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Universidad Nacional de Educación a Distancia
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Papers by Camille Dasseleer
Revista De Literatura, Dec 30, 2022
Este es un artículo de acceso abierto distribuido bajo los términos de una licencia de uso y dist... more Este es un artículo de acceso abierto distribuido bajo los términos de una licencia de uso y distribución Creative Commons Reconocimiento 4.0 Internacional (CC BY 4.0).
ENTHYMEMA
In the face of the theories that dismiss digital arts for being facilitated by the capitalist sys... more In the face of the theories that dismiss digital arts for being facilitated by the capitalist system, this paper argues that a critical awareness on the dangers of new technologies does not necessarily lead to the condemnation of technological arts. Indeed, the evidence suggests that digital technologies are an excellent medium through which literature can voice a nuanced and critical consideration about the world in which it appears. The analysis focuses on Spanish-Argentinian writer Belén Gache’s transmedia project Kublai Moon (2013-2019) in order to demonstrate that hypothesis. Firstly, it is shown that the novel reflects on the compatibility between humans and machine, in its content as well as in its forms. Secondly, it is contended that the axiological judgments on literature must be based on updated criteria when it comes to evaluating digital works.
Starting from the observation that contemporary experimental poetry often involves a social commi... more Starting from the observation that contemporary experimental poetry often involves a social commitment, this article proposes to examine it through the aesthetic concept of autonomy of the arts. Based on the traditional philosophy of art and the theory of French philosopher Jacques Ranciere, it argues that there is a concordance between the rupture of the thematic autonomy of the poetic work, and the rupture of its formal autonomy. In order to make this theoretical postulate concrete, it is applied to a corpus of two works by the Chilean poet and visual artist Cecilia Vicuna: the book of poems I tu (2004) and the cinematographic documentary poem Kon Kon (2010). It analyses the conceptual adaptation that links the linguistic and multimedia hybridity and the commitment of these works, with the aim of demonstrating their emancipatory scope.
Les Lettres Romanes, 2018
En 1988, alors qu'il est sur le point de deceder d'un cancer, le poete chilien Enrique Li... more En 1988, alors qu'il est sur le point de deceder d'un cancer, le poete chilien Enrique Lihn compose dans l'urgence un ultime recueil retracant son experience de la mort en instance. Le present arti...
Mitologías hoy, 2021
Este artículo propone un análisis comparativo del vídeopoema Ella es frontera/Border She Is (1995... more Este artículo propone un análisis comparativo del vídeopoema Ella es frontera/Border She Is (1995-2001) de la poeta mexicana Pilar Rodríguez Aranda, y del poema “Instan” (2002) escrito e interpretado en una performance por la artista chilena Cecilia Vicuña. Estas dos obras experimentales usan el multilingüismo para explorar la situación fronteriza de las identidades mestizas en el continente americano. Con base en las teorías de la socióloga boliviana Silvia Rivera Cusicanqui y de la filósofa chicana Gloria Anzaldúa, se realiza un estudio detallado de la hibridez lingüística adoptada por las dos poetas, con el fin de demostrar que sus obras se pueden leer en adecuación con las líneas directrices del feminismo decolonial.
Revista De Literatura, Dec 30, 2022
Este es un artículo de acceso abierto distribuido bajo los términos de una licencia de uso y dist... more Este es un artículo de acceso abierto distribuido bajo los términos de una licencia de uso y distribución Creative Commons Reconocimiento 4.0 Internacional (CC BY 4.0).
ENTHYMEMA
In the face of the theories that dismiss digital arts for being facilitated by the capitalist sys... more In the face of the theories that dismiss digital arts for being facilitated by the capitalist system, this paper argues that a critical awareness on the dangers of new technologies does not necessarily lead to the condemnation of technological arts. Indeed, the evidence suggests that digital technologies are an excellent medium through which literature can voice a nuanced and critical consideration about the world in which it appears. The analysis focuses on Spanish-Argentinian writer Belén Gache’s transmedia project Kublai Moon (2013-2019) in order to demonstrate that hypothesis. Firstly, it is shown that the novel reflects on the compatibility between humans and machine, in its content as well as in its forms. Secondly, it is contended that the axiological judgments on literature must be based on updated criteria when it comes to evaluating digital works.
Starting from the observation that contemporary experimental poetry often involves a social commi... more Starting from the observation that contemporary experimental poetry often involves a social commitment, this article proposes to examine it through the aesthetic concept of autonomy of the arts. Based on the traditional philosophy of art and the theory of French philosopher Jacques Ranciere, it argues that there is a concordance between the rupture of the thematic autonomy of the poetic work, and the rupture of its formal autonomy. In order to make this theoretical postulate concrete, it is applied to a corpus of two works by the Chilean poet and visual artist Cecilia Vicuna: the book of poems I tu (2004) and the cinematographic documentary poem Kon Kon (2010). It analyses the conceptual adaptation that links the linguistic and multimedia hybridity and the commitment of these works, with the aim of demonstrating their emancipatory scope.
Les Lettres Romanes, 2018
En 1988, alors qu'il est sur le point de deceder d'un cancer, le poete chilien Enrique Li... more En 1988, alors qu'il est sur le point de deceder d'un cancer, le poete chilien Enrique Lihn compose dans l'urgence un ultime recueil retracant son experience de la mort en instance. Le present arti...
Mitologías hoy, 2021
Este artículo propone un análisis comparativo del vídeopoema Ella es frontera/Border She Is (1995... more Este artículo propone un análisis comparativo del vídeopoema Ella es frontera/Border She Is (1995-2001) de la poeta mexicana Pilar Rodríguez Aranda, y del poema “Instan” (2002) escrito e interpretado en una performance por la artista chilena Cecilia Vicuña. Estas dos obras experimentales usan el multilingüismo para explorar la situación fronteriza de las identidades mestizas en el continente americano. Con base en las teorías de la socióloga boliviana Silvia Rivera Cusicanqui y de la filósofa chicana Gloria Anzaldúa, se realiza un estudio detallado de la hibridez lingüística adoptada por las dos poetas, con el fin de demostrar que sus obras se pueden leer en adecuación con las líneas directrices del feminismo decolonial.