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Papers by Araceli Tzigane
Clío: Revista de historia, 2008
El acordeon, y sus destreza como musico, seguramente salvaron la vida a Julio Tomas Ortiz, deport... more El acordeon, y sus destreza como musico, seguramente salvaron la vida a Julio Tomas Ortiz, deportado en el campo de concentracion de Mauthausen. Una cronica mas del instrumento preferido por los musicos callejeros.
According to Ali Doğan Gönültaş, "In Alevism, knowledge was conveyed through folk songs sung by D... more According to Ali Doğan Gönültaş, "In Alevism, knowledge was conveyed through folk songs sung by Dede, Zakir and Ashik. Hundreds of years old folk songs have come to this day thanks to them. Alevis call tembur as the stringed Qur'an. They say that you can understand the meaning of the 4 holy books with tembur."
El acordeon, y sus destreza como musico, seguramente salvaron la vida a Julio Tomas Ortiz, deport... more El acordeon, y sus destreza como musico, seguramente salvaron la vida a Julio Tomas Ortiz, deportado en el campo de concentracion de Mauthausen. Una cronica mas del instrumento preferido por los musicos callejeros.
Clio Revista De Historia, 2008
Mapamundi ‐ www.mundimapa.com – info@mundimapa.com Tel.: Araceli Tzigane: (+ 34) 667 970 290 – La... more Mapamundi ‐ www.mundimapa.com – info@mundimapa.com Tel.: Araceli Tzigane: (+ 34) 667 970 290 – Landline: (+ 34) 91 611 71 17 1 "Maravillosa propuesta. Lo encuentro lleno de creatividad, optimismo y alegría." Daniel Sheehy (EEUU), curador y director de Smithsonian Folkways, EEUU "Voces poderosas desde lo profundo de su ser traspasan mi mente y golpean directas al centro de mi corazón. Algo esencial está ocurriendo: un mensaje musical desde el centro de España, único y, a la vez, universal." Janusz Prusinowski (Polonia), artista y director del festival Mazurcas del Mundo de Varsovia, acerca de Vigüela VIGÜELA
Drafts by Araceli Tzigane
The thrill of his expressive voice, the dreamy melodies of his pieces and his deep background, ar... more The thrill of his expressive voice, the dreamy melodies of his pieces and his deep background, are shown in all their glory in the magnificent debut album Kiğı, for which the Anatolian artist settled in Istanbul, has been working for more than ten years of field research.
His studies in archaeology and media have made for a profound approach to research and analysis of sources, as well as an ability to translate that background into a very captivating artistic and communicative language. Prior to this courageous work, Kiğı, Ali Doğan has worked for ten years with the fascinating band Ze Tije, worked in archaeology in Anatolia, composed music for film and to this day, continues to make music-themed television.
In addition to the concert with his line-up of trio, Ali Doğan can provide a workshop on rhythm and forms in Kurdish Music.
“Ali’s concert was a moving journey, specifically to Eastern Anatolia, but also symbolically – to any place where music seems to be above all divisions. The multitude of rhythms and languages specific to this region was not only pleasant and interesting, but also very moving. Remarkable precision, instrumental proficiency and an unforgettable voice […].” Ula Nowak, radio journalist, JAZZKULTURA (Poland); host of the program “Świato-czułość | WorldSensitivity”, about his concert in Vienna in September 2022.
Clío: Revista de historia, 2008
El acordeon, y sus destreza como musico, seguramente salvaron la vida a Julio Tomas Ortiz, deport... more El acordeon, y sus destreza como musico, seguramente salvaron la vida a Julio Tomas Ortiz, deportado en el campo de concentracion de Mauthausen. Una cronica mas del instrumento preferido por los musicos callejeros.
According to Ali Doğan Gönültaş, "In Alevism, knowledge was conveyed through folk songs sung by D... more According to Ali Doğan Gönültaş, "In Alevism, knowledge was conveyed through folk songs sung by Dede, Zakir and Ashik. Hundreds of years old folk songs have come to this day thanks to them. Alevis call tembur as the stringed Qur'an. They say that you can understand the meaning of the 4 holy books with tembur."
El acordeon, y sus destreza como musico, seguramente salvaron la vida a Julio Tomas Ortiz, deport... more El acordeon, y sus destreza como musico, seguramente salvaron la vida a Julio Tomas Ortiz, deportado en el campo de concentracion de Mauthausen. Una cronica mas del instrumento preferido por los musicos callejeros.
Clio Revista De Historia, 2008
Mapamundi ‐ www.mundimapa.com – info@mundimapa.com Tel.: Araceli Tzigane: (+ 34) 667 970 290 – La... more Mapamundi ‐ www.mundimapa.com – info@mundimapa.com Tel.: Araceli Tzigane: (+ 34) 667 970 290 – Landline: (+ 34) 91 611 71 17 1 "Maravillosa propuesta. Lo encuentro lleno de creatividad, optimismo y alegría." Daniel Sheehy (EEUU), curador y director de Smithsonian Folkways, EEUU "Voces poderosas desde lo profundo de su ser traspasan mi mente y golpean directas al centro de mi corazón. Algo esencial está ocurriendo: un mensaje musical desde el centro de España, único y, a la vez, universal." Janusz Prusinowski (Polonia), artista y director del festival Mazurcas del Mundo de Varsovia, acerca de Vigüela VIGÜELA
The thrill of his expressive voice, the dreamy melodies of his pieces and his deep background, ar... more The thrill of his expressive voice, the dreamy melodies of his pieces and his deep background, are shown in all their glory in the magnificent debut album Kiğı, for which the Anatolian artist settled in Istanbul, has been working for more than ten years of field research.
His studies in archaeology and media have made for a profound approach to research and analysis of sources, as well as an ability to translate that background into a very captivating artistic and communicative language. Prior to this courageous work, Kiğı, Ali Doğan has worked for ten years with the fascinating band Ze Tije, worked in archaeology in Anatolia, composed music for film and to this day, continues to make music-themed television.
In addition to the concert with his line-up of trio, Ali Doğan can provide a workshop on rhythm and forms in Kurdish Music.
“Ali’s concert was a moving journey, specifically to Eastern Anatolia, but also symbolically – to any place where music seems to be above all divisions. The multitude of rhythms and languages specific to this region was not only pleasant and interesting, but also very moving. Remarkable precision, instrumental proficiency and an unforgettable voice […].” Ula Nowak, radio journalist, JAZZKULTURA (Poland); host of the program “Świato-czułość | WorldSensitivity”, about his concert in Vienna in September 2022.