Gabriel Pareyon - Profile on Academia.edu (original) (raw)
Papers by Gabriel Pareyon
Pauta 59-60
Contenido: 1) Mutis, Alvaro. Intermedio en el Strand; 2) Alatorre, Antonio. Un aficionado de anta... more Contenido: 1) Mutis, Alvaro. Intermedio en el Strand; 2) Alatorre, Antonio. Un aficionado de antano; 3) Arreola, Juan Jose. Variaciones en torno a la musica; 4) Monterroso, Augusto. Lecciones de musica; 5) Esquinca, Jorge. Paisaje rulfiano; 6) Pareyon, Gabriel. Dos compositores jaliscienses. Conversaciones con Domingo Lobato y Hermilio Hemandez; 7) Lizalde, Eduardo. Pilar Lorengar ( 1928-1996), su gran generacion; 8) Melo, Juan Vicente. Correspondencia entre Claude Debussy; 9) Carredano, Consuelo. Un Orfeo en los infiernos del teatro porfiriano: la cronica musical de Manuel Gutierrez Najera; 9) Garcia Ascot, Jomi. La cancion. (Contiene otras notas no referenciadas en esta descripcion).
Manuel de Jesús Aréchiga (1903-1984)
Pauta (México, D.F.), 1995
In music, the notions of matter, energy and time synthesize in games of symmetry and periodicity ... more In music, the notions of matter, energy and time synthesize in games of symmetry and periodicity through pulse and rhythm-and silences as their modifiers, by suppression and emphasis-, whose compositions produce complexity in successive orders of self-construction: tonal collections, melodies, chords, textures, timbres, masses, forms and styles throughout epochs. In physics, pulse and rhythm correspond to quantum, molecular, crystalline, gravitational, dynamic, and even chaotic analogies, treated under mathematical models: objects, quantities, matrices, vectors, functions, fields, and operators. In a way, if we are talking about harmonic analysis-signals and waves-and number theory-at the different levels of arithmetic-, it is necessary to specify an area of specialization: physics, music or mathematics, with their own particularities for each one of them. However, music participates in this knowledge as an intersection where physical evidence is in line with mathematical modeling. Music theory is, in fact, a tradition that encompasses cognitive and epistemic studies that reflect the qualities of that intersection; so its study helps to understand the way in which harmonic analysis and number theory communicate. This work postulates how music has referent, expressive and symbolic capacities, but also properties of a special inter-agglutinative metalanguage. The focus is on explaining its theoretical foundations to assess them in convergence with the foundations of harmonic analysis and number theory.
La idea de música en José Vasconcelos (1881-1959). Una aproximación
Pauta (México, D.F.), 2002
Benigno de la Torre (1856-1912). El maestro de la Academia de Guadalajara y los orígenes del modernismo musical en el occidente de México. II. Edición de partituras para piano
Il canto sospeso (1956). Forma intuida y forma razonada
Pauta (México, D.F.), 2007
Sumario histórico de la música en la catedral de Guadalajara
Heterofonía: revista de investigación musical, 1997
... Autores: Gabriel Pareyón; Localización: Heterofonía: revista de investigación musical, ISSN 0... more ... Autores: Gabriel Pareyón; Localización: Heterofonía: revista de investigación musical, ISSN 0018-1137, Nº. ... secundaria sobre Alonso Vélez Sarmiento, Martín Casillas, Narciso Sort de Sanz, José Mariano Elízaga, Santiago Herrera, Cruz Balcázar, Diego Altamirano y otros ...
José F. Vásquez (1896-1961): Una voz que a los oídos llega
First printed edition, 1996; first electronic edition, 2016Biographical study, interviews, musica... more First printed edition, 1996; first electronic edition, 2016Biographical study, interviews, musical description, catalogue, bibliography pictures and other information about José F. Vásquez, composer, music teacher and conductor founder of the former National University Symphonic Orchestra of Mexico, today OFUNAM (Mexico City)
El mito actual de la música popular
Pauta (México, D.F.), 2003
MusMat, Jun 29, 2022
This text is an overview for Latin America across the field of music and musicology intersecting ... more This text is an overview for Latin America across the field of music and musicology intersecting mathematics, including the advances from perspectives of experimentation, creation, analysis and pedagogy throughout interdisciplinary developments, particularly in the field of computational science and philosophy of science. Our main goal is to spread worldwide the richness and variety of research on music and mathematics in Latin America as well as stimulate further investigation in this fascinating intersection.
