Choghakate Kazarian - Academia.edu (original) (raw)
Book chapters by Choghakate Kazarian
Stéphane Mandelbaum, une monographie , 2022
Yale University Art Gallery Bulletin, 2022
Stéphane Mandelbaum (ed. Anne Montfort) , 2019
Essay for the catalogue of the exhibition at Centre Pompidou dedicated to the Belgian artist Stép... more Essay for the catalogue of the exhibition at Centre Pompidou dedicated to the Belgian artist Stéphane Mandelbaum (1961-1986).
Otto Piene. Alchemist and Stormer of the Skies, 2019
Essay for the catalogue of the exhibition "Otto Piene. Alchemist and Stormer of the Skies" (Arp M... more Essay for the catalogue of the exhibition "Otto Piene. Alchemist and Stormer of the Skies" (Arp Museum Bahnhof Rolandseck, 2019)
Choghakate Kazarian (ed.), Karel Appel, Musée d'Art moderne de la Ville de Paris , 2017
Lucio Fontana, Crosses, Karsten Greve Gallery, 2017
Translated from French.
Piero Manzoni, Achrome, 2016
Choghakate Kazarian (ed.), Henry Darger, 1892-1973, Musée d'Art moderne de la Ville de Paris, 2015
Trop tard ? Historiographie d'une découverte Choghakate Kazarian Henry Joseph Darger (1892-1973).... more Trop tard ? Historiographie d'une découverte Choghakate Kazarian Henry Joseph Darger (1892-1973). Repères biographiques d'une vie sans histoires (c. k.) La chambre-atelier : « Je veux vivre ici. Je veux mourir ici. » Le retour de la chambre close Emmanuel Pernoud L'OEUvRE introduction aux écrits de Henry Darger Michael Bonesteel LES ÉCRiTS THE STORY OF THE viviAN GiRLS iN THE REALMS OF THE UNREAL (m. b.) FURTHER ADvENTURES OF THE viviAN GiRLS iN CHiCAGO (m. b.) WEATHER REPORTS (c. k.) DiARY (m. b.) THE HiSTORY OF MY LiFE (c. w.)
Choghakate Kazarian and Sébastien Gokalp (ed.), Lucio Fontana, rétrospective, Musée d'Art moderne de la Ville de Paris , 2014
La caresse d'un papillon dans l'espace A Lucio Fontana tenant une fleur devant une Fine di Dio lo... more La caresse d'un papillon dans l'espace A Lucio Fontana tenant une fleur devant une Fine di Dio lors de son exposition « Les OEufs célestes », galerie Iris Clert, Paris, 1964. Photographie Harry Shunk. 265 analyse précise de la terminologie des oeuvres permet de comprendre le rapport de Fontana à ses créations. Même si ses peintures et sculptures portent à partir de 1949 le titre générique de Concetto spaziale, annihilant toute idée d'un genre spécifique (peinture, sculpture) et toute figuration, l'artiste distingue plusieurs séries qu'il nomme de manière descriptive : Trous, Fentes, Boules (pour la série Nature), OEufs (pour la série La fine di Dio [La Fin de Dieu])
Cécile Debray (ed.), Marcel Duchamp, la peinture, même, Musée National d'Art Moderne / Centre Pompidou, 2014
Papers by Choghakate Kazarian
Bloomsbury Art Markets, 2022
Bloomsbury Art Markets, 2022
Un mythe du XX e siècle en débat. Colloque international-17 & 18 juin 2021, 2021
Sculptureforum.net, 2020
OCTOBER 7, 2020OCTOBER 7, 2020 by Choghakate Kazarian I met Emanuele Becheri about ten years ago,... more OCTOBER 7, 2020OCTOBER 7, 2020 by Choghakate Kazarian I met Emanuele Becheri about ten years ago, in his studio in Tuscany. He was then known for works that I would qualify as gestural conceptualism: drawings made "blindly" by folding paper in total obscurity or letting snails run on paper. I was also very interested in his videos that captured with high intensity the small, yet dramatic sounds of fire, wind, or an upcoming storm.
The Brooklyn Rail , Nov 29, 2019
https://brooklynrail.org/2019/11/art/MELVIN-EDWARDS-with-Choghakate-Kazarian
The Brooklyn Rail , 2018
My editorial as Guest Critic for the Brooklyn Rail (June 2018). For the entire section: https://... more My editorial as Guest Critic for the Brooklyn Rail (June 2018).
