Rui Lobo | Universidade de Coimbra (original) (raw)
Books by Rui Lobo
Projetos para o Mosteiro de Santa Cruz de Coimbra e área envolvente (João Mendes Ribeiro e Rui Lobo, coord.), Edarq, Coimbra, 2022
Atelier de Projeto II-A Mestrado Integrado em Arquitetura 2019-20 impressão e acabamento Nozzle, ... more Atelier de Projeto II-A Mestrado Integrado em Arquitetura 2019-20 impressão e acabamento Nozzle, Lda. ISBN 978-989-53257-5-7 depósito legal 498461/22 Abril 2022 Esta publicação foi financiada por FEDER-Fundo Europeu de Desenvolvimento Regional através do COMPETE 2020-Programa Operacional Competitividade e Internacionalização (POCI) e por fundos nacionais através da FCT-Fundação para a Ciência e a Tecnologia, no âmbito do projeto SANTACRUZ com a referência POCI-01-0145-FEDER-030704-PTDC/ART-DAQ/30704/2017 título Projetos
The Colleges of Jesus and Arts of Coimbra (1542-1759), Edarq, 2021
Contents Preface 7 Introduction 13 The establishment of the College of Jesus (1542) and the begin... more Contents Preface 7 Introduction 13 The establishment of the College of Jesus (1542) and the beginning of its construction (1547) 17 First phase-the joint design for the Colleges of Jesus and Arts (1568) 21 Second phase-the first stone of the new church of the College of Jesus, the current "Sé Nova" (1598) 37 Third phase-the opening of the classrooms at the College of Arts (1616) 41 Fourth phase-inauguration of the new church nave (1640) 45 Fifth phase-completion of the new church dome and chancel (1698) 49 Sixth phase-the suppression of the Jesuits (1759) 53 Epilogue 57 Notes 65 Bibliography 75
Os Colégios de Jesus e das Artes de Coimbra (1542-1759), Edarq, 2021
Colóquio Internacional Sobre Recosntituições 3D de Património Arquitetónico Desaparecido (3 de Ab... more Colóquio Internacional Sobre Recosntituições 3D de Património Arquitetónico Desaparecido (3 de Abril de 2019)
International Colloquium on 3D Reconstituions of Lost Architectural Heritage (April 3rd, 2019)
Thesis Chapters by Rui Lobo
Papers by Rui Lobo
Rua Larga 57, 2023, 32-39., 2023
A pressão de seleção da resposta imunitária individual: um dos ensinamentos da pandemia COVID-19-P.
Carlota Simões, Ana Cristina Araújo, Pedro Casaleiro (Coord.), Redes Científicas da Universidade de Coimbra no Iluminismo, Coimbra, Imprensa da Universidade de Coimbra, 27-54, 2022
O Século das Luzes é um período fulgurante para a Universidade de Coimbra e o seu edificado e as ... more O Século das Luzes é um período fulgurante para a Universidade de Coimbra e o seu edificado e as suas coleções científicas são disso testemunha. Reúne-se neste livro um conjunto de textos sobre o papel do Iluminismo em Coimbra e no mundo, da autoria de estudiosos de diversas áreas das ciências e das humanidades. Os textos debruçam-se sobre um período que vai desde a criação dos novos estatutos para a Universidade de Coimbra à independência do Brasil, apresentando a história do iluminismo em Coimbra e o seu impacto no edificado, nas suas coleções científicas, na transformação técnica e económica do país. A interdisciplinaridade desta obra é patente pela variedade das áreas de especialização dos seus autores, tão diversas como história, história de arte, história da ciência, museologia, arquitetura, matemática, física, química, ciências da saúde, da vida e da terra. A publicação deste livro coincide com as celebrações dos 250 anos da Reforma Pombalina e da fundação dos equipamentos pombalinos, entre os quais o Museu da Ciência e a Imprensa da Universidade de Coimbra.
