Joost van den Vondel (1587-1679) (original) (raw)

“[This book] serves a dual purpose. It is the first comprehensive discussion of Vondel’s drama in English, and it offers a sampling of both more traditional and novel approaches. […] It brings Vondel’s large theatrical output to the attention of Anglophone readers, but does much more than that: by letting the light of theory shine on these plays, the book demonstrates just how rich, fresh, and valuable a writer Vondel remains.”
Theo Hermans, University College London. In: Renaissance Quarterly, Vol. 66, No. 1 (Spring 2013), pp. 345-347.

“this volume manages to present Vondel’s dramatic oeuvre in all its breadth for an international audience. It is a work of reference on the one hand and a research laboratory and forum for debate on the other. To its credit, this volume features the whole spectrum of past and present research on Vondel’s plays and integrates representatives of different methodological and theoretical provenance.”
Maria-Theresia Leuker, University of Cologne. In: Journal of Dutch Literature, Vol. 4, No. 2 (December 2013), pp. 92-102.

Introduction

Chapter 1
Vondel’s Dramas: A Chronological Survey
Eddy Grootes and Riet Schenkeveld-van der Dussen

Chapter 2
Vondel’s Works for the Stage Read and Studied Over the Centuries
Riet Schenkeveld-van der Dussen

Chapter 3
Vondel’s Dramas: Ways of Relating Present and Past
Frans-Willem Korsten

Part I – Vondel’s Life, Works and Times

Chapter 4
Vondel’s Life
Mieke B. Smits-Veldt and Marijke Spies

Chapter 5
Vondel’s Religion
Judith Pollmann

Chapter 6
Vondel and Amsterdam
Eddy Grootes

Chapter 7
Vondel as a Dramatist: The Representation of Language and Body
Bettina Noak

Chapter 8
Vondel’s Theatre and Music
Louis Peter Grijp and Jan Bloemendal

Chapter 9
Vondel’s Dramas: Their Afterlife in Performance
Mieke B. Smits-Veldt

Chapter 10
Vondel’s Reception Abroad
Guillaume van Gemert

Part II – Approaches and Dramas

Chapter 11
New Historicism – Hierusalem verwoest (1620) and the Jewish Question
Jürgen Pieters

Chapter 12
Politics and Aesthetics – Decoding Allegory in Palamedes (1625)
Nina Geerdink

Chapter 13
Translation Studies – Vondel’s Appropriation of Grotius’s Sophompaneas (1635)
Madeleine Kasten

Chapter 14
Intertextuality – Gysbreght van Aemstel (1637)
Marco Prandoni

Chapter 15
Dramaturgy – Staging Problems in Gysbreght van Aemstel (1637)
Peter G.F. Eversmann

Chapter 16
Cultural Analysis – Joseph Plays (1640)
Mieke Bal, Maaike Bleeker, Bennett Carpenter and Frans-Willem Korsten

Chapter 17
The Humanist Tradition – Maria Stuart (1646)
James A. Parente Jr. and Jan Bloemendal

Chapter 18
Deconstruction – Unsettling Peace in Leeuwendalers (1647)
Stefan van der Lecq

Chapter 19
Religion and Politics – Lucifer (1654) and Milton’s Paradise Lost (1674)
Jan Frans van Dijkhuizen and Helmer Helmers

Chapter 20
Gender Studies – Emotions in Jeptha (1659)
Kristine Steenbergh

Chapter 21
Close Reading and Theory – The David Plays (1660)
Frans-Willem Korsten

Chapter 22
Psychoanalysis – Law, Theatre and Violence in Samson (1660)
Yasco Horsman

Chapter 23
Law and Literature – Batavische gebroeders (1663)
Jeanne Gaakeer

Chapter 24
New Philology – Variants in Adam in ballingschap (1664)
Jan Bloemendal

Chapter 25
Philosophy – Noah (1667) about God and Nature
Wiep van Bunge

Works Cited

Part IV

Bibliography of Vondel’s dramas (1850–2008)
Jan Bloemendal

About the authors

Indices