For the entire section: https://brooklynrail.org/2018/6/criticspage
Conference Presentations by Choghakate Kazarian
Lucio Fontana: Origini e immaginario. Convegno di studi , 2024
Ventuno relatori si confronteranno sul lascito straordinario di Lucio Fontana, dalla primissima f... more Ventuno relatori si confronteranno sul lascito straordinario
di Lucio Fontana, dalla primissima fase creativa in Argentina
alle esposizioni più importanti che lo hanno reso celebre per la ricchezza del suo immaginario, confermandolo come antesignano dell’arte internazionale del XX secolo.
Nato dalla collaborazione fra l’Istituto di Storia dell’Arte della Fondazione Giorgio Cini e la Fondazione Lucio Fontana, con il sostegno di Intesa Sanpaolo, il convegno intende per la prima volta fare il punto sugli studi recenti e promuovere un confronto tra studiosi che si sono occupati dell’artista, offrendo nuove letture e inediti sentieri d’indagine.
"Rethinking Late Style: New Approaches to Old Age in Art History", CAA annual conference (Chicago... more "Rethinking Late Style: New Approaches to Old Age in Art History", CAA annual conference (Chicago, 2020), chairs: Julia Langbein and Jack McGrath.
Stéphane Mandelbaum, une monographie , 2022
Yale University Art Gallery Bulletin, 2022
Stéphane Mandelbaum (ed. Anne Montfort) , 2019
Essay for the catalogue of the exhibition at Centre Pompidou dedicated to the Belgian artist Stép... more Essay for the catalogue of the exhibition at Centre Pompidou dedicated to the Belgian artist Stéphane Mandelbaum (1961-1986).
Otto Piene. Alchemist and Stormer of the Skies, 2019
Essay for the catalogue of the exhibition "Otto Piene. Alchemist and Stormer of the Skies" (Arp M... more Essay for the catalogue of the exhibition "Otto Piene. Alchemist and Stormer of the Skies" (Arp Museum Bahnhof Rolandseck, 2019)
Choghakate Kazarian (ed.), Karel Appel, Musée d'Art moderne de la Ville de Paris , 2017
Lucio Fontana, Crosses, Karsten Greve Gallery, 2017
Translated from French.
Piero Manzoni, Achrome, 2016
Choghakate Kazarian (ed.), Henry Darger, 1892-1973, Musée d'Art moderne de la Ville de Paris, 2015
Trop tard ? Historiographie d'une découverte Choghakate Kazarian Henry Joseph Darger (1892-1973).... more Trop tard ? Historiographie d'une découverte Choghakate Kazarian Henry Joseph Darger (1892-1973). Repères biographiques d'une vie sans histoires (c. k.) La chambre-atelier : « Je veux vivre ici. Je veux mourir ici. » Le retour de la chambre close Emmanuel Pernoud L'OEUvRE introduction aux écrits de Henry Darger Michael Bonesteel LES ÉCRiTS THE STORY OF THE viviAN GiRLS iN THE REALMS OF THE UNREAL (m. b.) FURTHER ADvENTURES OF THE viviAN GiRLS iN CHiCAGO (m. b.) WEATHER REPORTS (c. k.) DiARY (m. b.) THE HiSTORY OF MY LiFE (c. w.)
