Rachel Hurdley | Cardiff University (original) (raw)
Papers by Rachel Hurdley
The Sociological Review, 2010
This article discusses how emergent sensory and multimodal methodologies can work in interaction ... more This article discusses how emergent sensory and multimodal methodologies can work in interaction to produce innovative social enquiry. A juxtaposition of two research projects — an ethnography of corridors and a mixed methods study of multimodal authoring and ‘reading’ practices — opened up this encounter. Sensory ethnography within social research methods aims to create empathetic, experiential ways of knowing participants’ and researchers’ worlds. The linguistic field of multimodality offers a rather different framework for research attending to the visual, material and acoustic textures of participants’ interactions. While both these approaches address the multidimensional character of social worlds, the ‘sensory turn’ centres the sensuous, bodied person — participant, researcher and audience/reader — as the ‘place’ for intimate, affective forms of knowing. In contrast, multimodal knowledge production is premised on multiple analytic gaps — between modes and media, participants and materials, recording and representation. Eliciting the tensions between sensorial closeness and modal distances offers a new space for reflexive research practice and multiple ways of knowing social worlds.
focuses on the relations between Mass Observation Reports, and the contemporary sociological valu... more focuses on the relations between Mass Observation Reports, and the contemporary sociological valuing of articulacy, salience and coherence in participants' accounts. This is linked with a critique of sociological literariness, to question how participants' words are transformed into 'data' for research productions. The aims are threefold. First, to show how research participants' contributions have valuable attributes that do not always fit neatly into conventional analytic frame. Second, to highlight how 'awkward' data challenge the literary conventions of sociological production. Third, to illustrate how critical reflection on a particular form of vernacular poetry can inform the poetics and politics of sociological methodology. By addressing Mass Observation's inconvenient materiality, its peculiar temporality and its diverse content, the paper considers how these unsettle the notion of 'data'. Critically engaging with Charles Madge's and Humphrey Jennings' notion of Mass Observation as 'Popular Poetry', I then consider how Whitman's vernacular epic, Leaves of Grass, has been woven into the cultural biography of the U.S. By drawing an analogy between Mass Observation's 'Popular Poetry' and Whitman's democratic poetics, I ask how a legitimised/legitimising research habitus can change in interaction with such materials, rather than resynthesising itself. Moving on to an ethically difficult film-making project with asylum seekers I argue for methodological architectures that open up plural, precarious, untimely 'anthropologies of ourselves'. A politics of knowledge-making, that acknowledges the 'long workshops' where social worlds are crafted, can then materialise.
Qualitative Research, 2008
Qualitative Research, 2008
Qualitative Research, 2010
Sociological Review, 2010
This paper is based on an ethnographic study of corridors in a large university building, origina... more This paper is based on an ethnographic study of corridors in a large university building, originally built to house local government in the early 20th century. By attending to their huge physical presence in the everyday culture of an institution, the paper shows how corridors matter. Too often invoked as iconic, intangible metaphors, the presence of corridors as cultural materials can be forgotten. Conversely, as incidental – or even detrimental – remnants of past design trends, they are perceived parts of a divisive, hierarchical organisation of space. As the open-plan office, indoor street, forum and atrium displace them in a new design for ‘openness’, the study focuses on the mobilisation of corridors in the daily, sometimes momentary re-arrangements of meaning in an organisation. In conclusion, I discuss how the new architecture of ‘openness’ might be reconfigured through mobile understandings of everyday ‘openings’ and ‘closings’.
Sociological Review, 2010
Sociological Review, 2007
This paper focuses on informants' accounts of gifts displayed on their living room mantelpieces d... more This paper focuses on informants' accounts of gifts displayed on their living room mantelpieces drawn from a recent study exploring domestic display in Cardiff. The mantelpiece is an ideal space for looking at a particular category of salient objects: gifts on show in the home. An interpretation of narrative accounts is located within existing theoretical and empirical studies of gift exchange to reconsider the complex enmeshment of this traditional relation in everyday practices. An equivalence between the mantelpiece and the ‘gifts’ it presents in the home as taken-for-granted, inherited practices and materials leads to a final discussion focusing on the apparently democratised yet still gendered character of everyday gift practices. In conclusion, a consideration of the gendering of the gift questions whether this traditional, problematic method of accounting for and maintaining relations is desirable.
Qualitative Research, 2007
... 96), and that it is important to note absence and presence in the visual record (2000 ... tha... more ... 96), and that it is important to note absence and presence in the visual record (2000 ... that same, slightly askew angle that motivated the study and its design: of making methods of cultural ... how these were mani-fested in the material culture of the home, the physical geography of ...
Qualitative Inquiry, 2010
Sociology-the Journal of The British Sociological Association, 2006
This paper is based on an ethnographic study of corridors in a large university building, origina... more This paper is based on an ethnographic study of corridors in a large university building, originally built to house local government in the early 20th century. By attending to their huge physical presence in the everyday culture of an institution, the paper shows how corridors matter. Too often invoked as iconic, intangible metaphors, the presence of corridors as cultural materials can be forgotten. Conversely, as incidental – or even detrimental – remnants of past design trends, they are perceived parts of a divisive, hierarchical organisation of space. As the open-plan office, indoor street, forum and atrium displace them in a new design for ‘openness’, the study focuses on the mobilisation of corridors in the daily, sometimes momentary re-arrangements of meaning in an organisation. In conclusion, I discuss how the new architecture of ‘openness’ might be reconfigured through mobile understandings of everyday ‘openings’ and ‘closings’.
