Michael Blake (musician) (original) (raw)

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Canadian musician (born 1964)

Michael Blake
Michael Blake in São Paulo, BrazilMichael Blake in São Paulo, Brazil
Background information
Birth name Michael Stephen Blake
Born (1964-05-19) May 19, 1964 (age 60)Montreal, Canada
Genres Jazz
Occupation(s) Musician, composer
Instrument(s) Tenor saxophone, soprano saxophone, alto saxophone, baritone saxophone, clarinet, bass clarinet, flute, alto flute, piano
Website www.michaelblake.net

Musical artist

Michael Blake (born May 19, 1964) is a Canadian saxophonist, composer and arranger.[1] Blake is based in New York City where he has led a robust career leading his own bands.[2] As a sideman Michael has performed with Charlie Hunter, The Lounge Lizards, Steven Bernstein, Ben Allison and Ray LaMontagne. The New York Times jazz critic Ben Ratliff wrote,"Mr. Blake, on tenor especially, is an endlessly engaging improviser, and an inquisitive one".[3]

Michael Blake was born in Montreal, Canada. His mother Merle Stevens was a professional dancer in Montreal when she met his father Francis Patrick Blake. Michael's father moved the family to Vancouver and Toronto before taking a Public Relations job with the San Francisco Opera. In 1973, after his parents divorced, they resettled in Vancouver, Canada, where Michael briefly took lessons on violin and piano. At the age of 14, around the same time his older brother started playing alto saxophone, he picked up the clarinet.[4] Michael started on the tenor saxophone in High School after reading the biography Chasin' the Trane about saxophonist John Coltrane.[5] Blake graduated with a Music Award from Vancouver Technical Secondary School in 1982. From 1982 to 1984 Blake attended the Vancouver Community College Jazz and Commercial Music Program where he studied saxophone and clarinet with David Branter. After finishing the program, Blake studied privately with saxophonist Patric Caird. From 1984 to 1985 he attended summer jazz workshops at The Banff Center for Arts and Creativity, studying saxophone with Steve Coleman and David Liebman.[6]

Michael began his professional career in Vancouver, performing with local jazz musicians Hugh Fraser, Phil Dwyer, John Korsrud, Jim Chivers and Kate Hammett-Vaughan.[7] He also worked with west coast R&B acts, The Powder Blues Band and Rocket Norton. In 1986 Michael received a grant from the Canada Council for the Arts to live in New York City where he would study saxophone and theory with David Liebman.[8]

The Lounge Lizards (1989–1999)

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In the fall of 1989 Blake started working with John Lurie and The Lounge Lizards, and for that band he began playing soprano saxophone.[9] Michael toured, recorded, and performed with the band until 1999. He appeared on the albums Live in Berlin Vol 1 & 2 and Queen of All Ears and is featured in the Lounge Lizards concert film, John Lurie and the Lounge Lizards Live in Berlin 1991.[10] Blake also played saxophone and clarinet on Lurie's TV series Fishing with John and film scores for Get Shorty and Excess Baggage.

As well as his affiliation with The Lounge Lizards, Michael worked as a sideman in the 1990s with Jack McDuff, Charlie Persip, Gil Evans Orchestra, and singer Henry Fiol. He became a composer in residence for the Jazz Composers Collective in 1995 and joined the Herbie Nichols Project, a repertoire ensemble devoted to the music of pianist/composer Herbie Nichols.[11] In 1998 Blake joined bassist Ben Allison's band with whom he would tour and record 7 albums.[12]

In 1996 Michael signed with Intuition Music and released two albums. His debut album Kingdom of Champa (1997), a concept album about Vietnam, was engineered by Scott Harding and produced by Teo Macero.[13] He reassembled the team of Macero and Harding to produce and mix his second release Drift.[14]

In 1997 Blake formed a band with David Tronzo, Tony Scherr and Kenny Wollesen called Slow Poke. Between 1997 and 2001 Slow Poke recorded Slow Poke at Home and Redemption, performed in Canada and Europe. Slow Poke at Home was re-released in 2005 on Palmetto Records with two additional bonus tracks.[15]

Blake recorded and released Elevated in 2002 on Knitting Factory Records.[16] The traditional quartet sound of Elevated piqued the interest of critics, landing him coverage in both jazz and news journals nationwide.[17]

Sundance TV commissioned Blake to compose the theme and score for a new TV series hosted by film historian Richard Peña titled Conversations in World Cinema (2020-2021). Subsequently Sundance hired him to write music for the cable channel's Network ID.