João Mendes Ribeiro, Rui Lobo (Coord.), Projetos para o Mosteiro de Santa Cruz de Coimbra e Área Envolvente, Coimbra, Edarq, 13-21, 2022
Atelier de Projeto II-A Mestrado Integrado em Arquitetura 2019-20 impressão e acabamento Nozzle, ... more Atelier de Projeto II-A Mestrado Integrado em Arquitetura 2019-20 impressão e acabamento Nozzle, Lda. ISBN 978-989-53257-5-7 depósito legal 498461/22 Abril 2022 Esta publicação foi financiada por FEDER-Fundo Europeu de Desenvolvimento Regional através do COMPETE 2020-Programa Operacional Competitividade e Internacionalização (POCI) e por fundos nacionais através da FCT-Fundação para a Ciência e a Tecnologia, no âmbito do projeto SANTACRUZ com a referência POCI-01-0145-FEDER-030704-PTDC/ART-DAQ/30704/2017 título Projetos
Noël Glovers, Carlota Simões (Coord.), 1655 Escala em Coimbra. Um jovem jesuíta entre o Ocidente e o Oriente / 1655 Tussenstop in Coimbra. Een jonge jezuiet tussen West en Oost, Coimbra, Imprensa da Universidade, 119-127, 2022
Um jovem jesuíta entre o Ocidente e o Oriente / Een jonge jezuiet tussen West en Oost
Rosalva Loreto López (Coord.), Las Universidades iberoamericanas y la custodia del patrimonio cultural, Puebla, Benemerita Universidad Autonoma de Puebla (BUAP), 69-110, 2022
Javier Rivera Blanco (Dir.), III Simposio Internacional de Arte y Arquitectura Universitaria Patrimonio Mundial El cardenal Cisneros, promotor de las artes. Su legado patrimonial, Alcalá de Henares, Editorial Universidad de Alcalá, 2021
digitAR - Digital Journal of Archaeology, Architecture and Arts, 7 (2020) - João de Ruão. Arquitecto e escultor do Renascimento europeu, 2020
Upon his arrival in Coimbra, in about 1528, Jean de Rouen immediately started working for the Mon... more Upon his arrival in Coimbra, in about 1528, Jean de Rouen immediately started working for the Monastery of Santa Cruz, of the Canons Regular of St. Augustine. The house was undergoing a spiritual and physical reformation ordered by John III, with the Hieronymite Friar Brás de Braga in charge. Jean de Rouen, sculptor, or “imagineer”, was commissioned with some ornamental architectural pieces, such as arches and doorways, where he applied the new language of the Renaissance – as, for example, the arch of the high choir of the church, framed by a classic
composition of pilasters, entablature and a pair of tondi. Simultaneously, he also became responsible for those space-containing architectural structures such as a small chapel amongst the Silence cloister, or the Manga cloister fountain tempietto. In this paper we aim to analyse Jean de Rouen’s work at Santa Cruz, during the first phase of his Portuguese career, and the growing scope of his artistic activity from the scale of sculpture to that of architecture.
Luis Agustín-Hernández, Aurelio Vallespín Muniesa, Angélica Fernández-Morales (Eds.), «Graphical Heritage», Vol.I - History and Heritage, Cham, Springer, 2020
Luis Agustin-Hernández, Noelia Cervero Sánchez, Miguel Sancho Mir (Eds.), «El patrimonio gráfico. La gráfica del Património. XVIII Congreso Internacional de Expresión Gráfica Arquitectónica» , 2020
Mário Santiago de Carvalho, Manuel Lázaro Pulido, Simone Guidi (Eds.), «Francisco Suárez. Metaphysics, Politics and Ethics», Coimbra, Imprensa da Universidade , 2020
In this paper we will try to show what was the spatial context of Francisco Suarez’s twenty year... more In this paper we will try to show what was the spatial context of Francisco Suarez’s twenty year stay in Coimbra. We
will try to briefly characterize the university town where
he lived for the last and most productive period of his life;
and also the physical context of the College of Jesus (where
he supposedly slept and worked) and the College of Arts,
both of which were under construction. We will conclude
that Suárez, during his stay in Coimbra, would have lived
and worked amongst a large and rather hectic building site.
