Introduction (Chapter 1) - The Social Dynamics of Roman Imperial Imagery (original) (raw)

References

Alföldi-Rosenbaum, E. 1980. ‘Ruler portraits on Roman game counters from Alexandria (Studies on Roman game counters III)’, in Stucky, R. A. and Jucker, I. (eds.), Eikones: Studien zum griechischen und römischen Bildnis (Bern: Francke Verlag), 29–39.Google Scholar

Ando, C. 2000. Imperial Ideology and Provincial Loyalty in the Roman Empire (Berkeley: University of California Press).Google Scholar

Boatwright, M. 1991. ‘Plancia Magna of Perge: women’s roles and status in Roman Asia Minor’, in Pomeroy, S. B. (ed.), Women’s History and Ancient History (Chapel Hill: University of North Carolina Press), 249–72.Google Scholar

Boschung, D. and Eck, W. 2006. Die Tetrarchie: Ein neues Regierungssystem und seine mediale Präsentation (Wiesbaden: Reichert).Google Scholar

Brown, R. 2000. Group Processes: Dynamics Within and Between Groups, 2nd ed. (Malden, MA: Blackwell).Google Scholar

Burrell, B. 2004. Neokoroi: Greek Cities and Roman Emperors (Leiden; Boston: Brill).Google Scholar

Dally, O. 2007. ‘Das Bild des Kaisers in der klassischen Archäologie – oder: gab es einen Paradigmenwechsel nach 1968?’, JDAI 122: 223–57.Google Scholar

Dawson, C. D. 2016. Intimate Communities: Honorific Statues and the Political Culture of the Cities of Africa Proconsularis in the First Three Centuries ce. Diss., York University (Toronto).Google Scholar

Dench, E. 2018. Empire and Political Cultures in the Roman World (Cambridge: Cambridge University Press).Google Scholar

Dickenson, C. 2017. ‘Public statues as a strategy of remembering in early imperial Messene’, in Dijkstra, T. M., Kuin, I. N. I., Moser, M., and Weidgenannt, D. (eds.), Strategies of Remembering in Greece under Rome (100 _bc_–100 ad) (Leiden: Netherlands Institute at Athens), 126–42.Google Scholar

Durlauf, S. N. and Young, H. P. (eds.) 2001. Social Dynamics (Cambridge, MA: MIT Press).Google Scholar

Elsner, J. 1998a. Imperial Rome and Christian Triumph: The Art of the Roman Empire, a.d. 100–450 (Oxford; New York: Oxford University Press).Google Scholar

Elsner, J. 1998b. ‘Art and architecture’, in Cameron, A. and Garnsey, P. (eds.), The Cambridge Ancient History, 2nd ed., Vol. 13: The Late Empire, ad 337–425 (Cambridge: Cambridge University Press), 736–61.Google Scholar

Elsner, J. 2001. ‘Cultural resistance and the visual image: the case of Dura Europos’, CPh 96: 269–304.Google Scholar

Elsner, J. 2003. ‘Inventing Christian Rome: the role of early Christian art’, in Edwards, C. and Woolf, G. (eds.), Rome the Cosmopolis (Cambridge, Cambridge University Press), 71–99.Google Scholar

Elsner, J. 2005. ‘Sacrifice and narrative on the Arch of the Argentarii at Rome’, JRA 18: 83–98.Google Scholar

Fejfer, J. 2008. Roman Portraits in Context (Berlin; Boston: De Gruyter).Google Scholar

Finney, P. C. 1997. The Invisible God: The Earliest Christians on Art (Oxford: Oxford University Press).Google Scholar

Flower, H. 2006. The Art of Forgetting: Disgrace and Oblivion in Roman Political Culture (Chapel Hill: University of North Carolina Press).Google Scholar

Grabar, A. 1980. Christian Iconography; A Study of its Origins: The A. W. Mellon Lectures in the Fine Arts, 1961, The National Gallery of Art, Washington, D.C., 2nd ed. (Princeton, NJ, Princeton University Press).Google Scholar

Hekster, O. 2015. Emperors and Ancestors: Roman Rulers and the Constraints of Tradition (Oxford: Oxford University Press).Google Scholar

Hemelrijk, E. A. 2015. Hidden Lives – Public Personae: Women and Civic Life in the Roman West (New York; Oxford: Oxford University Press).Google Scholar

Henig, M. 1995. The Art of Roman Britain (London: Batsford).Google Scholar

Højte, J. M. 2005. Roman Imperial Statue Bases: From Augustus to Commodus (Aarhus: Aarhus University Press).Google Scholar

Horsley, R. A. 2004. Paul and the Roman Imperial Order (New York: Trinity).Google Scholar

Laird, M. 2015. Civic Monuments and the Augustales in Roman Italy (New York: Cambridge University Press).Google Scholar

Lendon, J. E. 1997. Empire of Honour: The Art of Government in the Roman World (Oxford: Oxford University Press).Google Scholar

