Sculpture (original) (raw)

Sculpture is a three-dimensional art genre that can take several forms including statues, busts, and reliefs. Sculptures embody the concepts of volume and space. Unlike a drawing or a photograph, they are objects that are often described as round because you can walk around them, view them from above, or (if they're small enough), pick them up and look at the bottom.

The Thinker, Musee Rodin, Paris

David by Michaelangelo, Florence

Sculpture is a very old form of artistic expression. Some of the most valued sculptures are from ancient cultures that existed thousands of years ago, sometimes before the dawn of writing or drawing. Sculptures have been created in every part of the world using a range of materials and techniques. Depending on the material used, sculptures often are among the most durable artifacts of a culture, surviving long after paper or canvas has rotted away to dust.

Venus de Milo, Louvre, Paris

Some sculptures are instantly recognizable to people around the globe. They've become symbols of the artists who created them and the cities where they were created. There are only a few examples listed here, because even though we may all have our own favorite artists, not all of their work can be said to make it to the status of an internationally recognized symbol. Some that do include:

There are two basic techniques for creating sculptures: reductive and additive. The time-honored practice of chiseling away at a block of marble is the reductive technique, so is carving a block of wood with a knife. Forming a sculpture from a hunk of clay can be referred to additive, but more often would be called modeling. Another way to make a sculpture is to create a mold and then pour in molten metal (most often bronze, but you could use other materials, even wax).

In contemporary art, techniques such as welding are common and materials could include scrap iron, or even industrial waste. Any material that can be manipulated to form a statue or any other kind of sculpture is fair game!

Nefertiti bust, Neues Museum, Berlin

Three forms of sculpture are most common:

Memorials and monuments

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A memorial (or monument) is a structure built in honor of a person or event. Though not necessarily a sculpture itself, memorials typically include statues (sometimes several) and often relief sculptures depicting famous events.

Up until the 20th century, it was common for war heroes to be depicted on horses, a style sometimes referred to as equestrian sculptures. According to myth, a prancing horse (or at least two hooves raised) would tell that the leader died in battle, while a standing horse would tell that the leader died in peace, and a horse with one leg raised for death from battle wounds. This has never been true; one of many counterexamples is this statue in Rouen, France, depicting Napoleon Bonaparte, who died peacefully on Saint Helena. A standing horse statue is comparably easy to make; prancing horse statues are advanced and spectacular.

A monument might be erected a long time after the commemorated event. Many monuments are shaped by the values of the patron and artist, at times erected as propaganda tools for a government's religion or ideology. Some monuments become controversial to posterity, in a few cases to the extent that they get relocated or dismantled.

Cemeteries, religious buildings, government buildings, grand houses and judicial buildings tend to have elaborate sculptures.

Some of the world's most interesting sculptures are those that puzzle and mystify us because the people who created them have long ago perished into the realm of archaeology. The sculptures though, endure as a tangible record of their existence on this world. Iconic examples include:

Great Sphynx of Giza, ca. 2500 B.C.

Olmec head, Museum of Anthropology, Mexico City

Moai heads, Easter Island

The term classical sculpture can refer to sculptures created in either ancient Greece, or in ancient Rome. Prolific artists using similar techniques could be found in both areas around the same time, generally defined as 500 BC to around 200 AD. (Works older than 500 BC are often referred to as being from the archaic period.) White marble, very fine attention to detail, and polished finishes generally characterize these sculptures, which tend to feature Gods and characters from Greek or Roman mythology. The Venus de Milo, a sculpture of the Goddess Aphrodite, is representative of classic sculpture.

In medieval Europe, sculpture took simpler shapes than it had done in the Roman Empire, but it became more prevalent in Italy during the Renaissance era, starting around the late 15th or early 16th century. Religious themes became common, as did sculptures that included children and animals, and busts became important as a sculptural form, often commissioned by vain merchants or politicians who probably also commissioned a few painters to do portraits. Florence was a hotbed of artistic activity, and Michaelangelo is one of the best-known Renaissance artists from that city.

During this era, the Catholic church was extremely rich and powerful, and it held quite a bit of influence over the art world. The church frequently commissioned sculptors to create iconic statues for its churches and cathedrals. As colonialism expanded the reach of the church, so too did it expand the need for artists to produce work for the new colonies.

Modern and contemporary sculpture

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Modernism brought with it new ideas about what sculptures should represent and how they should be made. Sculptures started to represent concepts rather than people (or events) and materials could be anything, from common household items to garbage. Dutch artist Willem de Kooning once complained that art dealer Leo Castelli was such a shmoozer, he could even sell beer cans as art. Jasper Johns supposedly tested that theory by producing a sculpture titled Painted Bronze, which consisted of two cans of Ballantine Ale. Not only did Castelli sell it, the work is now displayed in the Whitney Museum in New York City.

Post-modernism is a late-20th century movement rejecting conventions such as medium, proportion, and decorum.

Contemporary artists push the envelope of meaning even further with sub-genres like light sculpture and sound sculpture, which create an experience, but not a three-dimensional object with roundness. In many cases, the works may seem ephemeral, here for an instant, gone the second the power switch gets turned off. Are these really "sculptures" at all?

Sculptures are such an integral part of the visual arts that every major art museum in the world will have some good sculptures. Some that stand out are:

Parthenon Marbles, British Museum, London

Sculptures are frequently displayed in outdoor settings. Many art museums, grand houses, and royal residences have elaborate gardens that include any number of statues or other sculptures. At some point, the focus on sculptures becomes greater than the focus on the plants in the garden, and people start calling it a "sculpture garden" rather than simply a "garden".

In the 20th century, it became common for cities to build large parks as a showcase for contemporary artists to create site-specific sculptures. The larger ones are typically called "sculpture parks" rather than gardens. Some well-known sculpture gardens and parks include:

Symphonic Sculpture at Hakone

Storm King Wavefield by Maya Lim

Map

Map of Sculpture

Many monuments and memorials either are, or contain statues or other types of sculpture. Some of the world's most iconic examples are:

Especially in Europe, fountains often feature one or more sculptures, some of which can be pretty elaborate. Some public fountains are among the most iconic attractions of various European cities.

European palaces often also have spectacular fountains in their gardens with numerous beautiful sculptures.

Sculptors sometimes use their creativity in unexpected ways, producing grand works that makes people scratch their heads thinking, "What the heck is that thing?" These may be considered "visionary art". Sometimes these become tourist attractions in their own right.

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