Zeynep Tanriverdi | Fatih Sultan Mehmet Vakıf University (original) (raw)

Papers by Zeynep Tanriverdi

Kent Akademisi/Urban Academy, 2024

Çorum'un Sungurlu ilçesi, geçmişte çok sayıda sivil ve dinî mimari yapıya ev sahipliği yapmış anc... more Çorum'un Sungurlu ilçesi, geçmişte çok sayıda sivil ve dinî mimari yapıya ev sahipliği yapmış ancak zaman içinde bakımsızlık, doğal afetler, mülkiyet problemleri gibi nedenlerle günümüze sınırlı sayıdakiler ulaşabilmiştir. Elde kalan eserler arasında tescilli yapılar yanında Hilmi Efendi Cami gibi nitelikli mimari özellikler gösteren ancak tescillenmemiş dinî yapılar da mevcuttur. Bu çalışmada, Sungurlu'nun kuruluş yıllarına tarihlenen ilçenin ilk nüvesi, merkezi yapısı kabul edilen Yusuf Hoca Cami günümüzdeki adıyla "Hilmi Efendi Cami"nin nitelikli mimari özelliklerinin kayıt altına alınarak koruma altına alınması ve yok olan diğer yapılarla benzer kaderi yaşamaması amaçlanmıştır. Öncelikle caminin tarihi hakkında detaylı incelemeler yapılmış ve caminin Yusuf Hoca Medresesi'yle beraber inşa edildiği ve aynı isimde bir de çeşmesinin olduğu ancak sadece caminin günümüzde ayakta kaldığı belirlenmiştir. Ardından caminin mimari özellikleri ve mevcut durumu yerinde yapılan incelemeler, rölöve çizimleri, yazılı ve görsel kaynaklarla ortaya konulmuştur. Bu veriler doğrultusunda caminin Çorum dinî mimarisindeki yerinin belirlenmesi için diğer cami ve mescitlerle beraber değerlendirilmesi yapılmıştır. İnceleme sonucunda caminin ilçede en çok görülen "boyuna dikdörtgen planlı tek sahınlı ve ahşap tavanlı camiler" grubuna girdiği ve bu grupta yer alıp birbirlerinin halkaları olan tescilli Kellegöz, İnayetullah ve Çakır Camileriyle benzer mimari özellikler gösterdiği tespit edilmiştir. Bu yazının caminin gelecekte tescillenmesi ve korunmasına katkı sağlaması umulmaktadır.

New Era International Journal of Interdisciplinary Social Researchers, 2022

Boathouses where small boats are towed, tied and protected are coastal structures found along sea... more Boathouses where small boats are towed, tied and protected are coastal structures found along seacoasts, rivers and lakes. During the Ottoman period, it is known that there were many boathouse structures belonging to the residences found on the Bosphorus, Golden Horn and coastal settlements of Istanbul. This study aims at revealing the original architecture of the Osman Hamdi Bey boathouse by analyzıng its historical, architectural, construction techniques and material properties. This boathouse belonging to the famous painter, archaeologist, museologist and diplomat Osman Hamdi Bey (1842-1910) is a component of the wooden complex of buildings (mansion, painting studio and boathouse) in his vineyard estate located in the Gebze-Eskihisar district which is connected to the sea in Istanbul. It is also one of the few boathouses that has survived to the present day from the Ottoman period. After detailed research of the literature on Ottoman boathouses, in-situ examination and analyses of the Osman Hamdi Bey boathouse were made by photographing and taking detailed dimensional measurements. All this gathered information obtained was recorded in architectural drawings and notes. From the architectural traces on the boathouse and by making comparisons with Ottoman period boathouses the original architecture of the boathouse structure was determined. Then drawings of the original Osman Hamdi Bey boathouse were made with the help of the architectural details of the mansion and painting studio found in this complex of the same period. It is hoped that this study about the original architecture of Osman Hamdi Bey boathouse can make a valuable contribution both to the literature of boathouse architecture of the Ottoman period and help in the documentation and conservation of such boathouse structures for future generations.