Master’s Thesis – Composition
This research and practice project studies the way in which some aspects of linguistic order are ... more This research and practice project studies the way in which some aspects of linguistic order are also found in music’s order. Whereas some aspects of order and organisation are attributed to music because of their psychophysical integration, other aspects seem to be more related to the configuration of music in memory and experience (i.e. individual memory and memory-in-society processes). These foundations are also shared by speech and visual symbolizing. Given that order in music is commonly referred and/or justified by verbal or visual language, cases of analogy and metaphor are discussed, within the context of music composition and analysis. This project also explores the role of figuration and referentiality in some examples of geometry associa-ted with musical ideas, in order to analyse how such mediums are intertwined with speech and musical elaboration. Keywords
Cuarenta años de investigación musical en México a través del CENIDIM
Heterofonía 114-115
Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Present... more Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Presentacion, pag. 3. ARTICULOS: LA CATEDRA JESUS C. ROMERO. Introduccion, pag. 9. ROBERT STEVENSON, Aportaciones del doctor Jesus C. Romero a la musicologia mexicana, pag. 11. ROBERT STEVENSON, Reflexiones sobre el concepto de musica precortesiana en Mexico, pag. 25. AUREA MAYA Y EUGENIO DELGADO, El Archivo Musical de Cenobio Paniagua: nuevas posibilidades de investigacion a partir de su descubrimiento, pag. 38. AURELIO TELLO, Perspectivas de la investigacion musical, pag. 42. JOSE ANTONIO ROBLES CAHERO, Una labor de medio siglo en la investigacion musical: entrevista con Robert Stevenson, pag. 48. ADRIANA PEREZ SOTO Y RICARDO MIRANDA, Robert Stevenson y la musica mexicana: bibliografia selecta, pag. 64. BERNAL JIMENEZ, A CUARENTA ANOS DE SU MUERTE: Introduccion, pag. 73. RICARDO MIRANDA, Carteles o Miguel Bernal en el Monte de los Olivos, pag. 74. LORENA DIAZ NUNEZ Y EUGENIO BERNAL, El paisaj...
Heterofonía 116-117
Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Present... more Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Presentacion, pag. 3. ARTICULOS: JOHN KOEGEL, Nuevas fuentes musicales para danza, teatro y salon de la Nueva Espana, pag. 9. RICARDO MIRANDA, Reflexiones sobre el clasicismo en Mexico (1770-1840), pag. 39. CRAIGH H. RUSSELL, El manuscrito Eleanor Hague. Una muestra de la vida musical en el Mexico del siglo XVIII, pag. 51. GABRIEL PAREYON, Sumario historico de la musica en la Catedral de Guadalajara, pag. 99. ROSA VIRGINIA SANCHEZ, El trovo: una singular y casi desconocida forma poetica del huapango huasteco, pag. 125. MUSICA: VICENTE ORTIZ DE ZARATE, 1. Duo para el decendimiento de nuestro amavilisimo redentor Jesus (transcripcion de J. A. Robles Cahero), pag. 139; 2. Ejemplos musicales para violin del manuscrito Eleanor Hague, pag. 149. DOCUMENTOS: JOSE ANTONIO, Introduccion, pag. 155. 1. Dos cartas: A. de Antonio Alonso de Teran a Joaquin Colla (26.09.1807); B. Respuesta de Colla (26.09.1807...
Pauta 55-56
Contenido: 1) Miranda, Ricardo. Sor Juana y la musica; 2) Pareyon, Gabriel. Manuel de Jesus Arech... more Contenido: 1) Miranda, Ricardo. Sor Juana y la musica; 2) Pareyon, Gabriel. Manuel de Jesus Arechiga. La musica en Guadalajara y su religiosidad inherente; 3) Shelley, Percy Bysshe. Poema; 4) Carmona, Gloria. Gerhardt Muench; 5) Hurtado, Eduardo. Dos poemas; 6) Tello, Aurelio. El cuarteto de arcos de don Candelario; 7) Brennan, Juan Arturo. Entrevista a Ronald Zollman; 8) Alatorre, Antonio. Una investigacion policial sobre La cucaracha; 9) Cortez, Luis Jaime. Joaquin Gutierrez Heras: la busqueda de lo irremplazable; 10) Miranda, Ricardo. Mariana Villanueva: Canto obscuro para violin solo; 11) Villanueva, Mariana. La musica, una puerta abierta al misterio; 12) Alvarez del Castillo, Fernando. John Forsman. (Contiene otros textos no incluidos en la descripcion).
