Sönmezay'ın resimlediği eser bu çalışmanın analiz nesnesidir. Gündelik hayatın mekânsal pratiği yerinden edilmiş çocuklar üzerine düşünme imkânı vermektedir. Çalışmada çocuk coğrafyaları tartışmasından hareketle zorunlu göçün yola çıkış, yol ve varış noktası olan genellenebilir üç aşamasıyla paralel üç farklı mekânsal görüngüsü tespit edilmiştir. Bunlar ev, kentsel mekân, karşılaşma mekânlarıdır. Çalışmanın alana çocuk edebiyatı ve çocuk coğrafyaları ilişkisini kurması ve göç olgusuna çocuk deneyimi üzerinden yaklaşması sebebiyle katkı sağlayacağı düşünülmektedir.

Bu çalışma “Kadınlar Dünyası”nın edebi kısmı üzerine yapılmış tematik bir incelemedir. Giriş bölü... more Bu çalışma “Kadınlar Dünyası”nın edebi kısmı üzerine yapılmış tematik bir incelemedir.
Giriş bölümü hariç, üç ayrı bölümden oluşan bu çalışmanın birinci bölümünde “Kadınlar Dünyası” ve edebiyat ilişkisi üzerinde durulmuştur. “Kadınlar Dünyası”nda dönemin edebi hayatı üzerine yapılan eleştirilere yer verilmiştir. İkinci bölümünde, dergide yayınlanan Şiirler konularına ve nazım biçimlerine göre incelenmiştir. Üçüncü bölümünde ise tefrika roman ve hikayeler, küçük hikayeler, tercüme hikayeler, masallar ve gezi yazıları incelenmesine yer verilmiştir.
Yapılan incelemede “Kadınlar Dünyası”nda yayınlanmış edebi metinler ele alınmıştır ve ele alınan konularda derginin dışına çıkılmamaya özen gösterilmiştir.
Sonuç olarak, bu çalışmada “Kadınlar Dünyası” dergisinde yayınlanmış olan edebi çalışmaların ışığında derginin edebiyatla ilişkisi ve Osmanlı kadınlarının “Kadınlar Dünyası”nda edebiyat adına neler yaptıkları ortaya konmaya çalışılmıştır.

Kadın Hayatlarını Yazmak: Oto/Biyografi, Yaşam Anlatıları, Mitler ve Tarih Yazımı Uluslararası Sempozyum Bildiri Kitabı, 2016

Book Reviews by Sabanur yılmaz

This chapter focuses on Albert Camus's The Plague (La Peste) and The Stranger (L'Étranger). The p... more This chapter focuses on Albert Camus's The Plague (La Peste) and The Stranger (L'Étranger). The purpose here is to clearly portray Camus's idea of the absurd. According to Albert Camus, human life is absurd, meaningless, irrational and illogical. So it can be said that, at first sight, his point of view is pessimistic and hopeless. But with a quick glance at his thoughts it can be seen that the journey that begins with hopelessness does not need to end in hopelessness. Life that ends with death is meaningless but amidst the beauty of life, the pain and desperation of inherent in it should not be ignored. Now that, we are living in this absurd, meaningless, irrational and illogical world, we have to create happiness ourselves. Happiness means loving humankind and the world without expecting anything. Camus says 'Where there is no hope, it is incumbent on us to invent it.' The character of Meursault in The Stranger does not think in the same way as most of society. The distance between this young character and others is clearly delineated. He looks coldly on all events in his life, including his mother's death. He accepts death as insensible. Life is meaningless for him. In the novel, we witness both his strength and the conflict that arises between Meursault and society. The Plague is about the struggle of a man against a plague epidemic which creates hopelessness in an entire city. The main character, Dr. Rieux, and his friends fight against it, and they become successful. Yet Dr. Rieux knows that this success is temporary and the plague will come back again. At the same time he is aware of the need to fight against evil as long as we live. Briefly, it can be said that 'hope' plays an important role in the world of Camus. We will read two of his novels with a different perspective to see the collocation of the 'absurd' and 'hope'. We will try to discover fragments of hope in the behaviors of Dr. Bernard Rieux, the narrator of The Plague, and Meursault, the absurd hero of The Stranger.

Papers by Sabanur yılmaz

RumeliDE Dil ve Edebiyat Araştırmaları Dergisi :/RumeliDe Dil ve Edebiyat Araştırmaları Dergisi, Oct 21, 2022

modernleşme sürecini yaşamış, bu süreçte yalnızca şair, gazeteci romancı olarak değil bir politik... more modernleşme sürecini yaşamış, bu süreçte yalnızca şair, gazeteci romancı olarak değil bir politikacı ve diplomat olarak da öne çıkmış bir isimdir.

