Holger Kersten | Martin-Luther-Universität Halle-Wittenberg (original) (raw)
Mark Twain Research by Holger Kersten
Handbook of the American Short Story, 2022
In the annals of American literature, Samuel L. Clemens (“Mark Twain”) is recognized as a major w... more In the annals of American literature, Samuel L. Clemens (“Mark Twain”) is recognized as a major writer of novels and travelogues. Although a handful of his stories enjoy general recognition, he is rarely placed among America’s outstanding short-story writers. Seen through the lens of prescriptive short-story theories, Clemens’s unconventional work was frequently identified as humorous local-color writing, a category lacking literary prestige. In an endeavor to present a more adequate picture of his achievement, this chapter will show that Clemens produced a wide variety of short texts that elude simple classification. From his early journalistic pieces to the more elaborate writing of his later years, he used short textual units in different ways to articulate his concerns and priorities as a writer. In a close-up look at “A True Story” and “The Man That Corrupted Hadleyburg,” two stories that bracket the most productive phase of his career, it will become clear that his linguistic experiments and his intensive engagement with the moral consequences of human behavior elevate his work beyond the confines of traditional genre categories and establish him as an accomplished expert in short-form writing.
Studies in American Humor 4:2 (2018), 171-182., 2018
“Against the assault of laughter nothing can stand,” one of Mark Twain’s most famous quotes, prop... more “Against the assault of laughter nothing can stand,” one of Mark Twain’s most famous quotes, propounds the idea that humor can serve as a social corrective in American political life. Mark Twain scholars and the general public have tended to regard these words as a condensed version of the writer’s credo as a humorist. By retracing the history of the phrase, which first appeared in The Mysterious Stranger, six years after Mark Twain’s death, and by placing it in the context of nineteenth-century American political humor, this article draws attention to the tensions between the original meaning and its popular interpretation. At the same time, it illustrates the difficulties and complexities involved in the attempt to portray Mark Twain’s concept of humor.
The Mark Twain Annual 16 (2018), 64-76, 2018
“Against the assault of laughter nothing can stand,” one of Mark Twain’s most famous quotes, prop... more “Against the assault of laughter nothing can stand,” one of Mark Twain’s most famous quotes, propounds the idea that humor can serve as a social corrective in American political life. Mark Twain scholars and the general public have tended to regard these words as a condensed version of the writer’s credo as a humorist. By retracing the history of the phrase, which first appeared in The Mysterious Stranger, six years after Mark Twain’s death, and by placing it in the context of nineteenth-century American political humor, this article draws attention to the tensions between the original meaning and its popular interpretation. At the same time, it illustrates the difficulties and complexities involved in the attempt to portray Mark Twain’s concept of humor.
Published in: Mark Twain and Youth: Studies in His Life and Writings. Eds. Kevin Mac Donnell and ... more Published in: Mark Twain and Youth: Studies in His Life and Writings. Eds. Kevin Mac Donnell and Kent Rasmussen. London: Bloomsbury Academic, 2016: 3-10.
Published in: Crossroads in American Studies: Transnational and Biocultural Encounters. Eds. Fred... more Published in: Crossroads in American Studies: Transnational and Biocultural Encounters. Eds. Frederike Offizier, Marc Priewe, and Ariane Schröder. Heidelberg: Universitätsverlag Winter, 2016. 411-427.
Published in: Amerika und die Norm: Literatursprache als Modell? (Hgg. Christopher F. Laferl and ... more Published in: Amerika und die Norm: Literatursprache als Modell? (Hgg. Christopher F. Laferl and Bernhard Pöll), Tübingen: Max Niemeyer Verlag, 2007: 25-36.
Published in: A Companion to Mark Twain (Hg. Peter Messent und Louis J. Budd), Malden, MA: Blackw... more Published in: A Companion to Mark Twain (Hg. Peter Messent und Louis J. Budd), Malden, MA: Blackwell Publishing, 2005: 324-337
Published in: New Directions in American Humor. Ed. David E. E. Sloane. Tuscaloosa, Ala.: Univers... more Published in: New Directions in American Humor. Ed. David E. E. Sloane. Tuscaloosa, Ala.: University of Alabama Press, 1998: 284-305.