Carlota Simões, Margarida Miranda, Pedro Casaleiro (eds.), Visto de Coimbra. O Colégio de Jesus entre Portugal e o mundo, Coimbra, Imprensa da Universidade, 2020
The College of Jesus, founded on 2nd July 1542 as an educational community of fathers and brother... more The College of Jesus, founded on 2nd July 1542 as an educational community of fathers and brothers, established in a couple of houses of uptown Coimbra, was, according to Francisco Rodrigues, “the first college of the Society of Jesus” – apparently in the whole world. Its construction, as a new physical structure, took place from 14th April 1547, when the first stone was laid of the vast building that remains today. Two decades later, in 1568, the parallel construction of the College of Arts began, where the classes of the homonymous Faculty, controlled by the Jesuits, would take place.
In this essay we propose to reconstitute the constructive evolution of the Jesuit complex of Coimbra, along six prominent stages of its architectural history, until the suppression of the Jesuits from the Kingdom of Portugal in 1759. Each of the six phases will correspond to an interpretative schematic drawing, carried out from the analysis of the existing documentation for each period.
Projetos para o Mosteiro de Santa Cruz de Coimbra e área envolvente (João Mendes Ribeiro e Rui Lobo, coord.), Edarq, Coimbra, 2022
Atelier de Projeto II-A Mestrado Integrado em Arquitetura 2019-20 impressão e acabamento Nozzle, ... more Atelier de Projeto II-A Mestrado Integrado em Arquitetura 2019-20 impressão e acabamento Nozzle, Lda. ISBN 978-989-53257-5-7 depósito legal 498461/22 Abril 2022 Esta publicação foi financiada por FEDER-Fundo Europeu de Desenvolvimento Regional através do COMPETE 2020-Programa Operacional Competitividade e Internacionalização (POCI) e por fundos nacionais através da FCT-Fundação para a Ciência e a Tecnologia, no âmbito do projeto SANTACRUZ com a referência POCI-01-0145-FEDER-030704-PTDC/ART-DAQ/30704/2017 título Projetos
The Colleges of Jesus and Arts of Coimbra (1542-1759), Edarq, 2021
Contents Preface 7 Introduction 13 The establishment of the College of Jesus (1542) and the begin... more Contents Preface 7 Introduction 13 The establishment of the College of Jesus (1542) and the beginning of its construction (1547) 17 First phase-the joint design for the Colleges of Jesus and Arts (1568) 21 Second phase-the first stone of the new church of the College of Jesus, the current "Sé Nova" (1598) 37 Third phase-the opening of the classrooms at the College of Arts (1616) 41 Fourth phase-inauguration of the new church nave (1640) 45 Fifth phase-completion of the new church dome and chancel (1698) 49 Sixth phase-the suppression of the Jesuits (1759) 53 Epilogue 57 Notes 65 Bibliography 75
Os Colégios de Jesus e das Artes de Coimbra (1542-1759), Edarq, 2021
Colóquio Internacional Sobre Recosntituições 3D de Património Arquitetónico Desaparecido (3 de Ab... more Colóquio Internacional Sobre Recosntituições 3D de Património Arquitetónico Desaparecido (3 de Abril de 2019)
International Colloquium on 3D Reconstituions of Lost Architectural Heritage (April 3rd, 2019)
Rua Larga 57, 2023, 32-39., 2023
A pressão de seleção da resposta imunitária individual: um dos ensinamentos da pandemia COVID-19-P.