Türk dili ve edebiyati dergisi, Jun 30, 2022

BRILL eBooks, Nov 30, 2014

This chapter focuses on Albert Camus's The Plague (La Peste) and The Stranger (L'... more This chapter focuses on Albert Camus's The Plague (La Peste) and The Stranger (L'Étranger). The purpose here is to clearly portray Camus's idea of the absurd. According to Albert Camus, human life is absurd, meaningless, irrational and illogical. So it can be said that, at first sight, his point of view is pessimistic and hopeless. But with a quick glance at his thoughts it can be seen that the journey that begins with hopelessness does not need to end in hopelessness. Life that ends with death is meaningless but amidst the beauty of life, the pain and desperation of inherent in it should not be ignored. Now that, we are living in this absurd, meaningless, irrational and illogical world, we have to create happiness ourselves. Happiness means loving humankind and the world without expecting anything. Camus says 'Where there is no hope, it is incumbent on us to invent it.' The character of Meursault in The Stranger does not think in the same way as most of society. The distance between this young character and others is clearly delineated. He looks coldly on all events in his life, including his mother's death. He accepts death as insensible. Life is meaningless for him. In the novel, we witness both his strength and the conflict that arises between Meursault and society. The Plague is about the struggle of a man against a plague epidemic which creates hopelessness in an entire city. The main character, Dr. Rieux, and his friends fight against it, and they become successful. Yet Dr. Rieux knows that this success is temporary and the plague will come back again. At the same time he is aware of the need to fight against evil as long as we live. Briefly, it can be said that 'hope' plays an important role in the world of Camus. We will read two of his novels with a different perspective to see the collocation of the 'absurd' and 'hope'. We will try to discover fragments of hope in the behaviors of Dr. Bernard Rieux, the narrator of The Plague, and Meursault, the absurd hero of The Stranger.

Rumelide Dil ve Edebiyat Araştırmaları Dergisi , 2022

modernleşme sürecini yaşamış, bu süreçte yalnızca şair, gazeteci romancı olarak değil bir politik... more modernleşme sürecini yaşamış, bu süreçte yalnızca şair, gazeteci romancı olarak değil bir politikacı ve diplomat olarak da öne çıkmış bir isimdir.

Phoenix Rising from Contemporary Global Society, 2014

This chapter focuses on Albert Camus's The Plague (La Peste) and The Stranger (L'... more This chapter focuses on Albert Camus's The Plague (La Peste) and The Stranger (L'Étranger). The purpose here is to clearly portray Camus's idea of the absurd. According to Albert Camus, human life is absurd, meaningless, irrational and illogical. So it can be said that, at first sight, his point of view is pessimistic and hopeless. But with a quick glance at his thoughts it can be seen that the journey that begins with hopelessness does not need to end in hopelessness. Life that ends with death is meaningless but amidst the beauty of life, the pain and desperation of inherent in it should not be ignored. Now that, we are living in this absurd, meaningless, irrational and illogical world, we have to create happiness ourselves. Happiness means loving humankind and the world without expecting anything. Camus says 'Where there is no hope, it is incumbent on us to invent it.' The character of Meursault in The Stranger does not think in the same way as most of society. The distance between this young character and others is clearly delineated. He looks coldly on all events in his life, including his mother's death. He accepts death as insensible. Life is meaningless for him. In the novel, we witness both his strength and the conflict that arises between Meursault and society. The Plague is about the struggle of a man against a plague epidemic which creates hopelessness in an entire city. The main character, Dr. Rieux, and his friends fight against it, and they become successful. Yet Dr. Rieux knows that this success is temporary and the plague will come back again. At the same time he is aware of the need to fight against evil as long as we live. Briefly, it can be said that 'hope' plays an important role in the world of Camus. We will read two of his novels with a different perspective to see the collocation of the 'absurd' and 'hope'. We will try to discover fragments of hope in the behaviors of Dr. Bernard Rieux, the narrator of The Plague, and Meursault, the absurd hero of The Stranger.

