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Papers by Anastasia Gulina

The article focuses on the literary works of Nikolai Khalezin, the playwright known as the founde... more The article focuses on the literary works of Nikolai Khalezin, the playwright known as the founder and artistic director of the only independent “underground” Belarus Free Theatre. In order to trace the evolution of the author’s views, four of his plays (I Have Come, Thanksgiving Day, Jeans Generation and Conceiving Love) are analyzed. The data analysis of the works shows that the author’s philosophy postulated in all the plays does not change, despite the obvious political commitment of several of them.

Samara Journal of Science

This study analyzes the influence of the ideologeme socialist emulation on the anti-religious str... more This study analyzes the influence of the ideologeme socialist emulation on the anti-religious struggle in the late 1920s in terms of the campaign to close the Roman catholic temple in the city of Samara. The main source of the study is official regulations, business documentation and press materials. The author has shown that the campaign to close the catholic temple began as part of the socialist emulation between German and Polish-origin activists after the closure of the Lutheran temple. The closure of the Samara temple took place with the active participation of the Poles-workers, who, within the framework of the Soviet ideology, opposed the Poles-believers. The usage of the ideologeme socialist emulation in this campaign shows that, having initially emerged in the sphere of labor relations to encourage labor activity, socialist emulation penetrated into other spheres of public life. The author assumes that the soviet authorities indoctrinated most important elements of ideology...

Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne

As a theatrical phenomenon, verbatim originated in Great Britain in the late 1980s and early 1990... more As a theatrical phenomenon, verbatim originated in Great Britain in the late 1980s and early 1990s. Authors using this method paid special attention to serious social problems, for example, discrimination against women, racial inequality, terrorism, and others. At the same time, the basis of this direction became the documentary and focus on the life of the individual. In the post-Soviet space, the documentary theater turned to issues that were relevant to the former Soviet republics. The article analyzes two works (Patris and Мабыць?) by Belarusian playwrights-Siergei Ancelevich, Dmitry Bogosławski, Wiktor Krasowski)-who, using the verbatim method, try to understand the specificity of the mentality of contemporary Belarusians. Looking at the interviews presented in the works through the prism of sociological research, one can see how various concepts of Belarusian identity are implemented in theatrical space, how the homo soveticus model and the East-West dichotomy function in contemporary Belarus, what difficulties Belarusians encounter when choosing communication in the native language. The works presented in the article can be regarded as one of the first attempts to move from passive to an active awareness of one's own national identity.

Białorutenistyka Białostocka, 2013

Анастасия Гулина Люблин Национальная самоидентификация в современной русскоязычной драматургии Бе... more Анастасия Гулина Люблин Национальная самоидентификация в современной русскоязычной драматургии Беларуси и Украины Современный человек живет преимущественно в поликультурной реальности, с чем напрямую связано разнообразие форм его культурной жизнедеятельности. Формируясь в рамках культуры своей страны, испытывая прямое воздействие культуры той социальной группы, того народа, к которой он принадлежит, современный человек связан и с культурой других народов, других людей, более широкой, всеобщей системой связей и зависимостей. Всемерно расширяются и усложняются культурные контакты между народами и различными регионами мира. Все более возрастает значение обмена между их материальными и духовными ценностями. Растет потребность личности в освоении всего культурного богатства человечества, в более глубоком и всестороннем приобщении к культурным достижениям разных стран и народов. Все эти процессы наиболее динамично развиваются в современном мультикультурном информационном пространстве. Именно поэтому происходит актуализация, а иногда и обострение тех социальных проблем, которые вне его не столь очевидны. Одной из них является проблема формирования и непосредственного сохранения национальной идентичности личности в условиях поликультурности. В Украине и Беларуси, как и в других бывших советских республиках, проблема идентификации особенно заострена. Переписывается история, ведутся постоянные споры о том, кого из исторических деятелей правильно считать героями, а когопредать анафеме.

