Klara Presnajderova | Comenius University in Bratislava (original) (raw)

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Papers by Klara Presnajderova

Designum XXV, no. 2, 2019

Simona Bérešová - Klára Prešnajderová - Sonia de Puineuf (eds.), School as a Laboratory of Modern Life: On the Reform of Art Education in Central Europe (1900–1945), 2020

Gábor Dobó - Merse Pál Szeredi (eds.), Local Contexts / International Networks: Avant-Garde Journals in East-Central Europe, 2018

Slovenská Grafia: The Magazine that brought New Typography to Slovakia Albeit with a certain dela... more Slovenská Grafia: The Magazine that brought New Typography to Slovakia Albeit with a certain delay, but certainly by the end of the 1920s, Bratislava rapidly developed into a cultural centre of considerable significance at least within the boundaries of Czechoslovakia, if not on a European scale. The School of Applied Arts (Škola umeleckých remesiel, ŠUR, 1928ŠUR, -1939, staffed mostly by Czech lecturers who were familiar with -and often actively participated in -the artistic scene in Prague, Brno and other large cities, played a substantial role in this development. Although the School of Applied Arts never published its own school magazine, in contrast with institutions such as the Bauhaus, its lecturers were closely involved with the launch of Slovenská Grafia.

During the interwar period Antonín Horejš was an important propagator of modern design in Slovaki... more During the interwar period Antonín Horejš was an important propagator of modern design in Slovakia. He was the man behind the art magazines Slovenská Grafia (Slovak Graphic Art) and Nová Bratislava (New Bratislava). The first magazine was dedicated to 'new typography', the other was about the social aspects of art.

Books by Klara Presnajderova

Editors: Simona Bérešová, Klára Prešnajderová, Sonia de Puineuf / Authors: Katalin Bakos, Simon... more Editors: Simona Bérešová, Klára Prešnajderová, Sonia de Puineuf
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Authors: Katalin Bakos, Simona Bérešová, Meghan Forbes,
Lada Hubatová-Vacková, Vít Jakubíček, Alena Kavčáková,
Alexandra Panzert, Klára Prešnajderová, Sonia de Puineuf,
Mária Rišková, Grit Weber, Patrick Werkner, Cornelia Wieg,
Julia Witt
/
In 2018 we commemorated the 90th anniversary of the establishment of the School of Arts and Crafts (Škola umeleckých remesiel - ŠUR) in Bratislava. ŠUR is often referred to as the "Bratislava Bauhaus" – a school of modern character which followed the famous German school from the era of the Weimar Republic. Since 2019 was marked "Bauhausjahr", the Slovak Design Center, in cooperation with the Goethe-Institut Bratislava, organised the international symposium entitled School as a Laboratory of Modern Life covering the topic of art school reform (Kunstschulreform) in the first half of the 20th century. Additionally, it defined several new thematic areas which emerged from the reform agenda. This publication contains the conference contributions.

Designum XXV, no. 2, 2019

Simona Bérešová - Klára Prešnajderová - Sonia de Puineuf (eds.), School as a Laboratory of Modern Life: On the Reform of Art Education in Central Europe (1900–1945), 2020

Gábor Dobó - Merse Pál Szeredi (eds.), Local Contexts / International Networks: Avant-Garde Journals in East-Central Europe, 2018

Slovenská Grafia: The Magazine that brought New Typography to Slovakia Albeit with a certain dela... more Slovenská Grafia: The Magazine that brought New Typography to Slovakia Albeit with a certain delay, but certainly by the end of the 1920s, Bratislava rapidly developed into a cultural centre of considerable significance at least within the boundaries of Czechoslovakia, if not on a European scale. The School of Applied Arts (Škola umeleckých remesiel, ŠUR, 1928ŠUR, -1939, staffed mostly by Czech lecturers who were familiar with -and often actively participated in -the artistic scene in Prague, Brno and other large cities, played a substantial role in this development. Although the School of Applied Arts never published its own school magazine, in contrast with institutions such as the Bauhaus, its lecturers were closely involved with the launch of Slovenská Grafia.

During the interwar period Antonín Horejš was an important propagator of modern design in Slovaki... more During the interwar period Antonín Horejš was an important propagator of modern design in Slovakia. He was the man behind the art magazines Slovenská Grafia (Slovak Graphic Art) and Nová Bratislava (New Bratislava). The first magazine was dedicated to 'new typography', the other was about the social aspects of art.

Editors: Simona Bérešová, Klára Prešnajderová, Sonia de Puineuf / Authors: Katalin Bakos, Simon... more Editors: Simona Bérešová, Klára Prešnajderová, Sonia de Puineuf
/
Authors: Katalin Bakos, Simona Bérešová, Meghan Forbes,
Lada Hubatová-Vacková, Vít Jakubíček, Alena Kavčáková,
Alexandra Panzert, Klára Prešnajderová, Sonia de Puineuf,
Mária Rišková, Grit Weber, Patrick Werkner, Cornelia Wieg,
Julia Witt
/
In 2018 we commemorated the 90th anniversary of the establishment of the School of Arts and Crafts (Škola umeleckých remesiel - ŠUR) in Bratislava. ŠUR is often referred to as the "Bratislava Bauhaus" – a school of modern character which followed the famous German school from the era of the Weimar Republic. Since 2019 was marked "Bauhausjahr", the Slovak Design Center, in cooperation with the Goethe-Institut Bratislava, organised the international symposium entitled School as a Laboratory of Modern Life covering the topic of art school reform (Kunstschulreform) in the first half of the 20th century. Additionally, it defined several new thematic areas which emerged from the reform agenda. This publication contains the conference contributions.