Michelot, Pierre (original) (raw)
-
- Audio Engineering
- Compositional Practice and Technique
- Conducting Methods and Techniques
- Ecocriticism and Ecomusicology
- Ethnomusicology
- Music Business, Institutions and Organizations
- Music Criticism and Journalism
- Music Education and Pedagogy
- Music Theory and Analysis
- Music and Law
- Music and Medicine
- Musical Concepts, Genres, and Terms
- Musical Sources and Bibliographies
- Musical Works
- Musicology and Music History
- Organology
- Peoples and Music Cultures
- Performance Practice
- Philosophy of Music
- Reception History
- Sound Studies
- Voice
Browse All
-
- Pre- and Early Medieval (before 800)
- Medieval (800-1400)
- 15th c./Early Renaissance (1400-1500)
- 16th c./High Renaissance (1500-1600)
- 17th c./Early to mid-Baroque (1600-1700)
- Early 18th c./Late Baroque (1700-1750)
- Late 18th c./Classical (1750-1800)
- 19th c. /Romantic (1800-1900)
- 20th c. (1900-2000)
- 21st c. (2000-present)
Browse All
-
- Artist
- Choreographer
- Collector or Curator
- Composer or Arranger
- Critic or Journalist
- Donor or Patron
- Instrument Maker
- Librarian or Archivist
- Librettist or Lyricist
- Music Educator
- Music Manager or Administrator
- Music Technologist or Audio Engineer
- Performer
- Publisher or Editor
- Religious or Ritual Musician
- Scholar
- Scribe or Copyist
- Stage Designer
- Stage Director
Browse All
Share Link
Copy this link, or click below to email it to a friend
Email
or copy the link directly:
The link was not copied. Your current browser may not support copying via this button.
Article contents
You do not currently have access to this article
Login
Please login to access the full content.
Subscribe
Please subscribe to access the full content.
Copyright © Oxford University Press
Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).
date: 28 December 2024