Ulises pitagórico : Una introducción a la filosofía musical de José Vasconcelos
The musical-mathematical mind: patterns and transformations
This research and practice project studies the way in which some aspects of linguistic order are ... more This research and practice project studies the way in which some aspects of linguistic order are also found in music's order. Whereas some aspects of order and organisation are attributed to music because of their psychophysical integration, other aspects seem to be more related to the configuration of music in memory and experience (i.e. individual memory and memoryin-society processes). These foundations are also shared by speech and visual symbolizing. Given that order in music is commonly referred and/or justified by verbal or visual language, cases of analogy and metaphor are discussed, within the context of music composition and analysis. This project also explores the role of figuration and referentiality in some examples of geometry associated with musical ideas, in order to analyse how such mediums are intertwined with speech and musical elaboration.
Música como persuasión y poder: música como transformación
Folios, publicacion de discucion y analisis, Apr 1, 2010
MusMat|: Brazilian Journal of Music and Mathematics, Jun 15, 2022
It is a fact that the ancient peoples of the Americas had, for many centuries, robust mathematica... more It is a fact that the ancient peoples of the Americas had, for many centuries, robust mathematical and musical cultures. Although much of these cultures was not clearly recorded in writing by the first European settlers, this does not mean that their existence is insignificant, and much less, that they have been lost forever. Due to the importance of publishing studies on music and mathematics from a Latin American perspective, the following text, initiatory on the subject, proposes three key questions to promote a discussion from anthropological and historical foundations for the indigenous relationships of music and mathematics, and with the intention of motivating more questions, or formulating them in a better way, in further research.
Pauta 59-60
Contenido: 1) Mutis, Alvaro. Intermedio en el Strand; 2) Alatorre, Antonio. Un aficionado de anta... more Contenido: 1) Mutis, Alvaro. Intermedio en el Strand; 2) Alatorre, Antonio. Un aficionado de antano; 3) Arreola, Juan Jose. Variaciones en torno a la musica; 4) Monterroso, Augusto. Lecciones de musica; 5) Esquinca, Jorge. Paisaje rulfiano; 6) Pareyon, Gabriel. Dos compositores jaliscienses. Conversaciones con Domingo Lobato y Hermilio Hemandez; 7) Lizalde, Eduardo. Pilar Lorengar ( 1928-1996), su gran generacion; 8) Melo, Juan Vicente. Correspondencia entre Claude Debussy; 9) Carredano, Consuelo. Un Orfeo en los infiernos del teatro porfiriano: la cronica musical de Manuel Gutierrez Najera; 9) Garcia Ascot, Jomi. La cancion. (Contiene otras notas no referenciadas en esta descripcion).
Manuel de Jesús Aréchiga (1903-1984)
Pauta (México, D.F.), 1995
In music, the notions of matter, energy and time synthesize in games of symmetry and periodicity ... more In music, the notions of matter, energy and time synthesize in games of symmetry and periodicity through pulse and rhythm-and silences as their modifiers, by suppression and emphasis-, whose compositions produce complexity in successive orders of self-construction: tonal collections, melodies, chords, textures, timbres, masses, forms and styles throughout epochs. In physics, pulse and rhythm correspond to quantum, molecular, crystalline, gravitational, dynamic, and even chaotic analogies, treated under mathematical models: objects, quantities, matrices, vectors, functions, fields, and operators. In a way, if we are talking about harmonic analysis-signals and waves-and number theory-at the different levels of arithmetic-, it is necessary to specify an area of specialization: physics, music or mathematics, with their own particularities for each one of them. However, music participates in this knowledge as an intersection where physical evidence is in line with mathematical modeling. Music theory is, in fact, a tradition that encompasses cognitive and epistemic studies that reflect the qualities of that intersection; so its study helps to understand the way in which harmonic analysis and number theory communicate. This work postulates how music has referent, expressive and symbolic capacities, but also properties of a special inter-agglutinative metalanguage. The focus is on explaining its theoretical foundations to assess them in convergence with the foundations of harmonic analysis and number theory.
