Vermilion (original) (raw)

(1) Miguel, C., Pinto, J. V., Clarke, M., & Melo, M. J., The alchemy of red mercury sulphide: The production of vermilion for medieval art. Dyes and Pigments, 102 (102), 2014, 210–217

(2) Chase, W.T., Feller, R.L., Gettens, R. J., Vermilion and cinnabar, in _Artists’ Pigments. A Handbook of Their History and Characteristics, Vol. 2: A. Roy (Ed.) Oxford University Press 1993, p. 159 – 182. Available as pdf from the National Gallery of Art. Available as Chase, W.T., Feller, R.L., Gettens, R. J., Vermilion, and cinnabar. Studies in Conservation, 17 (2), 45–69.

(3) Bruquetas, Rocio; Kroustallis, Stafanos, Natural cinnabar production, commerce and use in Spain during XV-XVIII centuries: a documentary source research, in Studying Old Master Paintings: Technology and Practice. The National Gallery Technical Bulletin 30th Anniversary Conference, Postprints of the Conference (London, 16-18 September 2009), edited by M. Spring, London 2011.

(4) Stefanos Kroustallis and Rocio Bruquetas, Paint it red: vermilion manufacture in the Middle Ages, in: Hélène Dubois et al. (Ed.), Making and Transforming Art. Technology and Interpretation, Archetype London 2014.