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Papers by Nurettin Arslan

Nachdem in mehreren vorangegangenen Publikationen in den Istanbuler Mitteilungen einerseits eine ... more Nachdem in mehreren vorangegangenen Publikationen in den Istanbuler Mitteilungen einerseits eine allgemeine Untersuchung zur Herkunftsbestimmung und Zusammensetzung archaisch-ioni-scher Feinkeramik in einer der frühesten Schwarzmeerkolonien, Berezan, vorgelegt 1 und anderer-seits auch die Gefäß-und Dekorationsspektren der diversen dort vertretenen Herkunftsgruppen ausgelotet worden sind 2 , sollen in einem dritten Teil speziellere Fragestellungen im Mittelpunkt stehen. Wichtigstes Anliegen der hier vorgestellten Analysereihe war es, die Lokalisierung der Abbildungsnachweis: Alle Abb. = R. Posamentir – bis auf Abb. 1, 1–9 = Photograph unbekannt; nach Aufnahmen aus dem Archiv des DAI Istanbul. Außer den unter www.dainst.org/index_141_de.html angegebenen Abkürzungen werden folgende verwendet:

The excavations carried out at the necropolis of Thymbra/Akça Köy by Frank Calvert in 1853 yielde... more The excavations carried out at the necropolis of Thymbra/Akça Köy by Frank Calvert in 1853 yielded a small assemblage of black and red figure vases dating to the Archaic and Classical periods. This essay examines a red figure Nolan amphora from this assemblage recovered from the necropolis of Thymbra. A winged Eos decorates one side of the amphora, while the other side depicts a young male. Form of the vase, using Eos as a motif, and the anatomical details of the young male all indicate that this vase must be a product of the Achilles painter. This vase, which could be one of the earlier works of the Achilles painter, could be dated to 460-450 BC.
Keywords: Achilles Painter, Thymbra, Çanakkale Archaeology Museum, Frank Calvert, Eos, Nolan Amphora, Troy.

Arslan, N., Antik Çağda Lampsakos/Lapseki, Lapseki Sempozyumu 2007, 23-24 Haziran 2007,167-174

Arslan, N., "Çan ve Lapseki İlçeleri Yüzey Araştırması Ön Raporu", XXI. Uluslararası Araştırma Sonuçları Toplantısı (2004): 119-126.

Arslan, N., "Lapseki (Lampsakos) ve Çan İlçeleri 2003 Yılı Yüzey Araştırması", XXII. Araştırma Sonuçları Toplantısı, 24-28 Mayıs 2004, Konya: 317-324.

N.Arslan -C. Bakan,Assos Mozaikleri, The Proceeding of V. International Symposium of Mosaic Corpus of Turkiye Kommagene / Syria Mosaic and their Relations with the Kahramanmaras Mosaic, JMR Volume 5, 2012JMR Volume 5, 2012, 1-11.

Arslan, N., "Kilikya Bölgesindeki Grek Kolonizasyonu", Olba IV, 2001: 1-16.

Arslan, N.," Antiocheia (Pisidien) Seramik Buluntuları", Olba X, 2004, 209-238.

Arslan, N. "Troas Bölgesi'ndeki Taşın Hayat Verdiği Kent Assos: 1881-2009 Yılları arasındaki Kazılara Genel Bakış", Colloquium Anatolicum IX, 2010:113-139

Arslan, N. - Rheidt, K. v.d., Assos. Bericht über die Ausgrabungen und Forschungen zur Stadtentwicklungsgeschichte 2006 bis 2011, Archaeologischer Anzeiger 2013/1 (2013) 195-246

N. Arslan, Eisenzeitliche Keramik aus Kilikien", in: A. Hoffmann-R. Posamentir-M.H. Sayar (eds.), Hellenismus in der Kilikia Pedias, Internationales Kolloquium im DAI Berlin 13-15 Februar 2009, Byzas 14, 2011: 1-18.

