Figen Bakan | Canakkale Onsekiz Mart University (original) (raw)

Thesis Chapters by Figen Bakan

Research paper thumbnail of Hitit Dönemi Kıyafetleri ve Tanımlamalar / Dress and Identification in the Hittite Period

Çanakkale Onsekiz Mart Üniversitesi / Sosyal Bilimler Enstitüsü / Arkeoloji Ana Bilim Dalı, 2018

This study deals with the tradition of Hittite female and male dresses, their variations and evol... more This study deals with the tradition of Hittite female and male dresses, their variations and evolutions. The analysis is based on a catalog, created from Hittite artworks, which is designed in a chronological order from the old Hittite Period until the end of the Hittite Empire. These are Hüseyindede, Küçük Hüseyindede, Bitik, İnandık Jars; Kınık Bowl; Silver Rhyta; and wall reliefs of Alacahöyük, Yazılıkaya, Boğazköy, Hanyeri Gezbel, Gavurkale, Hemite, Hatıp, Taşçı, Karabel, İmamkulu, Sirkeli, Fraktin, and Eflatunpınar as well as small figurines and amulets. A total of 134 figures are examined.
They belonged to god, goddess, king, queen, priest?, acrobat, hunter, musician, singer?, clapper, dancer and people, who pull horse, bull and chariot, carry staff, offer liquids. The women, the men and the hybrid creatures are classified according to their characterization of the dress. The figures are examined according to their context and act in the scene, due to which they and their dress were attempted to defined and identified.
Hittite art Works give an insight in to the daily life and cultic rituals. Their behavior and their outlook can also be derived from the depictions. As a result, 16 types of men’s dresses and 6 types of women’ dresses were identified. These types are additionally divided into sub-types in terms of details like the length of the skirt, sleeve and the low-cut. In general men’s dresses has a greater variety, whereas women’s dresses are less diverse. Women dresses are simple and undecorated as well as they comprise of long skirts.

Papers by Figen Bakan

Research paper thumbnail of Hititlerde Çıplaklık Kavramı Üzerine Bir Araştırma Tarihçesi

Research paper thumbnail of Hitit Dönemi Kıyafetleri ve Tanımlamalar / Dress and Identification in the Hittite Period

Çanakkale Onsekiz Mart Üniversitesi / Sosyal Bilimler Enstitüsü / Arkeoloji Ana Bilim Dalı, 2018

This study deals with the tradition of Hittite female and male dresses, their variations and evol... more This study deals with the tradition of Hittite female and male dresses, their variations and evolutions. The analysis is based on a catalog, created from Hittite artworks, which is designed in a chronological order from the old Hittite Period until the end of the Hittite Empire. These are Hüseyindede, Küçük Hüseyindede, Bitik, İnandık Jars; Kınık Bowl; Silver Rhyta; and wall reliefs of Alacahöyük, Yazılıkaya, Boğazköy, Hanyeri Gezbel, Gavurkale, Hemite, Hatıp, Taşçı, Karabel, İmamkulu, Sirkeli, Fraktin, and Eflatunpınar as well as small figurines and amulets. A total of 134 figures are examined.
They belonged to god, goddess, king, queen, priest?, acrobat, hunter, musician, singer?, clapper, dancer and people, who pull horse, bull and chariot, carry staff, offer liquids. The women, the men and the hybrid creatures are classified according to their characterization of the dress. The figures are examined according to their context and act in the scene, due to which they and their dress were attempted to defined and identified.
Hittite art Works give an insight in to the daily life and cultic rituals. Their behavior and their outlook can also be derived from the depictions. As a result, 16 types of men’s dresses and 6 types of women’ dresses were identified. These types are additionally divided into sub-types in terms of details like the length of the skirt, sleeve and the low-cut. In general men’s dresses has a greater variety, whereas women’s dresses are less diverse. Women dresses are simple and undecorated as well as they comprise of long skirts.