Richard Misrach on Landscape and Meaning (original) (raw)
内容简介 · · · · · ·
In the sixth installment of The Photography Workshop Series, Richard Misrach―well known for sublime and expansive landscapes that focus on the relationship between humans and their environment―offers his insight into creating photographs that are visually beautiful and contain cultural implications.
Aperture Foundation works with the world’s top photographers to distill their c...
In the sixth installment of The Photography Workshop Series, Richard Misrach―well known for sublime and expansive landscapes that focus on the relationship between humans and their environment―offers his insight into creating photographs that are visually beautiful and contain cultural implications.
Aperture Foundation works with the world’s top photographers to distill their creative approaches to, teachings on, and insights into photography―offering the workshop experience in a book. Our goal is to inspire photographers at all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, in this volume Misrach shares his own creative process and discusses a wide range of issues, from the language of color photography and the play of light and atmosphere, to transcending place and time through metaphor, myth, and abstraction.
作者简介 · · · · · ·
Richard Misrach is one of the most influential color photographers of his generation. His work is held in the collections of over fifty major institutions, including the Museum of Modern Art, Whitney Museum of American Art, and Metropolitan Museum of Art, New York; and the National Gallery of Art, Washington, DC. He is the recipient of numerous awards, including a Guggenheim Fe...
Richard Misrach is one of the most influential color photographers of his generation. His work is held in the collections of over fifty major institutions, including the Museum of Modern Art, Whitney Museum of American Art, and Metropolitan Museum of Art, New York; and the National Gallery of Art, Washington, DC. He is the recipient of numerous awards, including a Guggenheim Fellowship. His previous Aperture titles include Destroy This Memory (2010), Golden Gate (2012), Petrochemical America (with Kate Orff, 2012), The Mysterious Opacity of Other Beings (2015), and Border Cantos (with Guillermo Galindo, 2016).
Lucas Foglia has published three books, including Human Nature (2017). His work is held in collections at the International Center of Photography, New York; San Francisco Museum of Modern Art; and Victoria and Albert Museum, London.
Meghann Riepenhoff is an artist who has exhibited widely. Her work has appeared in Artforum, the New York Times, Foam Magazine, WIRED, and the San Francisco Chronicle. She was a 2018 Guggenheim Fellow.
1 有用 吴观我 2023-07-13 23:05:00 北京
Misrach的景观摄影，不是对自然的复刻，强调的是人类文明的痕迹，有比较明确的政治意图（尤其是Desert Cantos和Border Cantos两组作品）；在他看来，绘画和摄影的工作方式完全不同，前者为一个空白框架创造出内容填充物，后者则为无穷尽的万物设定一个孤立的框架，使之自立；决定性瞬间并不是摄影绝对法则，事实上美国人并不太吃布列松这一套；摄影作品，应由图像本来的视觉结构而非文字标题、附... Misrach的景观摄影，不是对自然的复刻，强调的是人类文明的痕迹，有比较明确的政治意图（尤其是Desert Cantos和Border Cantos两组作品）；在他看来，绘画和摄影的工作方式完全不同，前者为一个空白框架创造出内容填充物，后者则为无穷尽的万物设定一个孤立的框架，使之自立；决定性瞬间并不是摄影绝对法则，事实上美国人并不太吃布列松这一套；摄影作品，应由图像本来的视觉结构而非文字标题、附注、解说驱动自身，言说自身。书里谈到一些比较具体的建议，比如只带一个镜头之类，对黑白彩色、画幅、图片编辑、数码摄影也有涉及 (展开)