In 2003 the Canadian composer and bandleader John Korsrud commissioned Michael to compose new works for his Hard Rubber Orchestra.[18] Blake subsequently presented his own big band called The Eulipion Orchestra during his artist-in-residence at the Jazz Standard in NYC. The orchestra featured NYC musicians described by NY Times jazz critic Ben Ratliff as, "from all over the map".[19]

After winning the ear of the Portuguese avant-garde label Clean Feed Records Michael recorded Right Before Your Very Ears in 2005. His first trio album with bassist Ben Allison and drummer Jeff Ballard is a balancing act of both free jazz and original compositions.[20]

Blake played soprano saxophone for the theme to The Backyardigans, a children's TV program produced by the Nick Jr. Channel with music by Evan Lurie and Doug Wieselman. From 2004 to 2010 he performed with members of The Lounge Lizards on many Backyardigans episodes and composed the underscore for six episodes.[21]

Michael assembled the band Hellbent in 2006 with Calvin G Weston, Steven Bernstein, and Marcus Rojas. Violinist Charlie Burnham also performed with the group.[22] Blake released the live album Hellbent in 2007.[23]

Blake served as musical director for the Neil Sedaka '50 Years of Hits' Celebration at Lincoln Center's Avery Fisher Hall on October 26, 2007. The event was a fundraiser for the Elton John AIDS Foundation. Michael performed on saxophone and conducted the house band, backing up Sedaka and other artists who had hits by Sedaka including Connie Francis, The Captain and Tennille and Natalie Cole.[24]

During the summer of 2008 Michael joined the band of Italian trumpeter Enrico Rava on his promotional tour for New York Stories (ECM Records). He was a last minute replacement for saxophonist Mark Turner after he suffered a hand injury.[25]

In 2009, The Michael Blake Quartet, including bassist Ben Allison, guitarist Steve Cardenas and drummer Rudy Royston, were a regular at City Winery's Wine & Jazz series.[26]

The Danish sessions (2002–2008)

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In 2002 Michael recorded Blake Tartare with Danish musicians Kresten Osgood, Soren Kjaergaard, and Jonas Westergaard.[27] The following year he signed with the Danish jazz label Stunt Music to record More Like Us featuring singer/songwriter Maria Laurette-Friss[28] and The World Awakes (2008), a tribute to saxophonist Eli 'Lucky' Thompson.[29] Blake Tartare, as the band became known played the Canadian Jazz Festival circuit, performed at the Berlin Jazz Festival and toured throughout Italy.[30]

Under Kresten Osgood's leadership, Blake toured Denmark in 2002 and recorded a live album, Hammond Rens featuring organist Lonnie Smith.[31]

Blake and Osgood reunited in New York City in 2008 to record Control This for Clean Feed Records. This was the only album on which he plays alto saxophone.[32]

The Canadian sessions (2007–2016)

[edit]

"The Computer" by Roland Blake

In 2007 Michael began a relationship with the Vancouver-based label Songlines.[33] Collaborating with a younger generation of improvising musicians including Brad Turner, Chris Gestrin, Dylan van der Schyff and JP Carter, Blake's Canadian trilogy convey his compositional strengths as a story teller.[34]

His first album for Songlines, Amor de Cosmos was dedicated to his grandfather Bert Stevens, who died at the age of 101.[35]

In the Grand Scheme of Things (2012) makes reference to several of the saxophonists personal experiences, including his children and his brothers wedding in Zambia.[36]