In this study, the characteristics, technologies, provenance, compatibility, durability and deter... more In this study, the characteristics, technologies, provenance, compatibility, durability and deterioration problems of the original materials (stone, stone tessera, brick, mortar, and plaster) used in the construction of the Roman Bath in Ankara are identified through archaeometric methods, such as basic physical and physicomechanical tests (bulk density, effective porosity, water absorption capacity, ultrasonic pulse velocity, hardness tests), and compositional, mineralogical, and chemical analyses (binder aggregate ratio and particle size distribution analyses, gravimetric analysis, salt content tests – spot salt analysis and electrical resistivity – petrographical thin section optical microscopy analysis, Raman analysis, SEM-EDX analysis and, XRF analysis). Firstly, stones are classified into five groups as andesite, limestone, marble, sandstone, and tuff. The provenance of the stones is Hüseyingazi-Kale for andesite, Haymana for limestone, Afyon marble quarry (Antique Marble Quar...

Conference Presentations by Zeynep Tanriverdi

IV. International Architectural Sciences and Applications Symposium (IArcSAS-2024), 2024

Historic areas are places where the old and the new are intertwined in the historical process, tr... more Historic areas are places where the old and the new are intertwined in the historical process, transferring the past information they hold to the future with their tangible and intangible multi-layered structures, changing and transforming continuously. Over time, historical sites undergo physical and functional obsolescence, necessitating conservation methods to ensure their sustainability. One such method is adaptive reuse of these sites with new functions. Integrating new functions into historical buildings is achieved by blending the original data of the past with the architectural, technological, social, cultural, economic, and political spirit of their times. In this context, the concept of palimpsest, which denotes the overlapping of old and new traces to form a new whole, parallels the notion of writing new elements upon the remnants of the past. Thus, designers aim to add new functions to historical buildings must meticulously examine the existing context, including environmental and structural data, as well as hidden and implicit layers such as memories, values, and narratives. By discovering and reinterpreting these guiding elements, designers can implement various spatial transformations and interventions in historical buildings. This study examines the conservation of the original traces of the palimpsest space Istanbul Şerefiye (Theodosius) Cistern, focusing on the design of its surrounding urban landscape, new additon, and interior interventions aligned with its new function as a museum and cultural event venue. It discusses how these interventions create new traces on the historical fabric, ensuring the continuity and relevance of the space in contemporary times.
Keywords: Historic Areas, Re-Functioning, Palimpsest, Old-New Relationship, Şerefiye Cistern.

INTERNATIONAL SYMPOSIUM ON ARCHITECTURE, ENGINEERING AND DESIGN July 08-09, 2024 / Diyarbakır, Türkiye, 2024

Historical baths are multi-layered spaces that contain the architecture, construction technique, ... more Historical baths are multi-layered spaces that contain the architecture, construction technique, social, cultural, economic; tangible, and intangible aspects of traditional life. The physical and functional deterioration of these spaces over time threatens their sustainability. Nowadays, conservation decisions and practices for these historical buildings involve first using them with their original functions or functions close to their original ones, then supporting them with additional functions for adaptation to contemporary life, or giving them completely new functions. Historical spaces shaped by contemporary design, architecture, construction, and material technologies are transformed into environments where traditional and contemporary elements are intertwined. This paper addresses the incorporation of cultural functions for public use in hammams structures of traditional bathing culture, which served as sites of cleanliness, health, and socialization, through a contemporary design approaches.
Considering the unique architectural, construction, and functional systems of baths (such as heating, water supply, drainage, and acoustic systems), any interventions should be approached meticulously. In this study examples from Istanbul were evaluated; the II. Beyazid Turkish Bath Culture Museum, where ethnographic and archaeological artifacts as well as contemporary periodical exhibitions are displayed, the Historical Selimiye Bath, which has been refunctioned as a cultural center, and the Zeyrek Çinili Bath and Museum, which has been opened for use with an additional museum building and open exhibition areas featuring a contemporary design approach while preserving the original bath function. In this context, it has been concluded that firstly using the baths with their original function and supporting them with additional contemporary cultural functions, and then using them with new contemporary cultural functions while preserving their original architectural elements to a great extent will contribute to their sustainability.

