Middle Ages without borders: a conversation on medievalism (original) (raw)
Medioevo senza frontiere : una conversazione sul medievalismo / Moyen Âge sans frontières : conversation sur le médiévalisme
This book presents the proceedings of the international conference “The Middle Ages in the Modern World,” held in Rome November 21-24, 2018. Attended by more than a hundred participants of different ages, educational backgrounds, and places of origin, the conference constituted a landmark in the study of medievalism: the historical discipline, now in full bloom, that investigates the ways in which the thousand-year period between 500 and 1500 was, and continues to be, presented, reconstructed,...
Éditeur : Publications de l’École française de Rome
Lieu d’édition : Rome
Publication sur OpenEdition Books : 14 décembre 2021
ISBN numérique : 978-2-7283-1494-2
DOI : 10.4000/books.efr.18397
Collection : Collection de l'École française de Rome | 586
Année d’édition : 2021
ISBN (Édition imprimée) : 978-2-7283-1493-5
Nombre de pages : 232 p. (version papier)
Keynote Lectures / Lezioni magistrali / Conférences
Threads / Percorsi / Parcours
1. Religions and societies / Religioni e società / Religion et sociétés
a) The Middle Ages in early modern erudition
b) Remembering the Jews of medieval Christendom
c) Memory and perception of time
d) The Pope, the planet and the medieval past
2. Gender / Genere / Genre
a) Women warriors and masculine men
b) Medieval women in the modern world
3. Political medievalisms / Medievalismi politici / Médiévalismes politiques
a) La quête de l’identité nationale. Les usages politiques du Moyen Âge en France et en Italie, des Lumières au début du XIXe siècle
b) Memorie, miti, media
c) Political medievalisms 1
d) Political medievalisms 2
e) The new Middle Ages
f) Political medievalisms 3
4. Literature and linguistics / Letteratura e linguistica / Littérature et linguistique
a) Le Moyen Âge du long romantisme. France, Italie
b) The Romantic Middle Ages. Canada, Denmark, Russia
c) “Beastly anachronism.” Nature and politics in T. H. White’s King Arthur Cycle
d) The Middle Ages in contemporary fiction
e) Linguistics and toponymy
5. Forms and images / Forma e immagine / Forme et image
a) Reimpiego, rilavorazione, rifunzionalizzazione: la “lunga vita” della scultura medievale nei cantieri di età moderna
b) The Middle Ages in the pictorial arts and design
c) Il medioevo evanescente. Prove di stile nella Roma di inizio Novecento
d) Architetture neomedievali e recuperi contemporanei delle architetture medievali
e) A Disneyland of death: history and spectacle at Forest Lawn Memorial-Park, Glendale, California
f) Re|source: medieval and contemporary art
6. Public history / Storica pubblica / Histoire publique
a) Bringing the Middle Ages to life
b) Touring the Middle Ages
c) Accessible Middle Ages
7. Performing the Middle Ages / Medioevo performativo / Un Moyen Âge performatif
a) Medieval movement and attire. Getting it right (and wrong)
b) Festivals, evocations, and reenactments
c) From Belle Époque to gothic
d) Heavy metal medievalisms: a matter of identity?
8. Moving pictures and interactive technologies / Figure in movimento e tecnologie interattive / Images en mouvement et technologies interactives
a) “Power lies where people believe it does. It’s a trick, a shadow on the wall.” Images and forms of medieval power in Game of Thrones
b) Medioevo cinematografico / Cinematographic Middle Ages
c) At play in the Middle Ages: digital games and more
This book presents the proceedings of the international conference “The Middle Ages in the Modern World,” held in Rome November 21-24, 2018. Attended by more than a hundred participants of different ages, educational backgrounds, and places of origin, the conference constituted a landmark in the study of medievalism: the historical discipline, now in full bloom, that investigates the ways in which the thousand-year period between 500 and 1500 was, and continues to be, presented, reconstructed, and imagined in successive eras. The book opens with a substantial bibliography drawn from all of its components, followed by the seven keynote lectures and ninety-three shorter texts - abstracts of the individual conference papers - organized along eight thematic pathways, which together provide a vivid image of the current state of the field.
Tommaso di Carpegna Falconieri is Associate Professor of Medieval History at the University of Urbino. He works on the history of central Italy, political medievalism, and historical method.
Pierre Savy is Director of Medieval Studies at the École française de Rome. His research focuses on Northern Italy in the late Middle Ages (political society, Jewish communities).
Lila Yawn is Associate Professor and Director of the Master of Arts in Art History at John Cabot University. She researches illuminated manuscripts and Rome in the Middle Ages.
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