N. Arslan - Özhan, T., Tiyatro Yazıtları Işığında Assos'ta Zanaatkarlar, Belleten 278, Cilt LXXVII, 2013: 73-80

Craftsmen in Assos in the Light of New Inscriptions (pp. 73-80) This study aims to evaluate in... more Craftsmen in Assos in the Light of New Inscriptions (pp. 73-80)

This study aims to evaluate inscriptions recently identified on theseats of the theater of Assos in the light of related literary and archaeological evidence. These inscriptions prove that craftsmen such as blacksmiths, leather-workers and stonecutters were working at the city during the Roman Imperial Period, providing us with information about the socio-economic aspects of the city. The location of these inscriptions in the theater demonstrates the social status of professional associations in the city and their significant roles in local economy. This also makes it possible to evaluate the importance of the city’s natural resources such as andesite and valonian oak.

Key words: Assos, Theater, Stonecutters, Leather-workers, Ironsmiths, professional Associations

N. Arslan, Kilikya Demir Çağı Seramiği: İthal Boyalı Seramikler ve İlişkiler (İstanbul 2010)

N. Arslan, N. Zur Frage der Kolonisation Kilikiens anhand der griechischen Importkeramik, Internationales Vasen-Sympasion, 24.-28. September 2001. Griechische Keramik im kulturellen Kontext (Kiel), H.A.G. Brijder – B. Schmaltz (Hrsg.), Münster (2003): 258-261.

Nachdem in mehreren vorangegangenen Publikationen in den Istanbuler Mitteilungen einerseits eine ... more Nachdem in mehreren vorangegangenen Publikationen in den Istanbuler Mitteilungen einerseits eine allgemeine Untersuchung zur Herkunftsbestimmung und Zusammensetzung archaisch-ioni-scher Feinkeramik in einer der frühesten Schwarzmeerkolonien, Berezan, vorgelegt 1 und anderer-seits auch die Gefäß-und Dekorationsspektren der diversen dort vertretenen Herkunftsgruppen ausgelotet worden sind 2 , sollen in einem dritten Teil speziellere Fragestellungen im Mittelpunkt stehen. Wichtigstes Anliegen der hier vorgestellten Analysereihe war es, die Lokalisierung der Abbildungsnachweis: Alle Abb. = R. Posamentir – bis auf Abb. 1, 1–9 = Photograph unbekannt; nach Aufnahmen aus dem Archiv des DAI Istanbul. Außer den unter www.dainst.org/index_141_de.html angegebenen Abkürzungen werden folgende verwendet:

The excavations carried out at the necropolis of Thymbra/Akça Köy by Frank Calvert in 1853 yielde... more The excavations carried out at the necropolis of Thymbra/Akça Köy by Frank Calvert in 1853 yielded a small assemblage of black and red figure vases dating to the Archaic and Classical periods. This essay examines a red figure Nolan amphora from this assemblage recovered from the necropolis of Thymbra. A winged Eos decorates one side of the amphora, while the other side depicts a young male. Form of the vase, using Eos as a motif, and the anatomical details of the young male all indicate that this vase must be a product of the Achilles painter. This vase, which could be one of the earlier works of the Achilles painter, could be dated to 460-450 BC.
Keywords: Achilles Painter, Thymbra, Çanakkale Archaeology Museum, Frank Calvert, Eos, Nolan Amphora, Troy.

Arslan, N., Antik Çağda Lampsakos/Lapseki, Lapseki Sempozyumu 2007, 23-24 Haziran 2007,167-174

Arslan, N., "Çan ve Lapseki İlçeleri Yüzey Araştırması Ön Raporu", XXI. Uluslararası Araştırma Sonuçları Toplantısı (2004): 119-126.

Arslan, N., "Lapseki (Lampsakos) ve Çan İlçeleri 2003 Yılı Yüzey Araştırması", XXII. Araştırma Sonuçları Toplantısı, 24-28 Mayıs 2004, Konya: 317-324.