Carlota Simões, Ana Cristina Araújo, Pedro Casaleiro (Coord.), Redes Científicas da Universidade de Coimbra no Iluminismo, Coimbra, Imprensa da Universidade de Coimbra, 27-54, 2022
O Século das Luzes é um período fulgurante para a Universidade de Coimbra e o seu edificado e as ... more O Século das Luzes é um período fulgurante para a Universidade de Coimbra e o seu edificado e as suas coleções científicas são disso testemunha. Reúne-se neste livro um conjunto de textos sobre o papel do Iluminismo em Coimbra e no mundo, da autoria de estudiosos de diversas áreas das ciências e das humanidades. Os textos debruçam-se sobre um período que vai desde a criação dos novos estatutos para a Universidade de Coimbra à independência do Brasil, apresentando a história do iluminismo em Coimbra e o seu impacto no edificado, nas suas coleções científicas, na transformação técnica e económica do país. A interdisciplinaridade desta obra é patente pela variedade das áreas de especialização dos seus autores, tão diversas como história, história de arte, história da ciência, museologia, arquitetura, matemática, física, química, ciências da saúde, da vida e da terra. A publicação deste livro coincide com as celebrações dos 250 anos da Reforma Pombalina e da fundação dos equipamentos pombalinos, entre os quais o Museu da Ciência e a Imprensa da Universidade de Coimbra.
João Mendes Ribeiro, Rui Lobo (Coord.), Projetos para o Mosteiro de Santa Cruz de Coimbra e Área Envolvente, Coimbra, Edarq, 13-21, 2022
Atelier de Projeto II-A Mestrado Integrado em Arquitetura 2019-20 impressão e acabamento Nozzle, ... more Atelier de Projeto II-A Mestrado Integrado em Arquitetura 2019-20 impressão e acabamento Nozzle, Lda. ISBN 978-989-53257-5-7 depósito legal 498461/22 Abril 2022 Esta publicação foi financiada por FEDER-Fundo Europeu de Desenvolvimento Regional através do COMPETE 2020-Programa Operacional Competitividade e Internacionalização (POCI) e por fundos nacionais através da FCT-Fundação para a Ciência e a Tecnologia, no âmbito do projeto SANTACRUZ com a referência POCI-01-0145-FEDER-030704-PTDC/ART-DAQ/30704/2017 título Projetos
Noël Glovers, Carlota Simões (Coord.), 1655 Escala em Coimbra. Um jovem jesuíta entre o Ocidente e o Oriente / 1655 Tussenstop in Coimbra. Een jonge jezuiet tussen West en Oost, Coimbra, Imprensa da Universidade, 119-127, 2022
Um jovem jesuíta entre o Ocidente e o Oriente / Een jonge jezuiet tussen West en Oost
Rosalva Loreto López (Coord.), Las Universidades iberoamericanas y la custodia del patrimonio cultural, Puebla, Benemerita Universidad Autonoma de Puebla (BUAP), 69-110, 2022
Javier Rivera Blanco (Dir.), III Simposio Internacional de Arte y Arquitectura Universitaria Patrimonio Mundial El cardenal Cisneros, promotor de las artes. Su legado patrimonial, Alcalá de Henares, Editorial Universidad de Alcalá, 2021
digitAR - Digital Journal of Archaeology, Architecture and Arts, 7 (2020) - João de Ruão. Arquitecto e escultor do Renascimento europeu, 2020
Upon his arrival in Coimbra, in about 1528, Jean de Rouen immediately started working for the Mon... more Upon his arrival in Coimbra, in about 1528, Jean de Rouen immediately started working for the Monastery of Santa Cruz, of the Canons Regular of St. Augustine. The house was undergoing a spiritual and physical reformation ordered by John III, with the Hieronymite Friar Brás de Braga in charge. Jean de Rouen, sculptor, or “imagineer”, was commissioned with some ornamental architectural pieces, such as arches and doorways, where he applied the new language of the Renaissance – as, for example, the arch of the high choir of the church, framed by a classic
composition of pilasters, entablature and a pair of tondi. Simultaneously, he also became responsible for those space-containing architectural structures such as a small chapel amongst the Silence cloister, or the Manga cloister fountain tempietto. In this paper we aim to analyse Jean de Rouen’s work at Santa Cruz, during the first phase of his Portuguese career, and the growing scope of his artistic activity from the scale of sculpture to that of architecture.
