Muzykalnaya Akademiya (original) (raw)
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Russian music journal
Academic journal
Muzykalnaya Akademiya
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| Discipline | Music theory and analysis |
| Language | Russian |
| Edited by | Yaroslav Timofeev |
| Publication details | |
| Former name(s) | Sovyetskaya Muzyka |
| History | 1933–present |
| Publisher | Kompozitor [ru] (Russia) |
| Frequency | Monthly (1933–1991)Quarterly (1992–present) |
| Open access | Delayed |
Standard abbreviationsISO 4 (alt) · Bluebook (alt)NLM (alt) · MathSciNet (alt  ) |
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| ISO 4 | Muzykalnaya Akad. |
| IndexingCODEN (alt · alt2) · JSTOR (alt) · LCCN (alt)MIAR · NLM (alt) · Scopus | |
| ISSN | 0869-4516 |
| OCLC no. | 471060032 |
| Links | |
| Journal homepage |
Muzykalnaya Akademiya (Russian: Музыкальная Академия, lit. 'Musical Academy'), known between 1933 and 1992 as Sovyetskaya Muzyka (Russian: Советская музыка, lit. 'Soviet Music'), is the oldest[1] Russian peer-reviewed academic journal about music.[2][3][4][5]
Sovyetskaya Muzyka was established in February 1933 by the Union of Soviet Composers and the State Committee on the Arts. In the first year, the journal was a bimonthly publication 200 pages in length, but after that until World War II the journal was published once a month and was on average 110 pages long.[5]
In 1979, the circulation of the magazine was 21,000 copies.[_citation needed_] In Soviet times, the journal published articles devoted to the works of domestic and foreign composers, the problems of music science, the development of national and ethnic musical cultures, heritage and education, and questions of the performer skills.[_citation needed_] The journal also contained various discussion materials, reviews of the concerts and theater premieres, book and music editions, and a chronicle of Soviet and foreign musical life.[_citation needed_]
Dmitry Kabalevsky was editor-in-chief of Soviet Music from 1940 to 1946.
In 1992, the name of journal was changed to Muzykalnaya Akademiya with new publishers: the Union of Russian Composers, the Russian Ministry of Culture, and Kompozitor [ru].[6]
The following persons are or have been editors-in-chief:
- Nikolai Chelyapov (1933–1937)
- Moses Greenberg (1937–1939)
- Dmitry Kabalevsky (1940–1946)
- Alexander Nikolaev (1947)
- Marian Koval (1948–1952)
- Georgy Hubov (1952–1957)
- Yuri Keldysh (1957–1961)
- Elena Grosheva (1961–1970)
- Yuri Korev (1970–2012)
- Marina Voinova (2012–2018)
- Yaroslav Timofeev (from 2018)
- ^ Баяхунова, Лейла (2014). "Российские научно-музыкальные издания: развитие и современное состояние". Cyberleninka. Научная периодика: проблемы и решения. Retrieved 2019-06-25.
- ^ Ямпольский И. М. (1981). "Советская музыка". In Ю. В. Келдыша (ed.). Музыкальная энциклопедия. Vol. 5. М.: Советская энциклопедия, Советский композитор.
- ^ "Музыкальная Академия (Информация об издании)". eLibrary.Ru. Retrieved 2019-06-25.
- ^ Silverman, Marissa (2018). Gregory Haimovsky: A Pianist's Odyssey to Freedom. Boydell & Brewer. pp. 106–107. ISBN 978-1580469319.
- ^ a b Mikkonen, Simo (2007). "State Composers and the Red Courtiers: Music, Ideology, and Politics in the Soviet 1930s" (PDF): 26–27. Retrieved 2019-06-25.
- ^ "Композитор". Great Russian Encyclopedia. Retrieved 2019-06-02.