Fulfillment (2016) is about the ill-fated 2014 Komagata Maru incident in which Blake's great-granduncle Henry Herbert Stevens, a staunch anti-immigration MP, played a disruptive role. Created as a work of atonement, the album includes guest performances by cellist Peggy Lee, tabla player Neelamjit Dhilon and guitarist Aram Bajakian.[37]

Michael was on faculty at Siena Jazz Summer Workshop in Italy from 2009 to 2014. His role there included teaching ensembles, saxophone masterclasses and directing student recitals. He also performed in faculty concerts with colleagues including, Enrico Rava, Greg Osby, Kenny Werner, Steve Cardenas, Antonio Sánchez, Eric Harland and Ben Perowsky.

In 2013 Michael was funded by the Doris Duke Charitable Foundation to write Contrasts in Individualism: The Innovations of Coleman Hawkins and Lester Young. He recorded the music with Ben Allison, Frank Kimbrough and Rudy Royston and released Tiddy Boom the following year on Sunnyside Records.[38] Blake wrote an analysis of his solo from the title track for DownBeat Magazine's Woodshed Department.[39]

In 2015 Michael recorded Red Hook Soul (2016) for Ropeadope with Tony Scherr, Erik Deutsch, Ari Blotnick, Moses Patrou and Tim Lüntzel.[40]

In 2015 Blake joined the music faculty at Jerry Granelli's Creative Music Workshop in Halifax, Canada.

Throughout 2017 Michael performed with the Charlie Hunter Trio and recorded Live at the Memphis Music Mansion with drummer George Sluppick.

In 2020 Michael received a Canada Council of the Arts grant to conceive and record Dance of the Mystic Bliss, a concept album dedicated to the artists late Mother. After the Covid-19 lockdown was lifted in New York City, Blake assembled a new group of musicians from Brazil, USA and Canada called Chroma Nova and recorded the music.[41]

Blake rejoined his Lounge Lizards colleagues in 2021 and 2022 to record new music for John Lurie's TV Series Painting with John on HBO.

In October 2022 Michael released Comboblulate for Newvelle Records.[42] He arranged 10 pieces of original music for the album which features a brass band with two tuba players Marcus Rojas and Bob Stewart, trombonist Clark Gayton, trumpeter Steven Bernstein and drummer Allan Mednard.[43] Downbeat Magazine's Anthony Dean-Harris gave Combobulate 4 stars and wrote, "...when not blowing minds. They swing. They jam. They definitely impress on their own terms. But there's that extra oomph here that makes them exceptional like the other more genre-twisting tunes throughout the album. It's notable that this is an album playing on another level."[44]

The same year Blake entered into a partnership with his brother Paul Blake and established P&M Records.[45] At first focusing on rereleasing Blake's back catalogue, they chose to make Dance of the Mystic Bliss their debut new release for 2023.[46] The music was mixed by Kingdom of Champa engineer Scott Harding and features electric guitarist Guilherme Monteiro, string players Michael Bates, Chris Hoffman and Skye Steele and Brazilian percussionists Mauro Refosco and Rogerio Bocatto.[47]

Year Award Title Organization Project
2020 Grant Explore and Create Canada Council for the Arts Compose, produce and record Dance of the Mystic Bliss
2017 Grant Touring Canada Council for the Arts Red Hook Soul
2014 Grant Production Canada Council for the Arts Compose, produce and record Fulfillment
Grant New Jazz Works Chamber Music America Contrasts in Individualism: The Innovations of Coleman Hawkins and Lester Young
2011 Grant Touring Canada Council for the Arts The Variety Hour
2010 Grant Touring Canada Council for the Arts Hellbent
2006 Grant Touring Canada Council for the Arts Blake Tartare
2005 Grant Commission Canada Council for the Arts John Korsrud's Hard Rubber Orchestra
2003 Grant Touring Canada Council for the Arts Blake Tartare
2001 Grant New Jazz Works Chamber Music America Mr Carefree
1986 Grant B Canada Council for the Arts Study saxophone with David Liebman in New York City