Published in: A History of the American Short Story: Genres -- Developments -- Model Interpretati... more Published in: A History of the American Short Story: Genres -- Developments -- Model Interpretations. Eds. Michael Basseler and Ansgar Nünning. Trier: Wissenschaftlicher Verlag, 2011. 123-136.
Literatur in Wissenschaft und Unterricht 31:1 (1998): 45-56.
Images of Central Europe in Travelogues and Fiction by North American Writers (Hg. Waldemar Zacha... more Images of Central Europe in Travelogues and Fiction by North American Writers (Hg. Waldemar Zacharasiewics), Tübingen: Stauffenberg Verlag, 1995: 77-86.
Humor Studies by Holger Kersten
Humor: International Journal of Humor Research, 2021
In his remarks (Humor 34.1) on my article "America's Faith in the Laugh Resistance" (Humor 32.2),... more In his remarks (Humor 34.1) on my article "America's Faith in the Laugh Resistance" (Humor 32.2), James Caron raises two points of concern. One, he pleads for the use of the term “satire” in discussions of humor and politics. Two, he rejects the idea that the effects of political humor should be judged as an “all-or-nothing” phenomenon. This brief article is a response to his intervention.
Humor: International Journal of Humor Research, 2019
Taking its cue from the observation that forms of aggressive humor directed against the political... more Taking its cue from the observation that forms of aggressive humor directed against the political figure Donald Trump are not an ephemeral aspect of contemporary American politics but have been firmly embedded in American cultural discourse for more than two years, this article will explore the ways in which comedians, journalists and other contemporary observers have described and commented on the role and functions of humor and comedy with regard to the Trump phenomenon in the context of the 2016 presidential elections and its aftermath. Drawing on a selection of material from established online news resources the essay will document how popular media outlets have presented the nation’s most prominent late-night comedy as an arena in which the format’s popular hosts deploy humor in an attempt to undermine Trump’s status and ultimately to end his foray onto America’s highest political sphere. The article will then trace the popularity of the idea that political humor is subversive in the tradition of the country’s intellectual history and check it against a selection of empirical studies devoted to the topic. In this context it will become apparent that the belief in the corrective power of humor is deeply ingrained in the American popular imagination and is being perpetuated by contemporary reports and comments in important segments of the media landscape.
Humor and Nonstandard Language by Holger Kersten
Published in: Amerikastudien/American Studies 51.1 (2006): 75-91.
Nineteenth-Century Literature, 2000
ABSTRACT
Handbook of the American Short Story, 2022
In the annals of American literature, Samuel L. Clemens (“Mark Twain”) is recognized as a major w... more In the annals of American literature, Samuel L. Clemens (“Mark Twain”) is recognized as a major writer of novels and travelogues. Although a handful of his stories enjoy general recognition, he is rarely placed among America’s outstanding short-story writers. Seen through the lens of prescriptive short-story theories, Clemens’s unconventional work was frequently identified as humorous local-color writing, a category lacking literary prestige. In an endeavor to present a more adequate picture of his achievement, this chapter will show that Clemens produced a wide variety of short texts that elude simple classification. From his early journalistic pieces to the more elaborate writing of his later years, he used short textual units in different ways to articulate his concerns and priorities as a writer. In a close-up look at “A True Story” and “The Man That Corrupted Hadleyburg,” two stories that bracket the most productive phase of his career, it will become clear that his linguistic experiments and his intensive engagement with the moral consequences of human behavior elevate his work beyond the confines of traditional genre categories and establish him as an accomplished expert in short-form writing.
