Alexandra Yazeva - Academia.edu (original) (raw)
Related Authors
Russian Academy of Sciences, Institute of Social Sciences and Humanities Information
Akademia Pomorska w Słupsku - Pomeranian University in Słupsk
Uploads
Papers by Alexandra Yazeva
Valentin Rasputin (born 17 March 1937) and Aleksandr Vampilov (19 August1937-17 August 1972) are ... more Valentin Rasputin (born 17 March 1937) and Aleksandr Vampilov (19 August1937-17 August 1972) are the two authors whose creative work is of particular interest to the contemporary literary criticism. The emotional and philosophical penetration into «the Other’s nature» as well as the aspiration for its aesthetic recreation are quite typical of the both artists. The role of artistic anthropology in the two creators’ aesthetics still needs its interpretation and is open to research.The given thesis proves that it’s the communicative space of Rasputin and Vampilov’s works that contains the vectors of the artistic personality’s predestination and feature. The study reveals an aim of the unique personality’s artistic existence, the existence of the narratator, the personage and the narrator, in the pieces of art created by the writer and the playwright.
Http Www Theses Fr, Oct 18, 2013
Valentin Raspoutine (ne le 15 mars 1937) et Alexandre Vampilov (19 aout 1937-17 aout 1972) sont d... more Valentin Raspoutine (ne le 15 mars 1937) et Alexandre Vampilov (19 aout 1937-17 aout 1972) sont deux auteurs dont l’œuvre presente un interet particulier pour la critique litteraire contemporaine. La penetration emotionnelle et philosophique dans la nature de « l’Autre » et l’aspiration a sa reconstitution esthetique sont caracteristiques de Valentin Raspoutine comme d’Alexandre Vampilov. Le role de l’anthropologie artistique dans l’esthetique des deux createurs reste toujours un champ vaste de reflexion et d’interpretation. La these prouve que ce sont les espaces communicatifs des œuvres de Raspoutine et de Vampilov qui contiennent des reperes de l’authenticite et de la predestination de la personnalite de fiction. L’etude met en evidence le but de l’existence artistique de la personnalite unique du narrataire, du heros et du narrateur dans l’œuvre de l’ecrivain et celle du dramaturge.
Aleksandr Vampilov’s “Duck Hunting” (1967) is a revolutionary drama which initiated the new Sovie... more Aleksandr Vampilov’s “Duck Hunting” (1967) is a revolutionary drama which initiated the new Soviet theatre and the new post-Soviet theatre later on. Vreneli Farber underlines the wealth of the author’s dramaturgic techniques: “Vampilov conveys his ideas in a variety of ways: a play-within-a-play, symbolism …, character contrasts …, farce and tragedy, and an inconclusive ending. This play reflects… his moving away from mainstream Socialist Realism [1] ”. The real discovery of the play is its main character ― Viktor Zilov, who evokes many contradictory responses in the world critique. Over the course of few days the thirty year old engineer lives a small life, full of hypocrisy, disillusions and searching for his real “self”, and a small death in “a series of “recollections” 1 ”. The question of the play’s finale is still debatable. Few critics assert that the central protagonist manages to find his way back to himself. The overwhelming majority suggests that the character’s ...
Valentin Rasputin (born 17 March 1937) and Aleksandr Vampilov (19 August1937-17 August 1972) are ... more Valentin Rasputin (born 17 March 1937) and Aleksandr Vampilov (19 August1937-17 August 1972) are the two authors whose creative work is of particular interest to the contemporary literary criticism. The emotional and philosophical penetration into «the Other’s nature» as well as the aspiration for its aesthetic recreation are quite typical of the both artists. The role of artistic anthropology in the two creators’ aesthetics still needs its interpretation and is open to research.The given thesis proves that it’s the communicative space of Rasputin and Vampilov’s works that contains the vectors of the artistic personality’s predestination and feature. The study reveals an aim of the unique personality’s artistic existence, the existence of the narratator, the personage and the narrator, in the pieces of art created by the writer and the playwright.
Http Www Theses Fr, Oct 18, 2013
Valentin Raspoutine (ne le 15 mars 1937) et Alexandre Vampilov (19 aout 1937-17 aout 1972) sont d... more Valentin Raspoutine (ne le 15 mars 1937) et Alexandre Vampilov (19 aout 1937-17 aout 1972) sont deux auteurs dont l’œuvre presente un interet particulier pour la critique litteraire contemporaine. La penetration emotionnelle et philosophique dans la nature de « l’Autre » et l’aspiration a sa reconstitution esthetique sont caracteristiques de Valentin Raspoutine comme d’Alexandre Vampilov. Le role de l’anthropologie artistique dans l’esthetique des deux createurs reste toujours un champ vaste de reflexion et d’interpretation. La these prouve que ce sont les espaces communicatifs des œuvres de Raspoutine et de Vampilov qui contiennent des reperes de l’authenticite et de la predestination de la personnalite de fiction. L’etude met en evidence le but de l’existence artistique de la personnalite unique du narrataire, du heros et du narrateur dans l’œuvre de l’ecrivain et celle du dramaturge.
Aleksandr Vampilov’s “Duck Hunting” (1967) is a revolutionary drama which initiated the new Sovie... more Aleksandr Vampilov’s “Duck Hunting” (1967) is a revolutionary drama which initiated the new Soviet theatre and the new post-Soviet theatre later on. Vreneli Farber underlines the wealth of the author’s dramaturgic techniques: “Vampilov conveys his ideas in a variety of ways: a play-within-a-play, symbolism …, character contrasts …, farce and tragedy, and an inconclusive ending. This play reflects… his moving away from mainstream Socialist Realism [1] ”. The real discovery of the play is its main character ― Viktor Zilov, who evokes many contradictory responses in the world critique. Over the course of few days the thirty year old engineer lives a small life, full of hypocrisy, disillusions and searching for his real “self”, and a small death in “a series of “recollections” 1 ”. The question of the play’s finale is still debatable. Few critics assert that the central protagonist manages to find his way back to himself. The overwhelming majority suggests that the character’s ...