Levick, B. 1982. ‘Propaganda and the imperial coinage’, Antichthon 16: 104–16.Google Scholar

Maier, H. O. 2013. Picturing Paul in Empire: Imperial Image, Text, and Persuasion in Colossians, Ephesians, and the Pastoral Epistles (London: Bloomsbury).Google Scholar

Marlowe, E. 2006. ‘Framing the sun: the Arch of Constantine and the Roman cityscape’, Art Bulletin 88: 223–42.Google Scholar

Mathews, T. 2003. The Clash of Gods: A Reinterpretation of Early Christian Art (Princeton, NJ: Princeton University Press).Google Scholar

Mayer, E. 2002. Rom ist dort, wo der Kaiser ist: Untersuchungen zu den Staatsdenkmälern des dezentralisierten Reiches von Diocletian bis zu Theodosius II (Mainz: Verlag des Römisch-Germanischen Zentralmuseums; Bonn: Rudolf Habelt).Google Scholar

Mayer, E. 2010. ‘Propaganda, staged applause, or local politics? Public monuments from Augustus to Septimius Severus’, in Ewald, B. and Noreña, C. (eds.), The Emperor and Rome (New Haven: Yale University Press), 119–27.Google Scholar

Millar, F. 2001. The Emperor in the Roman World: 31 bc_–_ad 337, 3rd ed. (London: Duckworth).Google Scholar

Moralee, J. 2004. For Salvation’s Sake: Provincial Loyalty, Personal Religion, and Epigraphic Production in the Roman and Late Antique Near East (New York; London: Routledge).Google Scholar

Noreña, C. 2011. Imperial Ideals in the Roman West: Representation, Circulation, Power (Cambridge: Cambridge University Press).Google Scholar

Papi, E. 2004. ‘A new Golden Age? The northern praefectum urbi from the Severans to Diocletian’, in Swain, S. and Edwards, M. (eds.), Approaching Late Antiquity (Oxford: Oxford University Press), 53–81.Google Scholar

Patterson, J. R. 2003. ‘The emperor and the cities of Italy’, in Lomas, K. and Cornell, T. (eds.), Bread and Circuses (London; New York: Routledge), 89–104.Google Scholar

Polley, A. R. 2004/5 [2007]. ‘Usurpations in Africa: ruler and ruled in the Third Century Crisis’, AJAH n.s. 3/4: 143–70.Google Scholar

Riegl, A. 1982 [1903]. ‘The modern cult of monuments: its character and its origin’. Oppositions 25 (Fall 1982): 21–51.Google Scholar

Riggs, C. 2002. ‘Facing the dead: recent research on the funerary art of Ptolemaic and Roman Egypt’, AJA 106: 85–101.Google Scholar

Roller, M. B. 2001. Constructing Autocracy: Aristocrats and Emperors in Julio-Claudian Rome (Princeton, NJ: Princeton University Press).CrossRefGoogle Scholar

Rostovtzeff, M. 1905. ‘Interprétation des tessères en os avec figures, chiffres et légendes’, Revue Archéologique 5: 110–24.Google Scholar

Roueché, C. 1989. ‘_Floreat Perge_’, in Mackenzie, M. M. and Roueché, C. (eds.), Images of Authority: Papers Presented to Joyce Reynolds on the Occasion of her Seventieth Birthday (Cambridge: Cambridge Philological Society): 206–22.Google Scholar

Severy, B. 2003. Augustus and the Family at the Birth of the Roman Empire (New York: Routledge).Google Scholar

Smith, R. R. R. 1996. ‘Typology and diversity in the portraits of Augustus’, JRA 9: 30–47.Google Scholar

Stewart, P. 2003. Statues in Roman Society: Representation and Response (Oxford: Oxford University Press).Google Scholar

Van Hoof, L. 2010. Plutarch’s Practical Ethics: The Social Dynamics of Philosophy (Cambridge: Cambridge University Press).Google Scholar

Varner, E. 2004. Mutilation and Transformation: Damnatio memoriae and Roman Imperial Portraiture (Leiden; Boston: Brill).Google Scholar

Webster, J. 2001. ‘Creolizing the Roman provinces’, AJA 105: 209–25.Google Scholar

Woolf, G. 1998. Becoming Roman: The Origins of Provincial Civilization in Gaul (Cambridge; New York; Melbourne: Cambridge University Press).Google Scholar

Zanker, P. 1983. Provinzielle Kaiserporträts: zur Rezeption der Selbstdarstellung des Princeps (Munich: Bayerische Akademie der Wissenschaften).Google Scholar

Zanker, P. 1988. The Power of Images in the Age of Augustus (Ann Arbor: University of Michigan Press).Google Scholar

Zanker, P. 2002. Un’arte per l’impero: funzione e intenzione delle immagini nel mondo romano (Milan: Electa).Google Scholar