Studies in American Humor 4:2 (2018), 171-182., 2018
“Against the assault of laughter nothing can stand,” one of Mark Twain’s most famous quotes, prop... more “Against the assault of laughter nothing can stand,” one of Mark Twain’s most famous quotes, propounds the idea that humor can serve as a social corrective in American political life. Mark Twain scholars and the general public have tended to regard these words as a condensed version of the writer’s credo as a humorist. By retracing the history of the phrase, which first appeared in The Mysterious Stranger, six years after Mark Twain’s death, and by placing it in the context of nineteenth-century American political humor, this article draws attention to the tensions between the original meaning and its popular interpretation. At the same time, it illustrates the difficulties and complexities involved in the attempt to portray Mark Twain’s concept of humor.
The Mark Twain Annual 16 (2018), 64-76, 2018
“Against the assault of laughter nothing can stand,” one of Mark Twain’s most famous quotes, prop... more “Against the assault of laughter nothing can stand,” one of Mark Twain’s most famous quotes, propounds the idea that humor can serve as a social corrective in American political life. Mark Twain scholars and the general public have tended to regard these words as a condensed version of the writer’s credo as a humorist. By retracing the history of the phrase, which first appeared in The Mysterious Stranger, six years after Mark Twain’s death, and by placing it in the context of nineteenth-century American political humor, this article draws attention to the tensions between the original meaning and its popular interpretation. At the same time, it illustrates the difficulties and complexities involved in the attempt to portray Mark Twain’s concept of humor.
Published in: Mark Twain and Youth: Studies in His Life and Writings. Eds. Kevin Mac Donnell and ... more Published in: Mark Twain and Youth: Studies in His Life and Writings. Eds. Kevin Mac Donnell and Kent Rasmussen. London: Bloomsbury Academic, 2016: 3-10.
Published in: Crossroads in American Studies: Transnational and Biocultural Encounters. Eds. Fred... more Published in: Crossroads in American Studies: Transnational and Biocultural Encounters. Eds. Frederike Offizier, Marc Priewe, and Ariane Schröder. Heidelberg: Universitätsverlag Winter, 2016. 411-427.
Published in: Amerika und die Norm: Literatursprache als Modell? (Hgg. Christopher F. Laferl and ... more Published in: Amerika und die Norm: Literatursprache als Modell? (Hgg. Christopher F. Laferl and Bernhard Pöll), Tübingen: Max Niemeyer Verlag, 2007: 25-36.
Published in: A Companion to Mark Twain (Hg. Peter Messent und Louis J. Budd), Malden, MA: Blackw... more Published in: A Companion to Mark Twain (Hg. Peter Messent und Louis J. Budd), Malden, MA: Blackwell Publishing, 2005: 324-337
Published in: New Directions in American Humor. Ed. David E. E. Sloane. Tuscaloosa, Ala.: Univers... more Published in: New Directions in American Humor. Ed. David E. E. Sloane. Tuscaloosa, Ala.: University of Alabama Press, 1998: 284-305.
Published in: A History of the American Short Story: Genres -- Developments -- Model Interpretati... more Published in: A History of the American Short Story: Genres -- Developments -- Model Interpretations. Eds. Michael Basseler and Ansgar Nünning. Trier: Wissenschaftlicher Verlag, 2011. 123-136.
Literatur in Wissenschaft und Unterricht 31:1 (1998): 45-56.
Images of Central Europe in Travelogues and Fiction by North American Writers (Hg. Waldemar Zacha... more Images of Central Europe in Travelogues and Fiction by North American Writers (Hg. Waldemar Zacharasiewics), Tübingen: Stauffenberg Verlag, 1995: 77-86.
Humor: International Journal of Humor Research, 2021
In his remarks (Humor 34.1) on my article "America's Faith in the Laugh Resistance" (Humor 32.2),... more In his remarks (Humor 34.1) on my article "America's Faith in the Laugh Resistance" (Humor 32.2), James Caron raises two points of concern. One, he pleads for the use of the term “satire” in discussions of humor and politics. Two, he rejects the idea that the effects of political humor should be judged as an “all-or-nothing” phenomenon. This brief article is a response to his intervention.