Türk Dili ve Edebiyatı Dergisi / Journal of Turkish Language and Literature

Öz: Dönme Dolap farklı coğrafyalardaki iki farklı çocukluk deneyimi üzerinden bir göç yolculuğunu... more Öz: Dönme Dolap farklı coğrafyalardaki iki farklı çocukluk deneyimi üzerinden bir göç yolculuğunun yankılarını ele alan resimli bir kitaptır. Bu çalışmada Dönme Dolap göstergebilimsel analize tabi tutularak göçmenlere yönelik "Kapımızdaki Yabancılar" tartışmasına atıfla çocuk coğrafyalarının eleştirel bir değerlendirilmesi yapılacaktır. Tülin Kozikoğlu'nun kaleme aldığı Hüseyin Sönmezay'ın resimlediği eser bu çalışmanın analiz nesnesidir. Gündelik hayatın mekânsal pratiği yerinden edilmiş çocuklar üzerine düşünme imkânı vermektedir. Çalışmada çocuk coğrafyaları tartışmasından hareketle zorunlu göçün yola çıkış, yol ve varış noktası olan genellenebilir üç aşamasıyla paralel üç farklı mekânsal görüngüsü tespit edilmiştir. Bunlar ev, kentsel mekân, karşılaşma mekânlarıdır. Çalışmanın alana çocuk edebiyatı ve çocuk coğrafyaları ilişkisini kurması ve göç olgusuna çocuk deneyimi üzerinden yaklaşması sebebiyle katkı sağlayacağı düşünülmektedir.

Bu çalışma “Kadınlar Dünyası”nın edebi kısmı üzerine yapılmış tematik bir incelemedir. Giriş bölü... more Bu çalışma “Kadınlar Dünyası”nın edebi kısmı üzerine yapılmış tematik bir incelemedir.
Giriş bölümü hariç, üç ayrı bölümden oluşan bu çalışmanın birinci bölümünde “Kadınlar Dünyası” ve edebiyat ilişkisi üzerinde durulmuştur. “Kadınlar Dünyası”nda dönemin edebi hayatı üzerine yapılan eleştirilere yer verilmiştir. İkinci bölümünde, dergide yayınlanan Şiirler konularına ve nazım biçimlerine göre incelenmiştir. Üçüncü bölümünde ise tefrika roman ve hikayeler, küçük hikayeler, tercüme hikayeler, masallar ve gezi yazıları incelenmesine yer verilmiştir.
Yapılan incelemede “Kadınlar Dünyası”nda yayınlanmış edebi metinler ele alınmıştır ve ele alınan konularda derginin dışına çıkılmamaya özen gösterilmiştir.
Sonuç olarak, bu çalışmada “Kadınlar Dünyası” dergisinde yayınlanmış olan edebi çalışmaların ışığında derginin edebiyatla ilişkisi ve Osmanlı kadınlarının “Kadınlar Dünyası”nda edebiyat adına neler yaptıkları ortaya konmaya çalışılmıştır.

Kadın Hayatlarını Yazmak: Oto/Biyografi, Yaşam Anlatıları, Mitler ve Tarih Yazımı Uluslararası Sempozyum Bildiri Kitabı, 2016

This chapter focuses on Albert Camus's The Plague (La Peste) and The Stranger (L'Étranger). The p... more This chapter focuses on Albert Camus's The Plague (La Peste) and The Stranger (L'Étranger). The purpose here is to clearly portray Camus's idea of the absurd. According to Albert Camus, human life is absurd, meaningless, irrational and illogical. So it can be said that, at first sight, his point of view is pessimistic and hopeless. But with a quick glance at his thoughts it can be seen that the journey that begins with hopelessness does not need to end in hopelessness. Life that ends with death is meaningless but amidst the beauty of life, the pain and desperation of inherent in it should not be ignored. Now that, we are living in this absurd, meaningless, irrational and illogical world, we have to create happiness ourselves. Happiness means loving humankind and the world without expecting anything. Camus says 'Where there is no hope, it is incumbent on us to invent it.' The character of Meursault in The Stranger does not think in the same way as most of society. The distance between this young character and others is clearly delineated. He looks coldly on all events in his life, including his mother's death. He accepts death as insensible. Life is meaningless for him. In the novel, we witness both his strength and the conflict that arises between Meursault and society. The Plague is about the struggle of a man against a plague epidemic which creates hopelessness in an entire city. The main character, Dr. Rieux, and his friends fight against it, and they become successful. Yet Dr. Rieux knows that this success is temporary and the plague will come back again. At the same time he is aware of the need to fight against evil as long as we live. Briefly, it can be said that 'hope' plays an important role in the world of Camus. We will read two of his novels with a different perspective to see the collocation of the 'absurd' and 'hope'. We will try to discover fragments of hope in the behaviors of Dr. Bernard Rieux, the narrator of The Plague, and Meursault, the absurd hero of The Stranger.