The article focuses on the literary works of Nikolai Khalezin, the playwright known as the founde... more The article focuses on the literary works of Nikolai Khalezin, the playwright known as the founder and artistic director of the only independent “underground” Belarus Free Theatre. In order to trace the evolution of the author’s views, four of his plays (I Have Come, Thanksgiving Day, Jeans Generation and Conceiving Love) are analyzed. The data analysis of the works shows that the author’s philosophy postulated in all the plays does not change, despite the obvious political commitment of several of them.

Samara Journal of Science

This study analyzes the influence of the ideologeme socialist emulation on the anti-religious str... more This study analyzes the influence of the ideologeme socialist emulation on the anti-religious struggle in the late 1920s in terms of the campaign to close the Roman catholic temple in the city of Samara. The main source of the study is official regulations, business documentation and press materials. The author has shown that the campaign to close the catholic temple began as part of the socialist emulation between German and Polish-origin activists after the closure of the Lutheran temple. The closure of the Samara temple took place with the active participation of the Poles-workers, who, within the framework of the Soviet ideology, opposed the Poles-believers. The usage of the ideologeme socialist emulation in this campaign shows that, having initially emerged in the sphere of labor relations to encourage labor activity, socialist emulation penetrated into other spheres of public life. The author assumes that the soviet authorities indoctrinated most important elements of ideology...

Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne

As a theatrical phenomenon, verbatim originated in Great Britain in the late 1980s and early 1990... more As a theatrical phenomenon, verbatim originated in Great Britain in the late 1980s and early 1990s. Authors using this method paid special attention to serious social problems, for example, discrimination against women, racial inequality, terrorism, and others. At the same time, the basis of this direction became the documentary and focus on the life of the individual. In the post-Soviet space, the documentary theater turned to issues that were relevant to the former Soviet republics. The article analyzes two works (Patris and Мабыць?) by Belarusian playwrights-Siergei Ancelevich, Dmitry Bogosławski, Wiktor Krasowski)-who, using the verbatim method, try to understand the specificity of the mentality of contemporary Belarusians. Looking at the interviews presented in the works through the prism of sociological research, one can see how various concepts of Belarusian identity are implemented in theatrical space, how the homo soveticus model and the East-West dichotomy function in contemporary Belarus, what difficulties Belarusians encounter when choosing communication in the native language. The works presented in the article can be regarded as one of the first attempts to move from passive to an active awareness of one's own national identity.

Białorutenistyka Białostocka, 2013

Анастасия Гулина Люблин Национальная самоидентификация в современной русскоязычной драматургии Бе... more Анастасия Гулина Люблин Национальная самоидентификация в современной русскоязычной драматургии Беларуси и Украины Современный человек живет преимущественно в поликультурной реальности, с чем напрямую связано разнообразие форм его культурной жизнедеятельности. Формируясь в рамках культуры своей страны, испытывая прямое воздействие культуры той социальной группы, того народа, к которой он принадлежит, современный человек связан и с культурой других народов, других людей, более широкой, всеобщей системой связей и зависимостей. Всемерно расширяются и усложняются культурные контакты между народами и различными регионами мира. Все более возрастает значение обмена между их материальными и духовными ценностями. Растет потребность личности в освоении всего культурного богатства человечества, в более глубоком и всестороннем приобщении к культурным достижениям разных стран и народов. Все эти процессы наиболее динамично развиваются в современном мультикультурном информационном пространстве. Именно поэтому происходит актуализация, а иногда и обострение тех социальных проблем, которые вне его не столь очевидны. Одной из них является проблема формирования и непосредственного сохранения национальной идентичности личности в условиях поликультурности. В Украине и Беларуси, как и в других бывших советских республиках, проблема идентификации особенно заострена. Переписывается история, ведутся постоянные споры о том, кого из исторических деятелей правильно считать героями, а когопредать анафеме.