Sholpan Tatkenova - Profile on Academia.edu (original) (raw)

Sholpan Tatkenova

musicologist, lecturer of Kazakh National conservatory

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traditional music by Sholpan Tatkenova

Research paper thumbnail of Traditional Music of Kazakhstan in the Second Half of the 20th Century: Using the Example of Folk Song Art in the Northern Region of Kazakhstan

Traditional Music of Kazakhstan in the Second Half of the 20th Century: Using the Example of Folk Song Art in the Northern Region of Kazakhstan

Asian-European music research journal, Jun 3, 2024

Research paper thumbnail of Musical Art of Kazakhstan in the Coordinates of the Global

The article discusses the patterns of national musical art in scientific, critical, and artistic ... more The article discusses the patterns of national musical art in scientific, critical, and artistic interpretation of the classic of Kazakh literature M.O. Auezov (1897-1961). In this regard, the following aspects have been consistently presented and commented: 1. Fragments from his works on literary studies and publications in magazines and newspapers which focus on the traditions and genres of the musical and poetic heritage of the Kazakhs, significant names and events of opera and theater practice, assessments that reveal the principles of personal perception and interpretation; 2. “musical” pages of literary works of different periods and, above all, the famous novel-epopee, aitys as one of the traditional types of folk theater creativity and the object of recreation in the works of M.O. Auezov-the playwright; 3. multi-genre opuses of composers of Kazakhstan, created as a result of the impact of the plots and texts or dedicated to his memory. The principles of interdisciplinary res...

Further, he provided not only scientific description of these phenomena of national culture, but also their artistic depiction. Revealing the prospects of creative transformation, M.O. Auezov noted: “If we start creating a theater, reviving poetry and songs at the same time, then all folk poems like “Kozy Korpesh - Bayan Sulu’, all historical songs like “Beket Batyr” could be easily “Our theater existed since ancient times ... Really, wasn’t it a theater that numerous akyns in the old days created, who specially came to the as (anniversaries), toi and great gatherings in search of poetic and song competitions. After all, the performances that they organized, raised deep emotions in the audience, children and adults, making the viewers shock, worship, euphoria, creating a festive atmosphere and raising the mood of the people. Moreover, isn’t it the theatrical performance — Jar-Jar and traditional games, in which, men and women divide in two groups and play during the girl's seeing off. Jar-Jar and betashar do not need any transcription for being produced on the modern stage. Any of the song aytys can be staged in the same form.

Research paper thumbnail of Traditional Music of Kazakhstan in the Second Half of the 20th Century: Using the Example of Folk Song Art in the Northern Region of Kazakhstan

Traditional Music of Kazakhstan in the Second Half of the 20th Century: Using the Example of Folk Song Art in the Northern Region of Kazakhstan

Asian-European music research journal, Jun 3, 2024

Research paper thumbnail of Musical Art of Kazakhstan in the Coordinates of the Global

The article discusses the patterns of national musical art in scientific, critical, and artistic ... more The article discusses the patterns of national musical art in scientific, critical, and artistic interpretation of the classic of Kazakh literature M.O. Auezov (1897-1961). In this regard, the following aspects have been consistently presented and commented: 1. Fragments from his works on literary studies and publications in magazines and newspapers which focus on the traditions and genres of the musical and poetic heritage of the Kazakhs, significant names and events of opera and theater practice, assessments that reveal the principles of personal perception and interpretation; 2. “musical” pages of literary works of different periods and, above all, the famous novel-epopee, aitys as one of the traditional types of folk theater creativity and the object of recreation in the works of M.O. Auezov-the playwright; 3. multi-genre opuses of composers of Kazakhstan, created as a result of the impact of the plots and texts or dedicated to his memory. The principles of interdisciplinary res...

Further, he provided not only scientific description of these phenomena of national culture, but also their artistic depiction. Revealing the prospects of creative transformation, M.O. Auezov noted: “If we start creating a theater, reviving poetry and songs at the same time, then all folk poems like “Kozy Korpesh - Bayan Sulu’, all historical songs like “Beket Batyr” could be easily “Our theater existed since ancient times ... Really, wasn’t it a theater that numerous akyns in the old days created, who specially came to the as (anniversaries), toi and great gatherings in search of poetic and song competitions. After all, the performances that they organized, raised deep emotions in the audience, children and adults, making the viewers shock, worship, euphoria, creating a festive atmosphere and raising the mood of the people. Moreover, isn’t it the theatrical performance — Jar-Jar and traditional games, in which, men and women divide in two groups and play during the girl's seeing off. Jar-Jar and betashar do not need any transcription for being produced on the modern stage. Any of the song aytys can be staged in the same form.

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