N.Arslan -C. Bakan,Assos Mozaikleri, The Proceeding of V. International Symposium of Mosaic Corpus of Turkiye Kommagene / Syria Mosaic and their Relations with the Kahramanmaras Mosaic, JMR Volume 5, 2012JMR Volume 5, 2012, 1-11.

Arslan, N., "Kilikya Bölgesindeki Grek Kolonizasyonu", Olba IV, 2001: 1-16.

Arslan, N.," Antiocheia (Pisidien) Seramik Buluntuları", Olba X, 2004, 209-238.

Arslan, N. "Troas Bölgesi'ndeki Taşın Hayat Verdiği Kent Assos: 1881-2009 Yılları arasındaki Kazılara Genel Bakış", Colloquium Anatolicum IX, 2010:113-139

Arslan, N. - Rheidt, K. v.d., Assos. Bericht über die Ausgrabungen und Forschungen zur Stadtentwicklungsgeschichte 2006 bis 2011, Archaeologischer Anzeiger 2013/1 (2013) 195-246

N. Arslan, Eisenzeitliche Keramik aus Kilikien", in: A. Hoffmann-R. Posamentir-M.H. Sayar (eds.), Hellenismus in der Kilikia Pedias, Internationales Kolloquium im DAI Berlin 13-15 Februar 2009, Byzas 14, 2011: 1-18.

N. Arslan - Özhan, T., Tiyatro Yazıtları Işığında Assos'ta Zanaatkarlar, Belleten 278, Cilt LXXVII, 2013: 73-80

Craftsmen in Assos in the Light of New Inscriptions (pp. 73-80) This study aims to evaluate in... more Craftsmen in Assos in the Light of New Inscriptions (pp. 73-80)

This study aims to evaluate inscriptions recently identified on theseats of the theater of Assos in the light of related literary and archaeological evidence. These inscriptions prove that craftsmen such as blacksmiths, leather-workers and stonecutters were working at the city during the Roman Imperial Period, providing us with information about the socio-economic aspects of the city. The location of these inscriptions in the theater demonstrates the social status of professional associations in the city and their significant roles in local economy. This also makes it possible to evaluate the importance of the city’s natural resources such as andesite and valonian oak.

Key words: Assos, Theater, Stonecutters, Leather-workers, Ironsmiths, professional Associations

N. Arslan, Kilikya Demir Çağı Seramiği: İthal Boyalı Seramikler ve İlişkiler (İstanbul 2010)

N. Arslan, N. Zur Frage der Kolonisation Kilikiens anhand der griechischen Importkeramik, Internationales Vasen-Sympasion, 24.-28. September 2001. Griechische Keramik im kulturellen Kontext (Kiel), H.A.G. Brijder – B. Schmaltz (Hrsg.), Münster (2003): 258-261.

During the summer of 1995 Turkish archaeologists discovered a unique Late Classical tomb in the W... more During the summer of 1995 Turkish archaeologists discovered a unique Late Classical tomb in the Western Necropolis of Assos. A modestly designed cist grave, Tomb 4 surprised excavators with the richest cache of grave goods ever found at the ancient city. The 62 well-preserved artifacts, which date from the 4th century BCE, when Aristotle's school of philosophy was active at Assos, consist of terracotta figurines, gold and bronze jewelry, and vases. The variety of the coroplastic group is especially striking. The types include seated female musicians and a poet, an oklasma-dancer, comic actors, goddesses, a horse-rider, a warrior, female mask protomes, miniature furniture, various animals, and a fıgurine vase. The main purpose of this publication is to examine the finds from Tomb 4 and to shed light on characteristics of coroplastic produc-tion and socio-cultural life at Assos during its "Golden Age" through a contextual, typological, and iconographical analysis of the terracotta figurines. The variety of the figurines not only gives clues about the identity of the tomb-owners, but also hints at the many aspects of the "Golden Age" of Assos, such as the fertility cults active in the city, the increasing importance of the theatre, the place of women in socio-religious life, and the commercial and cultural relations of Assos with the neighbouring cities, especially Athens.