Choghakate Kazarian and Sébastien Gokalp (ed.), Lucio Fontana, rétrospective, Musée d'Art moderne de la Ville de Paris , 2014
La caresse d'un papillon dans l'espace A Lucio Fontana tenant une fleur devant une Fine di Dio lo... more La caresse d'un papillon dans l'espace A Lucio Fontana tenant une fleur devant une Fine di Dio lors de son exposition « Les OEufs célestes », galerie Iris Clert, Paris, 1964. Photographie Harry Shunk. 265 analyse précise de la terminologie des oeuvres permet de comprendre le rapport de Fontana à ses créations. Même si ses peintures et sculptures portent à partir de 1949 le titre générique de Concetto spaziale, annihilant toute idée d'un genre spécifique (peinture, sculpture) et toute figuration, l'artiste distingue plusieurs séries qu'il nomme de manière descriptive : Trous, Fentes, Boules (pour la série Nature), OEufs (pour la série La fine di Dio [La Fin de Dieu])
Cécile Debray (ed.), Marcel Duchamp, la peinture, même, Musée National d'Art Moderne / Centre Pompidou, 2014
Bloomsbury Art Markets, 2022
Bloomsbury Art Markets, 2022
Un mythe du XX e siècle en débat. Colloque international-17 & 18 juin 2021, 2021
Sculptureforum.net, 2020
OCTOBER 7, 2020OCTOBER 7, 2020 by Choghakate Kazarian I met Emanuele Becheri about ten years ago,... more OCTOBER 7, 2020OCTOBER 7, 2020 by Choghakate Kazarian I met Emanuele Becheri about ten years ago, in his studio in Tuscany. He was then known for works that I would qualify as gestural conceptualism: drawings made "blindly" by folding paper in total obscurity or letting snails run on paper. I was also very interested in his videos that captured with high intensity the small, yet dramatic sounds of fire, wind, or an upcoming storm.
The Brooklyn Rail , Nov 29, 2019
https://brooklynrail.org/2019/11/art/MELVIN-EDWARDS-with-Choghakate-Kazarian
The Brooklyn Rail , 2018
My editorial as Guest Critic for the Brooklyn Rail (June 2018). For the entire section: https://... more My editorial as Guest Critic for the Brooklyn Rail (June 2018).
For the entire section: https://brooklynrail.org/2018/6/criticspage
Lucio Fontana: Origini e immaginario. Convegno di studi , 2024
Ventuno relatori si confronteranno sul lascito straordinario di Lucio Fontana, dalla primissima f... more Ventuno relatori si confronteranno sul lascito straordinario
di Lucio Fontana, dalla primissima fase creativa in Argentina
alle esposizioni più importanti che lo hanno reso celebre per la ricchezza del suo immaginario, confermandolo come antesignano dell’arte internazionale del XX secolo.
Nato dalla collaborazione fra l’Istituto di Storia dell’Arte della Fondazione Giorgio Cini e la Fondazione Lucio Fontana, con il sostegno di Intesa Sanpaolo, il convegno intende per la prima volta fare il punto sugli studi recenti e promuovere un confronto tra studiosi che si sono occupati dell’artista, offrendo nuove letture e inediti sentieri d’indagine.
"Rethinking Late Style: New Approaches to Old Age in Art History", CAA annual conference (Chicago... more "Rethinking Late Style: New Approaches to Old Age in Art History", CAA annual conference (Chicago, 2020), chairs: Julia Langbein and Jack McGrath.
https://www.fundacionjumex.org/en/programa/250-duchamp-y-los-otros
Smithsonian American Art Museum newsletter, 2021
Interview about my research on Albert Pinkham Ryder for the newsletter of the Smithsonian America... more Interview about my research on Albert Pinkham Ryder for the newsletter of the Smithsonian American Art Museum
sculptureforum.net, 2020
Discussion about Marino Marini's exhibition at CIMA with the sculptors Garth Evans, Jock Ireland ... more Discussion about Marino Marini's exhibition at CIMA with the sculptors Garth Evans, Jock Ireland and Brandt Junceau for the Sculpture Forum, a platform dedicated to non-academic dialogue about sculpture. Video by Maud Bryt. Click on the link to see the video and hear the conversation.
https://sculptureforum.net/2020/02/25/marino-marini-at-the-center-for-italian-modern-art-nyc/
Talk at the American Folk Art Museum (New York)
On the occasion of the ongoing exhibition ‘Materials of His Time’ ‘Lines,’ two concurrent exhibit... more On the occasion of the ongoing exhibition ‘Materials of His Time’ ‘Lines,’ two concurrent exhibitions of work by Piero Manzoni, please join us in the Hauser & Wirth Publisher Bookshop for a conversation moderated by Choghakate Kazarian, with Brett Littman, Jack McGrath, and Richard Tuttle.
The Brooklyn Rail , 2021
review of the exhibition "A Wild Note of Longing: Albert Pinkham Ryder and a Century of American ... more review of the exhibition "A Wild Note of Longing: Albert Pinkham Ryder and a Century of American Art" at the New Bedford Whaling Museum