Luis Agustín-Hernández, Aurelio Vallespín Muniesa, Angélica Fernández-Morales (Eds.), «Graphical Heritage», Vol.I - History and Heritage, Cham, Springer, 2020
Luis Agustin-Hernández, Noelia Cervero Sánchez, Miguel Sancho Mir (Eds.), «El patrimonio gráfico. La gráfica del Património. XVIII Congreso Internacional de Expresión Gráfica Arquitectónica» , 2020
Mário Santiago de Carvalho, Manuel Lázaro Pulido, Simone Guidi (Eds.), «Francisco Suárez. Metaphysics, Politics and Ethics», Coimbra, Imprensa da Universidade , 2020
In this paper we will try to show what was the spatial context of Francisco Suarez’s twenty year... more In this paper we will try to show what was the spatial context of Francisco Suarez’s twenty year stay in Coimbra. We
will try to briefly characterize the university town where
he lived for the last and most productive period of his life;
and also the physical context of the College of Jesus (where
he supposedly slept and worked) and the College of Arts,
both of which were under construction. We will conclude
that Suárez, during his stay in Coimbra, would have lived
and worked amongst a large and rather hectic building site.
Carlota Simões, Margarida Miranda, Pedro Casaleiro (eds.), Visto de Coimbra. O Colégio de Jesus entre Portugal e o mundo, Coimbra, Imprensa da Universidade, 2020
The College of Jesus, founded on 2nd July 1542 as an educational community of fathers and brother... more The College of Jesus, founded on 2nd July 1542 as an educational community of fathers and brothers, established in a couple of houses of uptown Coimbra, was, according to Francisco Rodrigues, “the first college of the Society of Jesus” – apparently in the whole world. Its construction, as a new physical structure, took place from 14th April 1547, when the first stone was laid of the vast building that remains today. Two decades later, in 1568, the parallel construction of the College of Arts began, where the classes of the homonymous Faculty, controlled by the Jesuits, would take place.
In this essay we propose to reconstitute the constructive evolution of the Jesuit complex of Coimbra, along six prominent stages of its architectural history, until the suppression of the Jesuits from the Kingdom of Portugal in 1759. Each of the six phases will correspond to an interpretative schematic drawing, carried out from the analysis of the existing documentation for each period.
digitAR - Digital Journal of Archaeology, Architecture and Arts, Extra 2 (2020) - A Europa (quase) toda em Coimbra. Regra e hibridismo na produção escultórica de João de Ruão, 2020
Boletim da Biblioteca Geral da Universidade de Coimbra #50, 2020
About three years ago, we began a process of systematic comparison between the written documentat... more About three years ago, we began a process of systematic comparison between the written documentation concerning the Pombaline Reformation of the University of Coimbra (1772-1777) and the surveys, drawings and designs for the new scientific buildings, directed and produced by the British Lieutenant Colonel William Elsden. To that effect, we submitted a paper for the conference cycle «The University of Coimbra on the way to Contemporaneity», for the 19th Cultural Week of the University of Coimbra (dedicated to the theme «Who are we?»), which took place at Casa das Caldeiras in Coimbra, on 27 April, 2017.
The following year, we coordinated an exhibition of drawings of the Pombaline Reformation at the Machado de Castro National Museum (with Virginia Gomes, from October 2018 to February 2019). In this occasion, we were able to chronologically lay out a large collection of graphic pieces, a sequence which validated and reinforced our previous understanding of the facts. In this article (which is largely the result of the 2017 paper), we have resumed this creation of a chronological basis for dating some key designs that were made in the short span of just over a year, between late 1772 and early 1774. This sequence shows how the architecture of the Pombaline Reformation increased in scale and urban impact during this period, particularly in the designs of scientific institutions such as the Astronomical Observatory and the Chemical Laboratory. This increase was due, in part, to the natural development of the proposals, but also, and to a large extent, to Elsden’s competent performance and to the growing enthusiasm of the Marquis de Pombal towards the new designs.