La idea de música en José Vasconcelos (1881-1959). Una aproximación
Pauta (México, D.F.), 2002
Benigno de la Torre (1856-1912). El maestro de la Academia de Guadalajara y los orígenes del modernismo musical en el occidente de México. II. Edición de partituras para piano
Il canto sospeso (1956). Forma intuida y forma razonada
Pauta (México, D.F.), 2007
Sumario histórico de la música en la catedral de Guadalajara
Heterofonía: revista de investigación musical, 1997
... Autores: Gabriel Pareyón; Localización: Heterofonía: revista de investigación musical, ISSN 0... more ... Autores: Gabriel Pareyón; Localización: Heterofonía: revista de investigación musical, ISSN 0018-1137, Nº. ... secundaria sobre Alonso Vélez Sarmiento, Martín Casillas, Narciso Sort de Sanz, José Mariano Elízaga, Santiago Herrera, Cruz Balcázar, Diego Altamirano y otros ...
José F. Vásquez (1896-1961): Una voz que a los oídos llega
First printed edition, 1996; first electronic edition, 2016Biographical study, interviews, musica... more First printed edition, 1996; first electronic edition, 2016Biographical study, interviews, musical description, catalogue, bibliography pictures and other information about José F. Vásquez, composer, music teacher and conductor founder of the former National University Symphonic Orchestra of Mexico, today OFUNAM (Mexico City)
El mito actual de la música popular
Pauta (México, D.F.), 2003
MusMat, Jun 29, 2022
This text is an overview for Latin America across the field of music and musicology intersecting ... more This text is an overview for Latin America across the field of music and musicology intersecting mathematics, including the advances from perspectives of experimentation, creation, analysis and pedagogy throughout interdisciplinary developments, particularly in the field of computational science and philosophy of science. Our main goal is to spread worldwide the richness and variety of research on music and mathematics in Latin America as well as stimulate further investigation in this fascinating intersection.
Master’s Thesis – Composition
This research and practice project studies the way in which some aspects of linguistic order are ... more This research and practice project studies the way in which some aspects of linguistic order are also found in music’s order. Whereas some aspects of order and organisation are attributed to music because of their psychophysical integration, other aspects seem to be more related to the configuration of music in memory and experience (i.e. individual memory and memory-in-society processes). These foundations are also shared by speech and visual symbolizing. Given that order in music is commonly referred and/or justified by verbal or visual language, cases of analogy and metaphor are discussed, within the context of music composition and analysis. This project also explores the role of figuration and referentiality in some examples of geometry associa-ted with musical ideas, in order to analyse how such mediums are intertwined with speech and musical elaboration. Keywords
Cuarenta años de investigación musical en México a través del CENIDIM
Heterofonía 114-115
Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Present... more Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Presentacion, pag. 3. ARTICULOS: LA CATEDRA JESUS C. ROMERO. Introduccion, pag. 9. ROBERT STEVENSON, Aportaciones del doctor Jesus C. Romero a la musicologia mexicana, pag. 11. ROBERT STEVENSON, Reflexiones sobre el concepto de musica precortesiana en Mexico, pag. 25. AUREA MAYA Y EUGENIO DELGADO, El Archivo Musical de Cenobio Paniagua: nuevas posibilidades de investigacion a partir de su descubrimiento, pag. 38. AURELIO TELLO, Perspectivas de la investigacion musical, pag. 42. JOSE ANTONIO ROBLES CAHERO, Una labor de medio siglo en la investigacion musical: entrevista con Robert Stevenson, pag. 48. ADRIANA PEREZ SOTO Y RICARDO MIRANDA, Robert Stevenson y la musica mexicana: bibliografia selecta, pag. 64. BERNAL JIMENEZ, A CUARENTA ANOS DE SU MUERTE: Introduccion, pag. 73. RICARDO MIRANDA, Carteles o Miguel Bernal en el Monte de los Olivos, pag. 74. LORENA DIAZ NUNEZ Y EUGENIO BERNAL, El paisaj...