SITE PLAN OF THE BURSA MEVLEVÎHÂNE ASITÂNE DURING ITS LAST FUNCTIONING HISTORICAL PERIOD, 2023

Founded on the teachings of Mevlâna Jalaluddin Rumi (1207-1273), the sufi order of Mevlevî dervis... more Founded on the teachings of Mevlâna Jalaluddin Rumi (1207-1273), the sufi order of Mevlevî dervishes existed for over 600 years. It spread from its centre in Konya by establishing Mevlevî dervish lodges called mevlevîhânes, which were divided into the two categories of asitânes and zaviyes according to their function and capacity. Asitânes were larger architectural complexes administrated by a shaykh and teaching staff of dervishes called dedes where dervishes could undergo a 1001 day of spiritual training, whereas zaviyes were smaller mevlevîhânes without this capacity and training programme. On the closure of all the dervish lodges in 1925, there were almost 200 mevlevîhânes and 14 asitânes in existence. This study focuses on the architectural site plan changes within the complex of the Bursa Mevlevîhâne Asitâne during the 19th century. By examining its rich supply of historical maps, archival plans and photograghs, it is possible to trace the locations of units such as stables, gasilhâne, main kitchen, toilets, laundry-drying gardens etc. which are almost unknown in other mevlevîhânes. It is hoped that this study will also contribute to the documentation of the original data of the structures and layout of the site plan of Bursa’s last functioning mevlevîhâne in 1925, so that a correct restitution and reconstruction of the complex can be made possible.

ATLAS 9th INTERNATIONAL SOCIAL SCIENCES CONGRESS PROCEEDINGS BOOK, 2022

At the time that they were built, the city walls were designed to defend the city. However, with ... more At the time that they were built, the city walls were designed to defend the city. However, with the
developing technology, the city walls lost their purpose of protection and defense after the 19th century. In order to meet the increasing population demand in cities brought on by the industrial revolution, the existing city borders were expanded beyond the walls of the old city, therefore the old city walls lost their effectiveness. In the 20th century, due to the widespread use of automobiles and migration to the suburbs, city centers were abandoned and a new urbanization trend was born. This process has caused the destruction of historical city centers and city walls, especially in Europe. In developing countries such as Turkey, with the rapid urbanization process taking place over a short period of time, historical city centers have been recklessly destroyed.
The heavily destroyed Istanbul-Galata and the largely preserved Lisbon-Alfama are both fortified cities that are similar in terms of size, layout and settlement in the area. In this study, it is intended to evaluate both of these fortified cities on their level of preservation and the effects they have on the cities that they surround.
Preservation of the city walls of Alfama started with the movement of renovating the national heritage sites in Portugal between 1933 and 1974. As a result, the castle and city walls which are considered highly valued national treasures, were repaired, restored and renovated. In this context, by forming a border between the old city and the new city, Lisbon city walls were able the preserve the old city landscape. By reflecting the history of Lisbon, the Alfama district was distinguished from the rest of the city and turned into a center of attraction.
On the other hand, with the influence of the westernization movement that followed the Tanzimat Reform Era, the demolition process was accelerated for the Galata region, in order to build modern structures around the city walls that no longer served a purpose, bring the appearance of a European city and ease the traffic in the area. In the era of former Prime Minister Menderes, some surviving bastions were also destroyed to open space for wide boulevards. Although the remaining parts of the walls were registered as landmarks between 1972-1989, no maintenance and restoration work has been done. Zoning plans for the Galata Region were prepared in different time periods, but a concrete approach for the city walls has not been developed. Through the comprehensive urban and structural analyses in this study of the Galata city walls and the surrounding area, it has been determined that 10% of the walls are only partially standing. Since the last remaining city walls could not go beyond being registered, it can be seen that the efforts to preserve, exhibit and transfer these heritages to the future generations are either absent or insufficient.
As a result, it was concluded that the protection of the historic city walls is essential to the preservation
of the physical and social texture of the city and transferring it to the future generations.

VI-INTERNATIONAL EUROPEAN CONFERENCE ON INTERDICIPLINARY SCIENTIFIC RESEARCH , 2022

To keep alive the memory of very important historical cultural figures in the present and future,... more To keep alive the memory of very important historical cultural figures in the present and future, the places where they lived and produced their works are preserved and transformed into living museums.
This study is about the preservation of the authentic values of the famous Ottoman intellectual Osman Hamdi Bey’s (1842-1910) vineyard estate in Eskihisar- Gebze where he spent the summers of the last 26 years of his life and produced important works of art. Firstly, Osman Hamdi Bey's life, artistic and archeological contributions to Turkish culture were presented. Then, the role that the Gebze-Eskihisar vineyard estate with its group of wooden buildings consisting of a mansion, painting studio, and boathouse played in his life and history were expressed utilizing archival documents, and photographs. Next the different restorations that the mansion, painting studio boathouse and gravesite underwent historically were explained. After the 1987 major restorations of the mansion and painting studio both were used as a museum. However, today these buildings and the gravesite are in need of urgent restoration. The boathouse was recently restored in 2016, but it has never been used since that date. Within the scope of these new restorations to be made all the components of the Osman Hamdi Bey’s vineyard estate including his grave site should be concieved as a whole and given modern social-cultural usage according to the their original functions for the public to visit and experience as a living museum.
With the above proposals it is hoped that the authentic values of Osman Hamdi Bey’s Gebze- Eskihisar Vineyard Estate and his grave site will be preserved and that it will make an important contribution to Turkey’s cultural heritage.