Dance of the Mystic Bliss was #3 in The Guardian's list for Best Jazz Albums of 2023.[48]

In June 2023 Dance of the Mystic Bliss was selected by The Guardian's music critic John Fordham as Jazz Album of the Month.[49]

Combobulate was selected as Best Jazz on Bandcamp, October 2022.[50]

Red Hook Soul received 2016's Best Album Cover Art from The New York City Jazz Record

Fulfillment[51] was selected 2016 Album of the Year by Bird is the Worm.[52]

Tiddy Boom[53] was included in Downbeat Magazine's 2014 Albums of the Year[54] and made several Top 10 Jazz Albums of 2014 lists including Jazz Chronicles,[55] The Chicago Reader[56] and Lament for a Straight Line.[57]

Hellbent was selected as Album of the Year in 2010 by Andrey Henkin at All About Jazz

Michael was selected in 2002 by DownBeat magazine's Critics Poll (Talent Deserving Wider Recognition) Categories for Artist of the Year,[58] Tenor Saxophonist[59] and Soprano Saxophonist[60]

Drift was selected as 1999's Album of the Year by Germany's Jazzthing Magazine Critics Poll.

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  2. ^ Ratliff, Ben (18 December 1998). "Pop and Jazz Guide". The New York Times.
  3. ^ Ratliff, Ben (September 2005). "Playlist". The New York Times.
  4. ^ Brown, Todd R. (1 October 2003). "Elevate Me: Michael Blake's New York World-Jazz". All About Jazz.
  5. ^ Thomas, JC. Chasin' the Trane. Da Capo.
  6. ^ Dadoun, Nou. "Michael Blake". vancouverjazz.com. Retrieved 12 January 2008.
  7. ^ Andrews, Marke (26 August 1985). "Good Jazz Nice People". The Vancouver Sun.
  8. ^ Dadoun, Nou. "Michael Blake". vancouverjazz.com. Retrieved 12 January 2008.
  9. ^ Pareles, Jon (21 December 1990). "Lounge Lizards Revised". The New York Times.
  10. ^ Holden, Steven (9 September 1992). "Music Meets Attitude: Lounge Lizards Concert". The New York Times.
  11. ^ Ratliff, Ben (17 March 2002). "Even Loners Find Safety in Numbers". New York Times.
  12. ^ Collins, Troy. "Ben Allison: Medicine Wheel". allaboutjazz.com. All About Jazz. Retrieved 6 May 2006.
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  14. ^ Smith, Steve (1 June 2001). "Michael Blake: Drift". JazzTimes.
  15. ^ Chinen, Nate (18 November 2007). "Iceland, Nigeria, New York: Discovery and Rediscovery". The New York Times.
  16. ^ Bennett, Bill (25 April 2019). "Michael Blake: Elevated". JazzTimes. Retrieved 31 October 2020.
  17. ^ Connors, Phil (March 2002). "Reviews". Wall Street Journal.
  18. ^ Varty, Alex (27 February 2003). "Blake Plays Sax Like A Mother". The Georgia Straight.
  19. ^ Ratliff, Ben (14 March 2003). "Pap and Jazz Guide". The New York Times.
  20. ^ Ratliff, Ben (September 2005). "Playlist". The New York Times.
  21. ^ Buium, Greg (23 February 2007). "Impulse Comes Calling on Michael Blake". The Vancouver Sun.
  22. ^ Varty, Alex. "Hellbent discovers its own hairy chemistry". The Georgia Straight. Retrieved 21 February 2007.
  23. ^ Henkin, Andrey (January 2011). "Best of 2010" (PDF). Michael Blake. New York Jazz Record.
  24. ^ Sedaka, Neil (14 April 2013). "Biography". neilsedaka.com.
  25. ^ Milkowski, Bill. "Road to Recovery". JazzTimes.com. Jazztimes. Retrieved 25 April 2019.
