Computer Music Journal, Volume 47 (original) (raw)

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Volume 47, Number 1, 2023

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    Douglas Keislar:
    About This Issue. 1
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    Announcements. 4
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    News. 5-7
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    Editors' Notes. 8
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    Notto J. W. Thelle, Bernt Isak Wærstad:
    The Paradox of Creating a Cocreator. 9-21
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    Marie Carmen González Inostroza, Rodrigo F. Cádiz:
    A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors. 22-43
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    Alexandra L. Uitdenbogerd, Oliver Bown, Charlton Hill, Caroline Pegram, Justin Shave, Brendan Wright:
    Raging with the Machine in the Uncanny Valley: Human-AI Cocreativity in the Eurovision-Themed AI Song Contest. 44-63
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    Atau Tanaka, Federico Visi, Balandino Di Donato, Martin Klang, Michael Zbyszynski:
    An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound. 64-84
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    Anders Friberg, Torbjörn Gulz, Claes Wettebrandt:
    Computer Tools for Modeling Swing in a Jazz Ensemble. 85-109
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    Ross Feller:
    Carl Stone: Electronic Music from 1972-2022. 110-113
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    Seth Rozanoff:
    Bill Vine: Norwich Under the Water. 113-114
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    Products of Interest. 115-127

Volume 47, Number 2, 2023

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    About This Issue. 1
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    News. 3-4
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    Roberto Alonso Trillo, Peter A. C. Nelson, Tychonas Michailidis:
    Rethinking Instrumental Interface Design: The MetaBow. 5-20
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    William A. Sethares, Wayne Vitale:
    Exploring the Many Tunings of Balinese Gamelan. 21-33
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    Chuiyuan Meng, Aqueasha Martin-Hammond, Scott W. Deal, Renran Tian:
    Improving Human Connections and Audience Satisfaction in Online Concerts and Music Conferences. 34-56
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    Ronald K. Mo, Andrew Horner:
    The Effects of Convolution Reverberation on the Emotional Characteristics of Musical Instrument Sounds. 57-71
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    Ross Feller:
    Kari Väkevä: Void: Seven Computer Music Pieces. 72-73
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    Products of Interest. 74-88

Volume 47, Number 3, 2023

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    About This Issue. 1
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    Announcements. 3
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    News. 4-5
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    Monica Lim, Natalia Kotsani:
    An Accessible, Browser-Based Gestural Controller for Web Audio, MIDI, and Open Sound Control. 6-18
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    Esteban Gutiérrez, Christopher Haworth, Rodrigo F. Cádiz:
    Generating Sonic Phantoms with Quadratic Difference Tone Spectrum Synthesis. 19-34
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    Tiago Fernandes Tavares, José Eduardo Fornari:
    Finite State Machines with Data Paths in Visual Languages for Music. 35-49
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    Paul Grünbacher, Rudolf Hanl, Lukas Linsbauer:
    Using Music Features for Managing Revisions and Variants of Musical Scores. 50-68
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    Mario Diaz De Leon: Spark and Earth. 69-70
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    Products of Interest. 71-85

Volume 47, Number 4, 2023

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    Natasha Barrett, Jana Winderen, Robert Seaback, Frank Ekeberg, Otto Iivari, Mariam Gviniashvili:
    Sound Anthology: Content. 1
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    Fernando Hurtado, Patricio de la Cuadra, Miguel Torres:
    A Robotic Flutist Framework for Exploring Acoustics, Human-Instrument Interaction, and Musical Creation. 47-63
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    Natasha Barrett, Jana Winderen, Robert Seaback, Frank Ekeberg, Otto Iivari, Mariam Gviniashvili:
    Sound and Video Anthology: Program Notes. 105-109
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    Ross Feller:
    Brian Baumbusch: Polytempo Music and Michael J. Schumacher: Living Room Pieces. 90-91
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    News. 4
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    Announcements. 3

Volume 47, Number 4, 2024

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    About This Issue. 1

Volume 47, Number 4, 2023

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    About This Issue. 1
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    Products of Interest. 92-104
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    Goni Peles, Yuval Adler:
    Learning from Game Live Streaming: A Model for Networked Music Performance. 64-89
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    Leo Izzo:
    Edgard Varèse's Poème Électronique: From the Sketches to the Sound Spatialization. 5-28
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    David Schnug:
    Sound Entities: A Practice in Spatial Composition. 29-46

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