Atlas International Congress on Social Sciences 9, 2022

Mass housing units are structures produced for the mass housing needs of society depending on the... more Mass housing units are structures produced for the mass housing needs of society depending on the demographic changes in the modernization process in the world. The industrial revolution brought about an increase in the number of facilities built in big cities as well as in migration from village to city. This population density resulted in the building of the first examples of mass housing projects for the working class.
With the proclamation of Ankara as the capital city of the new Turkish Republic, the city saw a rapid growth in population from the waves of immigration causing it to adopt the mass housing approach which was popular in the rest of the world for the needs of state housing. Within this context, the Saraçoğlu District was the first mass housing project to be built between 1944 and 1947 for the needs of civil servants by the state in Ankara. The neighborhood designed by the famous German architect Paul Bonatz had the appearance of a modern neighborhood with housing blocks, socio-cultural service buildings being in harmony with open green areas of parks and gardens. Bonatz by the hierarchical positioning of the 2-3 and 4 floored residential blocks and public buildings on the 300 x 500 m plot, with the high-rise buildings at the top in harmony with the topography, and the low-rise buildings below them had taken into consideration the capacity of every structure being able to have a view of the Ankara Castle as well as the environmental data of the period.
In this study, a total of 44 housing blocks that constitute the neighborhood housing structures were evaluated typologically and it was discerned that there were 8 different types (A, B, C, D, E, F, G, H) of housing blocks. The locations of 8 A-type, 5 B-type, 12 C-type, 3 D-type, 2 E-type, 3 F-type, 9 G- type and 2 H-type residential blocks and the location of each house type were determined in the layout plan. Plans and facades were drawn and recorded. As a result of this typological housing evaluation, it was concluded that in accordance with the characteristics of the Second Turkish Architectural Style, Bonatz had applied the formal elements and dimensions of the “traditional Turkish house” in the facades such as “the bay window, balcony, molding and 1/2 window ratio” using modern materials. However, in the execution of the plans many difficulties and faulty practices were encountered. Despite all this, Bonatz’s effort to create new living and interior arrangements for modern neighborhoods and contemporary communities and modern arrangements for the needs of the period, the Saraçoğlu District mass housing project represents an important step for Ankara at that time. The typological data obtained in this study; will contribute to present day restorations, as well as to the documentation of the residences in the Saraçoğlu district which constitute the first mass housing project built in Ankara with the support of the state.

International Paris Conference on Social Sciences -VII, 2022

In 1925, after the founding of the Turkish Republic, all tekkes and zaviyes (dervish lodges) were... more In 1925, after the founding of the Turkish Republic, all tekkes and zaviyes (dervish lodges) were abolished and most fell into ruins. The mevlevihanes were the dervish lodges of the Mevlevi Sufi Order of dervishes, founded in the late 13th century, which reflect the teachings and life style of Mevlâna Jalaluddin Rumi.
In this study for the first time an architectural evaluation of the last Ankara Mevlevihane was attempted utilizing historical documents, surrounding buildings and comparative analyses with similar dervish lodges. Ankara Mevlevihane was first constructed in 1630 in the northeast corner of the courtyard of Mimar Sinan’s only building in Ankara, the Cenabi Ahmed Paşa or Yeni/New Mosque in accordance with a decree issued by Sultan Murad IV and the wakf of Haji Mahmud Başe. Without making any documentation, it was totally demolished in 1950 during the construction of the Mimar Sinan Square on Ulucanlar Street.
Utilizing a photograph of Ankara Mevlevihane found in the Yıldız Palace albums of Sultan Abdulhamid II, the detailed layout of the buildings in the mevlevihane found in the 1924 Water Map of Ankara City and the exact boundaries of the empty mevlevihane complex found in the 1930 Ankara Land Registry and Cadastre Map, in combination with comparative analyses of other mevlevhanes and surrounding buildings a restitution site plan of the 1924 Ankara Mevlevihane and the restitution floor plans and cross section of its semahane were drawn. As a result; the restitution site plan shows the exact layout of the component structures within the the last Ankara Mevlevihane complex and the semahane restitution plans and cross section provide a foundation for the reconstruction of its last semahane. This new data adds to the literature about the architecture of mevlevihanes, especially of those using wood and sun-dried bricks in their construction of which there are so few examples.