Humor: International Journal of Humor Research, 2019
Taking its cue from the observation that forms of aggressive humor directed against the political... more Taking its cue from the observation that forms of aggressive humor directed against the political figure Donald Trump are not an ephemeral aspect of contemporary American politics but have been firmly embedded in American cultural discourse for more than two years, this article will explore the ways in which comedians, journalists and other contemporary observers have described and commented on the role and functions of humor and comedy with regard to the Trump phenomenon in the context of the 2016 presidential elections and its aftermath. Drawing on a selection of material from established online news resources the essay will document how popular media outlets have presented the nation’s most prominent late-night comedy as an arena in which the format’s popular hosts deploy humor in an attempt to undermine Trump’s status and ultimately to end his foray onto America’s highest political sphere. The article will then trace the popularity of the idea that political humor is subversive in the tradition of the country’s intellectual history and check it against a selection of empirical studies devoted to the topic. In this context it will become apparent that the belief in the corrective power of humor is deeply ingrained in the American popular imagination and is being perpetuated by contemporary reports and comments in important segments of the media landscape.
Published in: Amerikastudien/American Studies 51.1 (2006): 75-91.
Nineteenth-Century Literature, 2000
ABSTRACT
MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United Stat... more MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 21:4 (Winter, 1996): 3-17.
Published in: Thalia: Studies in Literary Humor 19:1&2 (1999): 43-51.
Thalia: Studies in Literary Humor 17:1&2 (1997): 21-35.
Published in: Essays in Arts and Sciences 27 (Oct. 1998): 37-52.
Published in: Informal Empire? Cultural Relations Between Canada, the United States and Europe. E... more Published in: Informal Empire? Cultural Relations Between Canada, the United States and Europe. Eds. Peter Easingwood, Konrad Groß, and Hartmut Lutz. Kiel: l&f Verlag, 1998: 149-167.
Published in: The Anticipation of Catastrophe: Environmental Risk in North American Literature an... more Published in: The Anticipation of Catastrophe: Environmental Risk in North American Literature and Culture. Eds. Sylvia Mayer and Alexa Weik von Mossner. Heidelberg: Universitätsverlag Winter, 2014. 81-100.
Published in: Only Connect: Tests – Places – Politics. Hgg. Anke Bartels, Reinhold Wandel, Dirk W... more Published in: Only Connect: Tests – Places – Politics. Hgg. Anke Bartels, Reinhold Wandel, Dirk Wiemann. Frankfurt: Peter Lang, 2008: 64-75.
Narratives of Exploration and Discovery: Essays in Honor of Konrad Gross. (Hg. Wolfgang Kloss), T... more Narratives of Exploration and Discovery: Essays in Honor of Konrad Gross. (Hg. Wolfgang Kloss), Trier: Wissenschaftlicher Verlag, 2005: 85-97.
Published in: Research Guide to American Literature: Realism and Regionalism, 1865-1914. Eds. Gar... more Published in: Research Guide to American Literature: Realism and Regionalism, 1865-1914. Eds. Gary Scharnhorst and Tom Quirk. Vol. 4. New York: Facts On File, 2010. 112-117.
War, Literature & the Arts: An International Journal of the Humanities (Special Issue 1999, Hg. J... more War, Literature & the Arts: An International Journal of the Humanities (Special Issue 1999, Hg. James H. Meredith): 172-182.
Published in: American History through Literature, 1870-1920. Eds. Tom Quirk and Gary Scharnhorst... more Published in: American History through Literature, 1870-1920. Eds. Tom Quirk and Gary Scharnhorst. Detroit: Charles Scribner's Sons, 2006: 1135-1141.
Published in: Research Guide to American Literature: Realism and Regionalism, 1865-1914. Eds. Gar... more Published in: Research Guide to American Literature: Realism and Regionalism, 1865-1914. Eds. Gary Scharnhorst and Tom Quirk. Vol. 4. New York: Facts On File, 2010. 37-42.
Literatur in Wissenschaft und Unterricht 33.1 (2000): 39-57.