Heterofonía 116-117
Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Present... more Revista/Journal (Dir. Jose Antonio Robles Cahero). Contenido: JOSE ANTONIO ROBLES CAHERO, Presentacion, pag. 3. ARTICULOS: JOHN KOEGEL, Nuevas fuentes musicales para danza, teatro y salon de la Nueva Espana, pag. 9. RICARDO MIRANDA, Reflexiones sobre el clasicismo en Mexico (1770-1840), pag. 39. CRAIGH H. RUSSELL, El manuscrito Eleanor Hague. Una muestra de la vida musical en el Mexico del siglo XVIII, pag. 51. GABRIEL PAREYON, Sumario historico de la musica en la Catedral de Guadalajara, pag. 99. ROSA VIRGINIA SANCHEZ, El trovo: una singular y casi desconocida forma poetica del huapango huasteco, pag. 125. MUSICA: VICENTE ORTIZ DE ZARATE, 1. Duo para el decendimiento de nuestro amavilisimo redentor Jesus (transcripcion de J. A. Robles Cahero), pag. 139; 2. Ejemplos musicales para violin del manuscrito Eleanor Hague, pag. 149. DOCUMENTOS: JOSE ANTONIO, Introduccion, pag. 155. 1. Dos cartas: A. de Antonio Alonso de Teran a Joaquin Colla (26.09.1807); B. Respuesta de Colla (26.09.1807...
Pauta 55-56
Contenido: 1) Miranda, Ricardo. Sor Juana y la musica; 2) Pareyon, Gabriel. Manuel de Jesus Arech... more Contenido: 1) Miranda, Ricardo. Sor Juana y la musica; 2) Pareyon, Gabriel. Manuel de Jesus Arechiga. La musica en Guadalajara y su religiosidad inherente; 3) Shelley, Percy Bysshe. Poema; 4) Carmona, Gloria. Gerhardt Muench; 5) Hurtado, Eduardo. Dos poemas; 6) Tello, Aurelio. El cuarteto de arcos de don Candelario; 7) Brennan, Juan Arturo. Entrevista a Ronald Zollman; 8) Alatorre, Antonio. Una investigacion policial sobre La cucaracha; 9) Cortez, Luis Jaime. Joaquin Gutierrez Heras: la busqueda de lo irremplazable; 10) Miranda, Ricardo. Mariana Villanueva: Canto obscuro para violin solo; 11) Villanueva, Mariana. La musica, una puerta abierta al misterio; 12) Alvarez del Castillo, Fernando. John Forsman. (Contiene otros textos no incluidos en la descripcion).
Ulises pitagórico : Una introducción a la filosofía musical de José Vasconcelos
The musical-mathematical mind: patterns and transformations
This research and practice project studies the way in which some aspects of linguistic order are ... more This research and practice project studies the way in which some aspects of linguistic order are also found in music's order. Whereas some aspects of order and organisation are attributed to music because of their psychophysical integration, other aspects seem to be more related to the configuration of music in memory and experience (i.e. individual memory and memoryin-society processes). These foundations are also shared by speech and visual symbolizing. Given that order in music is commonly referred and/or justified by verbal or visual language, cases of analogy and metaphor are discussed, within the context of music composition and analysis. This project also explores the role of figuration and referentiality in some examples of geometry associated with musical ideas, in order to analyse how such mediums are intertwined with speech and musical elaboration.
Música como persuasión y poder: música como transformación
Folios, publicacion de discucion y analisis, Apr 1, 2010
MusMat|: Brazilian Journal of Music and Mathematics, Jun 15, 2022
It is a fact that the ancient peoples of the Americas had, for many centuries, robust mathematica... more It is a fact that the ancient peoples of the Americas had, for many centuries, robust mathematical and musical cultures. Although much of these cultures was not clearly recorded in writing by the first European settlers, this does not mean that their existence is insignificant, and much less, that they have been lost forever. Due to the importance of publishing studies on music and mathematics from a Latin American perspective, the following text, initiatory on the subject, proposes three key questions to promote a discussion from anthropological and historical foundations for the indigenous relationships of music and mathematics, and with the intention of motivating more questions, or formulating them in a better way, in further research.