International Paris Conference on Social Science - VII, 2022

At the end of the twentieth century, Modern Architectural Heritage buildings were accepted as par... more At the end of the twentieth century, Modern Architectural Heritage buildings were accepted as part of cultural heritage and gained the status of cultural assets. Several studies and evaluations have been made on international platforms about the definition, content, protection and criteria of heritage. Despite all these positive developments, the problem of preserving Modern Architectural Heritage continues in the world and in Turkey it has been the subject of many discussions. This study addresses the conservation problem of the Saraçoğlu Neighborhood which is one of the most important examples of modern architectural heritage in Ankara. Due to the location of the neighbourhood in Kızılay, the centre/heart of Ankara city, it has been the subject of many decisions and practices which have threatened its preservation during the historical period. From an environmental point of view, the overwhelming number of high-rise buildings later added around the the neighbourhood had destroyed its visibility in the area. Until its evacuation in 2015 the neighborhood faced protection problems such as security, neglect, traffic density and insufficient parking. Architectural problems of the neighborhood consist of neglect and the interior and exterior changes which did not comply with the original design which were made by occupants in an attempt to adapt to modern day conditions/needs. After the evacuation of the neighborhood, it was observed that the environmental and architectural deterioration processes increased even more in the area which remained idle for about 5 years until 2020 restoration work. In an attempt to resolve these problems, a restoration project proposal was initiated in the neighborhood in 2020 with the idea of dividing it into five parcels with functions such as residence, office, trade and tourism and building a car park underneath. This project study was found to be negative in terms of protection as it disrupts the original environmental integrity and damages the green texture of the neighbourhood and was taken to the legal authorities by the relevant institutions.
In this study of the Saracoglu Neighbourhood, whose legal process and restoration work still continue, the architectural and environmental protection values of the area have been examined. The values such as historical, documental, architectural, environmental, memory, symbolic, functional and urban values belong to the traditional preservation system. While the originality and uniqueness of its design which belongs to an internationally, re-knowned architect are values belonging to the modern architectural heritage. The results reveal that the Saraçoğlu Neighborhood has an important place in Ankara’s modern architectural heritage and that its preservation would enable its original values to be passed on to future generations.

Cumhuriyet 6. Uluslararası Uygulamalı Bilimler Kongresi, 2022

Saraçoğlu Mahallesi Cumhuriyet Dönemi Modern mimarlık mirasının Ankara’daki önemli simgelerinden ... more Saraçoğlu Mahallesi Cumhuriyet Dönemi Modern mimarlık mirasının Ankara’daki önemli simgelerinden biridir. Ankara’nın memur kimliğini yansıtan mahalle, özgün mimari ve çevresel özellikleriyle kent belleğinde vazgeçilmez bir değere sahiptir. Ankara kent merkezi Kızılay’daki kıymetli arazisiyle her dönem ilgi çeken mahalle, 2013’te afet riskli alan ilan edilmiş ve 2015’te tamamen boşaltılmıştır. Sonrasında yaklaşık beş yıl kaderine terk edilen yapılar; bakımsızlık, yağma ve atmosferik etkilerle bozulmaya uğramış ve açık yeşil alanlar zarar görmüştür. 2020 yılında koruma ve yenileme çalışmaları başlatılan mahalle için hazırlanan restorasyon projesi önerisinde arazinin; konut, turizm, ticaret gibi işlevlerle parsellere ayırılıp, altına katlı otopark yapılması fikri; yeşil dokuya ve mahallenin özgün çevre bütünlüğüne zarar verileceği endişesini doğurmuştur. İlgili kuruluşlar, uzmanlar, sivil toplum örgütleri Ankara’nın bu kamusal tarihi alanını katılımcı bir süreçle korumayı önererek, katılımcı ve şeffaflıktan uzak biçimde yürütülen proje ve uygulama çalışmalarının durdurulması için yargıya başvurmuşlardır. Günümüzde hem mahalledeki uygulama hem de buna karşı başlatılan hukuki süreçler devam etmektedir. Bu çalışma, Saraçoğlu Mahallesi’nin özgün değerleriyle korunup gelecek kuşaklara aktarılabilmesi amacıyla hazırlanmıştır. Öncelikle Saraçoğlu Mahallesinin inşa edildiği Cumhuriyet Dönemi Türkiye ve Ankara’sının siyasal, sosyo-ekonomik ve mimari ortamına değinilerek, modern Ankara ve bu mahallenin oluşumu için harcanan emekler göz önüne serilmiştir. Sonrasında Saraçoğlu Mahallesi’nin sahip olduğu özgün çevresel ve mimari değerleri ifade edilmiştir. Ardından günümüze kadar olan koruma karar ve yaklaşımları açıklanmıştır. Son olarak mahallenin kamu yararı gözetilerek yaşatılması için koruma önerisi verilmiş ve günümüzde devam eden Saraçoğlu Mahallesi Koruma, Yenileme ve Yaşatma Projesi değerlendirilmiştir.