http://www.conimbricenses.org/, 2019
José Pedro Sousa, Gonçalo Castro Henriques, João Pedro Xavier (Eds.), Architecture in the Age of the 4th Industrial Revolution, The ECAADE-SIGRADI 2019 Conference, 2019
To accomplish the aims of a three-year research project we are developing, connected to cultural ... more To accomplish the aims of a three-year research project we are developing, connected to cultural heritage, we became interested in the fusion of Virtual Reality and Augmented Reality, two emergent development fields that gave birth to what was coined as Mixed Reality. Both dimensions have intricate connections with hardware and software improvements related with the so called``4th Industrial Revolution''.Virtual Reality (VR), an interactive experience generated by a computer, takes place inside of simulated environments, which can be analogous to the real world or which can be created as imaginary contexts. On the other hand, Augmented Reality (AR) is always based in an interactive experience inside a tangible environment where the elements of that reality are nurtured with digital information, across several senses, to empathize certain aspects of reality. Our research combines both VR and AR to empathize sensory and intellectual experience. To do so, several senses, mainly visual and auditory, are stimulated.We therefore explore two Case-Studies from our research project in order to show two different strategies. The intention of both situations is to create immersive mixed reality environments where the fusion of the digital and analogue elements can be persistently sustained by the visual outputs.
Nicolai Steino, Martin Kraus (eds.), Virtually Real, ECAADE 7th Regional International Symposium, Aalborg University (publishers PDF version of record), 2019
To fulfil the specific purposes of a three-year research project we are working on (to reconstitu... more To fulfil the specific purposes of a three-year research project we are working on (to reconstitute the Monastery of Santa Cruz of Coimbra in 3D, and its situation in 1834, before the partial demolitions of the late 19th and early 20th centuries took place) we became interested in the possibilities of fusion between Augmented Reality and Virtual Reality-an interactive experience generated by a computer that takes place inside of a simulated environment. These two emergent development fields gave birth to what was recently coined as Mixed Reality and the environments created can be analogous to the real world or they can be based in imaginary environments. We have two basic aims for this initial research: first to create the tools to provide knowledge and wisdom (knowledge with emotions) around lost heritage. The second aim, profoundly related with the first one, is to create a methodology and software capable to surpass a Turing-type Test for Virtual and Augmented Reality, where the observer could be immersed in an environment where virtual outputs and feedback can be greater or, at least, similar to the real world.
Manuel Parada López de Corselas (Ed.), DOMUS HISPANICA El Real Colegio de España y el cardenal Gil de Albornoz en la Historia del Arte, 2018
The Spanish College at Bologna, erected under the Castilian cardinal Gil Álvarez de Albornoz betw... more The Spanish College at Bologna, erected under the Castilian cardinal Gil Álvarez de Albornoz between 1365 and 1367, was the first purpose built college in the history of architecture. It is organized as a two floor square building, arranged around a central patio with arches and galleries. The chapel is taller than the rest of the building and is placed perpendicularly to the college’s rear wing, in front of the college entrance. Spanish colleges, however, did not follow this disposition. In fact, they developed a specific typology with the high chapel integrated in the front wing, to the right of the college entrance, as was the case with the colleges of San Bartolomé at Salamanca (1413-1418) and Santa Cruz of Valladolid (1486-1491).
Anales de la Real Academia de Doctores de España #3, 2018
La arquitectura como utopía planificada en la Universidad: una lectura transversal…|37 ARTÍCULO L... more La arquitectura como utopía planificada en la Universidad: una lectura transversal…|37 ARTÍCULO La arquitectura como utopía planificada en la Universidad: una lectura transversal de paradigmas vigentes Architecture as planned utopia in the University: A cross reading of valid paradigms
Desdobrável da Exposição (Museu Nacional de Machado de Castro, 11 de Outubro de 2018 - 16 de Feve... more Desdobrável da Exposição (Museu Nacional de Machado de Castro, 11 de Outubro de 2018 - 16 de Fevereiro de 2019. Curadores: Rui Lobo e Virgínia Gomes)
Exhibition Leaflet (Machado de Castro National Museum, October 11th 2018 - February 16th 2019. Curators: Rui Lobo and Virgínia Gomes)
Albertiana nºXXI (n.s. III), 2018
Albertiana nºXX (n.s. II) , 2017
