Lynn Whidden | Brandon University (original) (raw)
Papers by Lynn Whidden
The Sixteenth Century Journal
Ethnomusicology in Canada, CanMus Doc., 5, 1990
Whidden searches the document for sound, silence and sound.
COMPTES RENDUS/BOOK REVIEWS
The Canadian Journal of Native Studies, 2006
Musicultures, Jun 1, 1983
Songs of Our Fathers part 2: Zouaves, le verre à la main, et une jolie brune. From Pierre-Esprit Radisson to Louis Riel: Voyageurs and Métis Colloquium. Winnipeg: college universitaire de Saint-Boniface. September., 2016
Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Mon... more Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit:
MUSICultures, 1981
Lynn Whidden analyse les chants de Charlie Panigoniak pour illustrer les genres de changements qu... more Lynn Whidden analyse les chants de Charlie Panigoniak pour illustrer les genres de changements qui se produisent dans la musique Inuit d aujourdhui. Elle constate quel un de ses chants est interprete dans le style traditionnel et comporte des elements anciens et nouveaux, mais quen realite, il nest pas un chant vraiment traditionnel en raison dune facon differente d'utiliser la notion de temps en musique. Un autre de ses chants s'apparente plus au genre de musique Western.
CAML Review/Revue de l'ACBM, 2007
vitae, 2022
An ethnomusicologist posts her vitae
Ecclectica, Brandon University, Manitoba, 1990
Eessays on a variety of sound-related observations
Caml Review Revue De L Acbm, Apr 1, 2008
Canadian University Music Review, 1984
Ethnologies, 2007
... Goff describes it as “a popular-music renaissance” (22). Publishers churned out songbooks to ... more ... Goff describes it as “a popular-music renaissance” (22). Publishers churned out songbooks to meet the growing demand fueled by pentacostalism. Goff describes the businesses run by the likes of Joseph Funk, Aldine S. Kieffer, Ephraim Ruebush, and Anthony Johnson ...
The Sixteenth Century Journal
Ethnomusicology in Canada, CanMus Doc., 5, 1990
Whidden searches the document for sound, silence and sound.
COMPTES RENDUS/BOOK REVIEWS
The Canadian Journal of Native Studies, 2006
Musicultures, Jun 1, 1983
Songs of Our Fathers part 2: Zouaves, le verre à la main, et une jolie brune. From Pierre-Esprit Radisson to Louis Riel: Voyageurs and Métis Colloquium. Winnipeg: college universitaire de Saint-Boniface. September., 2016
Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Mon... more Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit:
MUSICultures, 1981
Lynn Whidden analyse les chants de Charlie Panigoniak pour illustrer les genres de changements qu... more Lynn Whidden analyse les chants de Charlie Panigoniak pour illustrer les genres de changements qui se produisent dans la musique Inuit d aujourdhui. Elle constate quel un de ses chants est interprete dans le style traditionnel et comporte des elements anciens et nouveaux, mais quen realite, il nest pas un chant vraiment traditionnel en raison dune facon differente d'utiliser la notion de temps en musique. Un autre de ses chants s'apparente plus au genre de musique Western.
CAML Review/Revue de l'ACBM, 2007
vitae, 2022
An ethnomusicologist posts her vitae
Ecclectica, Brandon University, Manitoba, 1990
Eessays on a variety of sound-related observations
Caml Review Revue De L Acbm, Apr 1, 2008
Canadian University Music Review, 1984
Ethnologies, 2007
... Goff describes it as “a popular-music renaissance” (22). Publishers churned out songbooks to ... more ... Goff describes it as “a popular-music renaissance” (22). Publishers churned out songbooks to meet the growing demand fueled by pentacostalism. Goff describes the businesses run by the likes of Joseph Funk, Aldine S. Kieffer, Ephraim Ruebush, and Anthony Johnson ...
The author reviews decades of experience with music transcription and then proposes a new approac... more The author reviews decades of experience with music transcription and then proposes a new approach. Consider that music has three habitats: Habitat Two is indoor-oriented and Habitat Three is electronic. Both musics are readily transcribed into print with standard notation. It is Habitat One, outdoor-oriented song, that defies representation with western print. I propose a methodology to replace reductionist assumptions of western transcription with the holistic sound (named fama) of Habitat One. From each particular fama of the planet's many sonic habitats, categories of transcription devolve. My conclusion applies this holistic approach to enrich archived music.
draft paper, 2017
The author argues that vocables are sonic archaeological artifacts and thus help us to understand... more The author argues that vocables are sonic archaeological artifacts and thus help us to understand the difficult- to- document evolution of human vocalization. She draws upon the work of evolutionary musicologists and anthropologists to help define these vocable expressions. Examples from living genres such as Cree hunting songs, Jewish nigun and Roma Pentacostal expressions illustrate the prevalence of this spontaneous response to an immediate physical situation. The author argues that this human attribute whose longevity is assured partly because of its ease of production, mainly tongue action, has great potential to illuminate human evolution. But can vocables survive You Tube?
Now available, Environment Matters. Why Song Sounds the Way It Does, published by Peter Lang, 201... more Now available, Environment Matters. Why Song Sounds the Way It Does, published by Peter Lang, 2018.
Whidden and Shore identify and discuss the sound of three different habitats for music: indoor, outdoor and electronic.
From Muskoday Pesheekey(buffalo, open plain) to Awacanee Pesheekey (cattle, animal confined to li... more From Muskoday Pesheekey(buffalo, open plain) to Awacanee Pesheekey (cattle, animal confined to limited environment): A Sonic History of Gabriel Dumont's Lifetime, 1837 to 1906
A few words of introduction… The following two essays are part of a series in an important conver... more A few words of introduction… The following two essays are part of a series in an important conversation about the relationship between physical environments and music. The documentation, drawn from mostly European and North American samples, demonstrates a strong correlation between human sonic creations and their context. This correlation involves multi-varied sonic particulars, depending upon the acoustic characteristics of the space, the sound, and the human intervention between them such as printed notation. Once descried, however, the links lead us to edifying questions about the history of our organized sound genres such as song and music.
draft paper for comments, 2019
The author argues that vocables are sonic archaeological artifacts and thus help us to understand... more The author argues that vocables are sonic archaeological artifacts and thus help us to understand the difficult- to- document evolution of human vocalization. She draws upon the work of evolutionary musicologists and anthropologists to help define these vocable expressions. Examples from living genres such as Cree hunting songs, Jewish nigun and Roma Pentacostal expressions illustrate the prevalence of this spontaneous response to an immediate physical situation. The author argues that this human attribute whose longevity is assured partly because of its ease of production, mainly tongue action, has great potential to illuminate human evolution. But can vocables survive You Tube?