Books by Zeynep Tanriverdi

Afet Yönetimi ve Kültürel Bellek Kurumları, 2023

K􏰞ültürel bellek mekanları müzeler􏱇 toplumun kültürel hafızasını sahip olduğu eserleri ile saklam... more K􏰞ültürel bellek mekanları müzeler􏱇 toplumun kültürel hafızasını sahip olduğu eserleri ile saklamak ve sergilemek görevi üstlenen önemli yapılarıdır. 􏰉Sahip oldukları nadide eserleri ile korunmaya değer olan bu yapılar, tarih boyunca doğa 􏱗(deprem, sel, yangın, fırtına tsunami vb.􏱖 ve insan 􏱗savaş, vandalizm, terörizm vb.)􏱖 kaynaklı afetlerden olumsuz etkilenmişlerdir. M􏰥üzelerin bu afetlerden zarar görmesinin sebebi􏱇 afet risk yönetim plan ve uygulamalarının olmaması, müze yönetimi, çalışanları ve toplumun afet bilinci ve eğitiminden yoksun olması ve afetlerde önceliğin can güvenliğine verilerek müzelerin göz ardı edilmesi olmuştur. Y􏰄aklaşık son 􏰾􏰮 yıllık süreçte 􏰕􏰇􏰍􏰉􏰻UNESCO, IC􏰻OM􏰥OS􏰉, ICCR􏰻􏰻􏱄OM􏰥, IC􏰻OM􏰥, 􏰻􏰻CCI, RCE 􏱄􏰻􏰍 gibi kuruluşlarla uluslararası platformlarda müzelerde afet risk yönetim çalışmaları önem kazanmış ve bu doğrultuda tüzükler hazırlanmış, kongreler düzenlenmiş, bildiriler, kitaplar yayınlanmış ve toplumu bilinçlendirmek adına kurs, atölye çalışmaları yapılmıştır. Bu olumlu gelişmeler dünyada gelişmiş belli başlı ülkelerdeki müzelerin afetlere karşı korunmasında etkili olmuştur. 􏰳Ülkemiz de dünyada yapılan bu gelişmeler ve yaşadığı doğa ve insan kaynaklı afetlerin etkisiyle müzelerde afet risk yönetimi konusuna yönelmiş ancak yapılan çalışmalar çoğunlukla belgeleme aşamasında sınırlı kalmıştır. Bu doğrultuda dünyada ve ülkemiz gibi nice kültürel mirasa ev sahipliği yapan tüm müzelerde afet öncesi, sırası ve sonrası tüm aşamaları içeren titizlikle hazırlanmış afet risk yönetim çalışmalarına ihtiyaç vardır. Bu yazıda öncelikle dünyada ve Türkiye􏰯de, müzelerde afet risk konusunda yapılan çalışmalar ve yaşanan afetlerin müzelere verdiği hasarlar ele alınmış, ardından müzeleri tehdit eden afet risk türleri ve müzelerde afet risk yönetimi çalışmasının üç aşaması􏱇 öncesi 􏱁risk değerlendirme, azaltma ve hazırlık􏱏, sırası 􏱁müdahale􏱏 ve sonrası 􏱁iyileştirme􏱏 detaylı bir şekilde açıklanmıştır. S􏰉onuçta, müzelerde afet risk yönetim çalışmalarından istenilen verimin elde edebilmesi için her aşamanın kendi içindeki şartları sağlaması yanı sıra bütüncül bir yaklaşımla beraberce değerlendirilmesi gerektiği kararına varılmıştır. Y􏰄azının, kültürel bellek mekanları müzelerin olası bir afete karşı sahip oldukları değerleriyle korunup gelecek nesillere aktarılmasına katkı sağlayacağı umulmaktadır.
Anahtar Sözcükler: M􏰥üze, koruma, müzelerde afet risk türleri, müzelerde afet risk yönetimi.