C. Madeline Fritz | Dickinson College (original) (raw)

Papers by C. Madeline Fritz

From Artist to Audience: Italian Drawings and Prints from the 15th through 18th Centuries, 2016

The emergence of the Carracci allowed for a new orientation in the artistic atmosphere in Bologna... more The emergence of the Carracci allowed for a new orientation in the artistic atmosphere in Bologna at the end of the 16th century. The presence of the University of Bologna encouraged literary and scientific pursuits, and books and a subsequent print industry were able to flourish there. In this paper, compositional and technical influences by Veronese, Andrea del Sarto, and Federico Barocci are examined in the two etchings by Carracci, one of which is extremely rare as there are only four known versions of the work (St. Jerome in the Wilderness).
including the one in this exhibition..

This exhibition features a selection of Italian Old Master prints and drawings from the fifteenth through the eighteenth centuries. Curated by Dickinson College Art History majors: Clara Fritz, Paris Humphrey, Samantha Mendoza-Ferguson, Sara Pattiz, Rebecca Race, Isabel Richards, and Samuel Richards, under the direction of Melinda Schlitt.

From Artist to Audience: Italian Drawings and Prints from the 15th through 18th centuries, 2016

The undated red chalk drawing 'Madonna and Child with the Infant Saint John the Baptist' by Romul... more The undated red chalk drawing 'Madonna and Child with the Infant Saint John the Baptist' by Romulo Cincinnato, an active painter within King Philip II’s court in Spain, is examined in detail within this paper, with special focus on illuminating links to works by his contemporaries, specifically Giulio Romano via his painting 'The Holy Family' (ca. 1520–1523, Galleria Borghese in Rome). With less stringent similarities to other works by Raphael, this doctrinal scene must have been a well-known image in Cincinnato's time.

This exhibition features a selection of Italian Old Master prints and drawings from the fifteenth through the eighteenth centuries. Curated by Dickinson College Art History majors: Clara Fritz, Paris Humphrey, Samantha Mendoza-Ferguson, Sara Pattiz, Rebecca Race, Isabel Richards, and Samuel Richards, under the direction of Melinda Schlitt.

From Artist to Audience: Italian Drawings and Prints from the 15th through 18th Centuries, 2016

The emergence of the Carracci allowed for a new orientation in the artistic atmosphere in Bologna... more The emergence of the Carracci allowed for a new orientation in the artistic atmosphere in Bologna at the end of the 16th century. The presence of the University of Bologna encouraged literary and scientific pursuits, and books and a subsequent print industry were able to flourish there. In this paper, compositional and technical influences by Veronese, Andrea del Sarto, and Federico Barocci are examined in the two etchings by Carracci, one of which is extremely rare as there are only four known versions of the work (St. Jerome in the Wilderness).
including the one in this exhibition..

This exhibition features a selection of Italian Old Master prints and drawings from the fifteenth through the eighteenth centuries. Curated by Dickinson College Art History majors: Clara Fritz, Paris Humphrey, Samantha Mendoza-Ferguson, Sara Pattiz, Rebecca Race, Isabel Richards, and Samuel Richards, under the direction of Melinda Schlitt.

From Artist to Audience: Italian Drawings and Prints from the 15th through 18th centuries, 2016

The undated red chalk drawing 'Madonna and Child with the Infant Saint John the Baptist' by Romul... more The undated red chalk drawing 'Madonna and Child with the Infant Saint John the Baptist' by Romulo Cincinnato, an active painter within King Philip II’s court in Spain, is examined in detail within this paper, with special focus on illuminating links to works by his contemporaries, specifically Giulio Romano via his painting 'The Holy Family' (ca. 1520–1523, Galleria Borghese in Rome). With less stringent similarities to other works by Raphael, this doctrinal scene must have been a well-known image in Cincinnato's time.

This exhibition features a selection of Italian Old Master prints and drawings from the fifteenth through the eighteenth centuries. Curated by Dickinson College Art History majors: Clara Fritz, Paris Humphrey, Samantha Mendoza-Ferguson, Sara Pattiz, Rebecca Race, Isabel Richards, and Samuel Richards, under the direction of Melinda Schlitt.