The Sociological Review, 2010
This article discusses how emergent sensory and multimodal methodologies can work in interaction ... more This article discusses how emergent sensory and multimodal methodologies can work in interaction to produce innovative social enquiry. A juxtaposition of two research projects — an ethnography of corridors and a mixed methods study of multimodal authoring and ‘reading’ practices — opened up this encounter. Sensory ethnography within social research methods aims to create empathetic, experiential ways of knowing participants’ and researchers’ worlds. The linguistic field of multimodality offers a rather different framework for research attending to the visual, material and acoustic textures of participants’ interactions. While both these approaches address the multidimensional character of social worlds, the ‘sensory turn’ centres the sensuous, bodied person — participant, researcher and audience/reader — as the ‘place’ for intimate, affective forms of knowing. In contrast, multimodal knowledge production is premised on multiple analytic gaps — between modes and media, participants and materials, recording and representation. Eliciting the tensions between sensorial closeness and modal distances offers a new space for reflexive research practice and multiple ways of knowing social worlds.
focuses on the relations between Mass Observation Reports, and the contemporary sociological valu... more focuses on the relations between Mass Observation Reports, and the contemporary sociological valuing of articulacy, salience and coherence in participants' accounts. This is linked with a critique of sociological literariness, to question how participants' words are transformed into 'data' for research productions. The aims are threefold. First, to show how research participants' contributions have valuable attributes that do not always fit neatly into conventional analytic frame. Second, to highlight how 'awkward' data challenge the literary conventions of sociological production. Third, to illustrate how critical reflection on a particular form of vernacular poetry can inform the poetics and politics of sociological methodology. By addressing Mass Observation's inconvenient materiality, its peculiar temporality and its diverse content, the paper considers how these unsettle the notion of 'data'. Critically engaging with Charles Madge's and Humphrey Jennings' notion of Mass Observation as 'Popular Poetry', I then consider how Whitman's vernacular epic, Leaves of Grass, has been woven into the cultural biography of the U.S. By drawing an analogy between Mass Observation's 'Popular Poetry' and Whitman's democratic poetics, I ask how a legitimised/legitimising research habitus can change in interaction with such materials, rather than resynthesising itself. Moving on to an ethically difficult film-making project with asylum seekers I argue for methodological architectures that open up plural, precarious, untimely 'anthropologies of ourselves'. A politics of knowledge-making, that acknowledges the 'long workshops' where social worlds are crafted, can then materialise.
Qualitative Research, 2008
Qualitative Research, 2008
Qualitative Research, 2010
Sociological Review, 2010
This paper is based on an ethnographic study of corridors in a large university building, origina... more This paper is based on an ethnographic study of corridors in a large university building, originally built to house local government in the early 20th century. By attending to their huge physical presence in the everyday culture of an institution, the paper shows how corridors matter. Too often invoked as iconic, intangible metaphors, the presence of corridors as cultural materials can be forgotten. Conversely, as incidental – or even detrimental – remnants of past design trends, they are perceived parts of a divisive, hierarchical organisation of space. As the open-plan office, indoor street, forum and atrium displace them in a new design for ‘openness’, the study focuses on the mobilisation of corridors in the daily, sometimes momentary re-arrangements of meaning in an organisation. In conclusion, I discuss how the new architecture of ‘openness’ might be reconfigured through mobile understandings of everyday ‘openings’ and ‘closings’.
Sociological Review, 2010
Sociological Review, 2007
This paper focuses on informants' accounts of gifts displayed on their living room mantelpieces d... more This paper focuses on informants' accounts of gifts displayed on their living room mantelpieces drawn from a recent study exploring domestic display in Cardiff. The mantelpiece is an ideal space for looking at a particular category of salient objects: gifts on show in the home. An interpretation of narrative accounts is located within existing theoretical and empirical studies of gift exchange to reconsider the complex enmeshment of this traditional relation in everyday practices. An equivalence between the mantelpiece and the ‘gifts’ it presents in the home as taken-for-granted, inherited practices and materials leads to a final discussion focusing on the apparently democratised yet still gendered character of everyday gift practices. In conclusion, a consideration of the gendering of the gift questions whether this traditional, problematic method of accounting for and maintaining relations is desirable.
Qualitative Research, 2007
... 96), and that it is important to note absence and presence in the visual record (2000 ... tha... more ... 96), and that it is important to note absence and presence in the visual record (2000 ... that same, slightly askew angle that motivated the study and its design: of making methods of cultural ... how these were mani-fested in the material culture of the home, the physical geography of ...
Qualitative Inquiry, 2010
Sociology-the Journal of The British Sociological Association, 2006
This paper is based on an ethnographic study of corridors in a large university building, origina... more This paper is based on an ethnographic study of corridors in a large university building, originally built to house local government in the early 20th century. By attending to their huge physical presence in the everyday culture of an institution, the paper shows how corridors matter. Too often invoked as iconic, intangible metaphors, the presence of corridors as cultural materials can be forgotten. Conversely, as incidental – or even detrimental – remnants of past design trends, they are perceived parts of a divisive, hierarchical organisation of space. As the open-plan office, indoor street, forum and atrium displace them in a new design for ‘openness’, the study focuses on the mobilisation of corridors in the daily, sometimes momentary re-arrangements of meaning in an organisation. In conclusion, I discuss how the new architecture of ‘openness’ might be reconfigured through mobile understandings of everyday ‘openings’ and ‘closings’.