RumeliDE Dil ve Edebiyat Araştırmaları Dergisi :/RumeliDe Dil ve Edebiyat Araştırmaları Dergisi, Oct 21, 2022

modernleşme sürecini yaşamış, bu süreçte yalnızca şair, gazeteci romancı olarak değil bir politik... more modernleşme sürecini yaşamış, bu süreçte yalnızca şair, gazeteci romancı olarak değil bir politikacı ve diplomat olarak da öne çıkmış bir isimdir.

Türk dili ve edebiyati dergisi, Jun 30, 2022

BRILL eBooks, Nov 30, 2014

This chapter focuses on Albert Camus's The Plague (La Peste) and The Stranger (L'... more This chapter focuses on Albert Camus's The Plague (La Peste) and The Stranger (L'Étranger). The purpose here is to clearly portray Camus's idea of the absurd. According to Albert Camus, human life is absurd, meaningless, irrational and illogical. So it can be said that, at first sight, his point of view is pessimistic and hopeless. But with a quick glance at his thoughts it can be seen that the journey that begins with hopelessness does not need to end in hopelessness. Life that ends with death is meaningless but amidst the beauty of life, the pain and desperation of inherent in it should not be ignored. Now that, we are living in this absurd, meaningless, irrational and illogical world, we have to create happiness ourselves. Happiness means loving humankind and the world without expecting anything. Camus says 'Where there is no hope, it is incumbent on us to invent it.' The character of Meursault in The Stranger does not think in the same way as most of society. The distance between this young character and others is clearly delineated. He looks coldly on all events in his life, including his mother's death. He accepts death as insensible. Life is meaningless for him. In the novel, we witness both his strength and the conflict that arises between Meursault and society. The Plague is about the struggle of a man against a plague epidemic which creates hopelessness in an entire city. The main character, Dr. Rieux, and his friends fight against it, and they become successful. Yet Dr. Rieux knows that this success is temporary and the plague will come back again. At the same time he is aware of the need to fight against evil as long as we live. Briefly, it can be said that 'hope' plays an important role in the world of Camus. We will read two of his novels with a different perspective to see the collocation of the 'absurd' and 'hope'. We will try to discover fragments of hope in the behaviors of Dr. Bernard Rieux, the narrator of The Plague, and Meursault, the absurd hero of The Stranger.

Rumelide Dil ve Edebiyat Araştırmaları Dergisi , 2022

modernleşme sürecini yaşamış, bu süreçte yalnızca şair, gazeteci romancı olarak değil bir politik... more modernleşme sürecini yaşamış, bu süreçte yalnızca şair, gazeteci romancı olarak değil bir politikacı ve diplomat olarak da öne çıkmış bir isimdir.

Phoenix Rising from Contemporary Global Society, 2014

This chapter focuses on Albert Camus's The Plague (La Peste) and The Stranger (L'... more This chapter focuses on Albert Camus's The Plague (La Peste) and The Stranger (L'Étranger). The purpose here is to clearly portray Camus's idea of the absurd. According to Albert Camus, human life is absurd, meaningless, irrational and illogical. So it can be said that, at first sight, his point of view is pessimistic and hopeless. But with a quick glance at his thoughts it can be seen that the journey that begins with hopelessness does not need to end in hopelessness. Life that ends with death is meaningless but amidst the beauty of life, the pain and desperation of inherent in it should not be ignored. Now that, we are living in this absurd, meaningless, irrational and illogical world, we have to create happiness ourselves. Happiness means loving humankind and the world without expecting anything. Camus says 'Where there is no hope, it is incumbent on us to invent it.' The character of Meursault in The Stranger does not think in the same way as most of society. The distance between this young character and others is clearly delineated. He looks coldly on all events in his life, including his mother's death. He accepts death as insensible. Life is meaningless for him. In the novel, we witness both his strength and the conflict that arises between Meursault and society. The Plague is about the struggle of a man against a plague epidemic which creates hopelessness in an entire city. The main character, Dr. Rieux, and his friends fight against it, and they become successful. Yet Dr. Rieux knows that this success is temporary and the plague will come back again. At the same time he is aware of the need to fight against evil as long as we live. Briefly, it can be said that 'hope' plays an important role in the world of Camus. We will read two of his novels with a different perspective to see the collocation of the 'absurd' and 'hope'. We will try to discover fragments of hope in the behaviors of Dr. Bernard Rieux, the narrator of The Plague, and Meursault, the absurd hero of The Stranger.

Türk Dili ve Edebiyatı Dergisi / Journal of Turkish Language and Literature