Dorothy Price | University of Bristol (original) (raw)

Dorothy Price

Editor, Art History (Wiley Blackwell)

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Books by Dorothy Price

Research paper thumbnail of After Dada: Marta Hegemann and the Cologne Avant-Garde

What happened in 1920s Cologne ‘after Dada’? Whilst most standard accounts of Cologne Dada simply... more What happened in 1920s Cologne ‘after Dada’? Whilst most standard accounts of Cologne Dada simply stop with Max Ernst’s departure from the city for a new life as a surrealist in Paris, this book reveals the untold stories of the Cologne avant-garde that prospered after Dada but whose legacies have been largely forgotten or neglected. It focuses on the little-known Magical Realist painter Marta Hegemann (1894–1970). By re-inserting her into the histories of avant-garde modernism, a fuller picture of the gendered networks of artistic and cultural exchange within Weimar Germany can be revealed. This book embeds her activities as an artist within a gendered network of artistic exchange and influence in which Ernst continues to play a vital role amongst many others including his first wife, art critic Lou Straus-Ernst; photographers August Sander and Hannes Flach; artists Angelika Fick, Heinrich Hoerle, Willy Fick and the Cologne Progressives and visitors such as Kurt Schwitters and Katherine Dreier.

The book offers a significant addition to research on Weimar visual culture and will be invaluable to students and specialists in the field.

Research paper thumbnail of Editorial Introduction from Meskimmon and Rowe (eds) Women, the Arts and Globalization' (MUP 2013)

Research paper thumbnail of Architecture and Design in Europe and America 1750-2000 (with Harrison Moore 2006)

Research paper thumbnail of Representing Berlin: Sexuality and the City in Imperial and Weimar Germany (2003)

Papers by Dorothy Price

Research paper thumbnail of Non-Synchronous Cartographies: Frank Bowling's Map Paintings

Born in British Guiana (now Guyana) in 1936, a resident of London in the 1950s, and dividing his ... more Born in British Guiana (now Guyana) in 1936, a resident of London in the 1950s, and dividing his time between London and New York since the late 1960s, Frank Bowling is one of the foremost artists of his generation. As a pioneer of abstraction during the 1960s, his work as both a painter and critic for the New York–based Arts Magazine is of singular importance to the historiography of the visual culture of the “black Atlantic.” In particular, the six articles he wrote for the magazine between 1969 and 1971, in which he meditated on the notion of “black art,” reveal the ambivalent complexities that inform his aesthetic practices as both theorist and painter, or what Kobena Mercer has aptly referred to as Bowling's “discrepant abstraction.” The nature of the “discrepancies” in Bowling's work is the focus of this essay.

Research paper thumbnail of Feminism: Feminist Art History in Kelly, Michael (ed.) Oxford Encyclopaedia of Aesthetics (OUP 2015)

Research paper thumbnail of Retrieving, Remapping and Rewriting Histories of British Art: Lubaina Himid’s Revenge (2013)

A Companion to British Art 1600 to the Present, Mar 2013

1

Research paper thumbnail of August Sander and the Artists (2013) Available via http://www.tate.org.uk/research/publications/tate-papers/issue-19

Research paper thumbnail of Dada Angelika and La Paloma Hegemann (2009)

Research paper thumbnail of Biography and Spatial Experience in Contemporary Diasporic Art in Britain (2008)

Research paper thumbnail of Of Mimesis, Magic and Metamorphosis (2008)

Research paper thumbnail of Disruptive Beauty (2007)

Research paper thumbnail of Seeing Imperial Berlin: Lesser Ury, the painter as stranger (2007)

Research paper thumbnail of Representing Herself: Lotte Laserstein between Subject and Object (2006)

Research paper thumbnail of Cultural Crossings: performing race and transgender in the work of moti roti (2004)

Research paper thumbnail of Differencing the City: Urban Identities and the Spatial Imagination (2003)

Research paper thumbnail of Money, Modernity and Melancholia in the Writings of Georg Simmel (2005)

Research paper thumbnail of Desiring Berlin: Gender and Modernity in Imperial and Weimar Germany (1995)