  26. ^ Chinen, Nate (19 March 2009). "You're Gonna Keep on Drinking? O.K., They'll Keep on Playing". The New York Times.
  27. ^ Tartare, Blake (January 2007). "Best of 2006". Downbeat. 74 (1): 50.
  28. ^ McCaw, Michael (November 2006). "Michael Blake's Blake Tartare: More Like Us". All About Jazz.
  29. ^ Blake, Michael. "The World Awakes". Jazztimes.
  30. ^ Otchy, Chris. "Saxophonist Michael Blake". bk.asia-city.com/. BK Magazine online. Retrieved 1 June 2006.
  31. ^ McCaw, Michael (5 September 2005). "Smith/Blake/Osgood/Provis: Hammond Rens". allaboutjazz.com. All About Jazz. Retrieved 5 September 2005.
  32. ^ Collins, Troy (April 2009). "Michael Blake / Kresten Osgood: Control This". All About Jazz.
  33. ^ Blake, Michael. "Michael Blake". Songlines.
  34. ^ De Gama, Raul. "Michael Blake: Fulfillment". jazzdegama. JazzdeGama. Retrieved 5 June 2016.
  35. ^ Blake, Michael. "Amor de Cosmos". Jazztimes.
  36. ^ Turner, Mark F. "Michael Blake: In The Grand Scheme Of Things". allaboutjazz.com. All About Jazz. Retrieved 12 December 2012.
  37. ^ Hale, James (13 June 2016). "Reviews". Downbeat Magazine.
  38. ^ Boom, Tiddy (28 November 2014). "Tiddy Boom". The Chicago Reader.
  39. ^ Blake, Michael (August 2014). "Michael Blake's Tenor Saxophone Solo on Tiddy Boom". Downbeat Magazine. 81 (8): 94–95.
  40. ^ Comandini, Maurizio (26 January 2017). "Red Hook Soul". All About Jazz.
  41. ^ Milkowski, Bill (October 1, 2023). "Indie Life: The Saxophonist As Record Executive". Downbeat Magazine. Retrieved November 14, 2023.
  42. ^ "Great Vinyl". Downbeat Magazine. December 13, 2022.
  43. ^ May, Chris (5 November 2022). "Michael Blake: Combobulate". All About Jazz.com. All About Jazz. Retrieved 5 November 2022.
  44. ^ Dean-Harris, Anthony (1 January 2023). "Reviews". Downbeat Magazine.
  45. ^ Enos, Morgan (29 May 2023). "Mondays with Morgan". London Jazz News.
  46. ^ Milkowski, Bill (October 1, 2023). "Indie Life: The Saxophonist As Record Executive". Downbeat Magazine. Retrieved November 14, 2023.
  47. ^ Motovalli, Jim (May 2023). "Dance of the Mystic Bliss Michael Blake and Chroma Nova (P&M)". The New York City Jazz Record (253): 23.
  48. ^ Fordham, John. "The 10 best jazz albums of 2023". The Guardian. Retrieved 26 December 2023.
  49. ^ Fordham, John (June 16, 2023). "Jazz Album of the Month". The Guardian.
  50. ^ Sumner, Dave (7 November 2022). "The Best Jazz on Bandcamp, October 2022". bandcamp.com. Retrieved 7 November 2022.
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  52. ^ Sumner, Dave (30 December 2016). "Fulfillment". Bird is the Worm.
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  55. ^ Hale, James (15 November 2014). "Tiddy Boom". Jazz Chronicles. Downbeat.
  56. ^ Margasak, Peter (19 December 2014). "My Favorite Jazz Albums of 2014". The Chicago Reader.
  57. ^ Macnie, Jim (19 December 2014). "Best Jazz Albums of 2014". Lament for a Straight Line.
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  59. ^ Blake, Michael (August 2002). "Critic's Poll/Talent Deserving Wider Recognition". Downbeat Magazine. 69 (8): 42.
  60. ^ Blake, Michael (August 2002). "Critic's Poll/Talent Deserving Wider Recognition". Downbeat Magazine. 69 (8): 43.