Laura Mulvey | Birkbeck College, University of London (original) (raw)
Uploads
Papers by Laura Mulvey
Préface à Laura Mulvey, Fétichisme et curiosité, 2019
"L’essai sur Pandore de Laura Mulvey est, selon ses propres mots « une expérience d’analyse inte... more "L’essai sur Pandore de Laura Mulvey est, selon ses propres mots « une expérience d’analyse intellectuelle mêlant au plaisir de la curiosité celui de l’imagination. Le mythe de Pandore parle de la curiosité féminine, mais il ne peut être déchiffré que par la curiosité féministe, qui transforme et traduit son iconographie et ses attributs en pièces de puzzle, en devinette ou en énigme . » Le texte me frappe quand je le découvre car il propose une équation que je ne trouve alors nulle par ailleurs : une façon de faire correspondre gourmandise intellectuelle et déconstruction activiste. Il incarne ainsi une formidable manière d’appréhender la littérature critique féministe, parce qu’il en déplie les impulsions, la diversité des points d’appuis, en démontre l’esprit et l’intelligence, mais surtout parce qu’il fait apparaître le principe de plaisir qui guide son enquête."
Visual and Other Pleasures, 1989
Visual and Other Pleasures, 1989
Visual and Other Pleasures, 1989
Visual and Other Pleasures, 1989
Visual and Other Pleasures, 1989
Visual and Other Pleasures, 1989
Screen, 1975
A. A Political Use of Psychoanalysis This paper intends to use psychoanalysis to discover where a... more A. A Political Use of Psychoanalysis This paper intends to use psychoanalysis to discover where and how the fascination of film is reinforced by pre-existing patterns of fascination already at work within the individual subject and the social formations that have moulded him. It ...
History Workshop Journal, 1987
My work as a film-maker and film-theorist is grounded in the 1970s, particularly in the meeting b... more My work as a film-maker and film-theorist is grounded in the 1970s, particularly in the meeting between feminist politics, psycho-analytic theory and avant-garde aesthetics that had such influence then. After the 1983 election and into 1984,1 began to feel that work I considered to be ...
Discourse, 1979
Contemporary film theory sees a convergence of cinema, psychoanalysis, and history. This intersec... more Contemporary film theory sees a convergence of cinema, psychoanalysis, and history. This intersection takes place upon the scene of representation. Viewed as modes of discursive structure, all three may be thought of as fictional spaces/places, callinginto question what ...
Reading Melanie Klein, 1956
Tidskrift For Genusvetenskap, 2013
Page 1. VISION AND DIFFERENCE: FEMININITY, FEMINISM AND THE HISTORIES OF ART by Griselda Pollock ... more Page 1. VISION AND DIFFERENCE: FEMININITY, FEMINISM AND THE HISTORIES OF ART by Griselda Pollock Routledge, 1988 VISUAL AND OTHER PLEASURES by Laura Mulvey Indiana University, 1989 Reviewed by Karen-dis Barzman ...
The American Historical Review, 1998
Préface à Laura Mulvey, Fétichisme et curiosité, 2019
"L’essai sur Pandore de Laura Mulvey est, selon ses propres mots « une expérience d’analyse inte... more "L’essai sur Pandore de Laura Mulvey est, selon ses propres mots « une expérience d’analyse intellectuelle mêlant au plaisir de la curiosité celui de l’imagination. Le mythe de Pandore parle de la curiosité féminine, mais il ne peut être déchiffré que par la curiosité féministe, qui transforme et traduit son iconographie et ses attributs en pièces de puzzle, en devinette ou en énigme . » Le texte me frappe quand je le découvre car il propose une équation que je ne trouve alors nulle par ailleurs : une façon de faire correspondre gourmandise intellectuelle et déconstruction activiste. Il incarne ainsi une formidable manière d’appréhender la littérature critique féministe, parce qu’il en déplie les impulsions, la diversité des points d’appuis, en démontre l’esprit et l’intelligence, mais surtout parce qu’il fait apparaître le principe de plaisir qui guide son enquête."
Visual and Other Pleasures, 1989
Visual and Other Pleasures, 1989
Visual and Other Pleasures, 1989
Visual and Other Pleasures, 1989
Visual and Other Pleasures, 1989
Visual and Other Pleasures, 1989
Screen, 1975
A. A Political Use of Psychoanalysis This paper intends to use psychoanalysis to discover where a... more A. A Political Use of Psychoanalysis This paper intends to use psychoanalysis to discover where and how the fascination of film is reinforced by pre-existing patterns of fascination already at work within the individual subject and the social formations that have moulded him. It ...
History Workshop Journal, 1987
My work as a film-maker and film-theorist is grounded in the 1970s, particularly in the meeting b... more My work as a film-maker and film-theorist is grounded in the 1970s, particularly in the meeting between feminist politics, psycho-analytic theory and avant-garde aesthetics that had such influence then. After the 1983 election and into 1984,1 began to feel that work I considered to be ...
Discourse, 1979
Contemporary film theory sees a convergence of cinema, psychoanalysis, and history. This intersec... more Contemporary film theory sees a convergence of cinema, psychoanalysis, and history. This intersection takes place upon the scene of representation. Viewed as modes of discursive structure, all three may be thought of as fictional spaces/places, callinginto question what ...
Reading Melanie Klein, 1956
Tidskrift For Genusvetenskap, 2013
Page 1. VISION AND DIFFERENCE: FEMININITY, FEMINISM AND THE HISTORIES OF ART by Griselda Pollock ... more Page 1. VISION AND DIFFERENCE: FEMININITY, FEMINISM AND THE HISTORIES OF ART by Griselda Pollock Routledge, 1988 VISUAL AND OTHER PLEASURES by Laura Mulvey Indiana University, 1989 Reviewed by Karen-dis Barzman ...
The American Historical Review, 1998