Research paper thumbnail of Georg Simmel and the 1896 Berlin Trade Exhibition (1995)

Research paper thumbnail of After Dada: Marta Hegemann and the Cologne Avant-Garde

What happened in 1920s Cologne ‘after Dada’? Whilst most standard accounts of Cologne Dada simply... more What happened in 1920s Cologne ‘after Dada’? Whilst most standard accounts of Cologne Dada simply stop with Max Ernst’s departure from the city for a new life as a surrealist in Paris, this book reveals the untold stories of the Cologne avant-garde that prospered after Dada but whose legacies have been largely forgotten or neglected. It focuses on the little-known Magical Realist painter Marta Hegemann (1894–1970). By re-inserting her into the histories of avant-garde modernism, a fuller picture of the gendered networks of artistic and cultural exchange within Weimar Germany can be revealed. This book embeds her activities as an artist within a gendered network of artistic exchange and influence in which Ernst continues to play a vital role amongst many others including his first wife, art critic Lou Straus-Ernst; photographers August Sander and Hannes Flach; artists Angelika Fick, Heinrich Hoerle, Willy Fick and the Cologne Progressives and visitors such as Kurt Schwitters and Katherine Dreier.

The book offers a significant addition to research on Weimar visual culture and will be invaluable to students and specialists in the field.

Research paper thumbnail of Editorial Introduction from Meskimmon and Rowe (eds) Women, the Arts and Globalization' (MUP 2013)

Research paper thumbnail of Architecture and Design in Europe and America 1750-2000 (with Harrison Moore 2006)

Research paper thumbnail of Representing Berlin: Sexuality and the City in Imperial and Weimar Germany (2003)

Research paper thumbnail of Non-Synchronous Cartographies: Frank Bowling's Map Paintings

Born in British Guiana (now Guyana) in 1936, a resident of London in the 1950s, and dividing his ... more Born in British Guiana (now Guyana) in 1936, a resident of London in the 1950s, and dividing his time between London and New York since the late 1960s, Frank Bowling is one of the foremost artists of his generation. As a pioneer of abstraction during the 1960s, his work as both a painter and critic for the New York–based Arts Magazine is of singular importance to the historiography of the visual culture of the “black Atlantic.” In particular, the six articles he wrote for the magazine between 1969 and 1971, in which he meditated on the notion of “black art,” reveal the ambivalent complexities that inform his aesthetic practices as both theorist and painter, or what Kobena Mercer has aptly referred to as Bowling's “discrepant abstraction.” The nature of the “discrepancies” in Bowling's work is the focus of this essay.

Research paper thumbnail of Feminism: Feminist Art History in Kelly, Michael (ed.) Oxford Encyclopaedia of Aesthetics (OUP 2015)

Research paper thumbnail of Retrieving, Remapping and Rewriting Histories of British Art: Lubaina Himid’s Revenge (2013)

A Companion to British Art 1600 to the Present, Mar 2013

1

Research paper thumbnail of August Sander and the Artists (2013) Available via http://www.tate.org.uk/research/publications/tate-papers/issue-19

Research paper thumbnail of Dada Angelika and La Paloma Hegemann (2009)

Research paper thumbnail of Biography and Spatial Experience in Contemporary Diasporic Art in Britain (2008)

Research paper thumbnail of Of Mimesis, Magic and Metamorphosis (2008)

Research paper thumbnail of Disruptive Beauty (2007)

Research paper thumbnail of Seeing Imperial Berlin: Lesser Ury, the painter as stranger (2007)

Research paper thumbnail of Representing Herself: Lotte Laserstein between Subject and Object (2006)

Research paper thumbnail of Cultural Crossings: performing race and transgender in the work of moti roti (2004)

Research paper thumbnail of Differencing the City: Urban Identities and the Spatial Imagination (2003)

Research paper thumbnail of Money, Modernity and Melancholia in the Writings of Georg Simmel (2005)

Research paper thumbnail of Desiring Berlin: Gender and Modernity in Imperial and Weimar Germany (1995)

Research paper thumbnail of Georg Simmel and the 1896 Berlin Trade Exhibition (1995)

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