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Papers by DAMILOLA BABARINDE
This study examines functional aesthetics of “Orin Opa” traditional vocal music of the people of ... more This study examines functional aesthetics of “Orin Opa” traditional vocal music of the people of Igbomina in Nigeria. These functions shall be viewed in terms of the social satirical, historical, identity and entertainment functions. This work is approached through the descriptive methodology, interviews and library search that are relevant to our discourse. Interestingly, it was discovered that, pure vocal music still exists and some Nigerian vocal music types still retain their traditional style and are yet to embrace Western musical styles and contemporary idioms 1in their performances which has limited their reception outside their traditional domains. The paper concludes that, musicians of “Orin Opa” should open up and embrace modernisation, Western musical style and contemporary idioms in their performance. This we hope, will give the music a new look without necessarily losing its originality.
SSRN Electronic Journal
Delineation between Nigerian gospel and secular music has been a subject of academic debate over ... more Delineation between Nigerian gospel and secular music has been a subject of academic debate over the years, the current state of the two genres in the area of performance most times makes it almost impossible to differentiate between the two. In terms of instrumentation, performance practice, mannerism, dance movement and many more, there seems not to be a dividing line between the two even though they are separate genres of music. It is against this backdrop that this paper explores the features of both Nigeria gospel and secular music. This is to determine the boundary line between gospel and secular music. It will also serve as a background and establish a platform to build the argument on the hybridisation of Christian gospel music in Nigeria.
babarinde Damilola Mayowa, 2019
The hybridisation in the content and performance of Christian gospel and secular music, which bec... more The hybridisation in the content and performance of Christian gospel and secular music, which became a phenomenon in the 1970s, has generated a lot of arguments from scholars in recent times. Some schools of thought view this synthesis as a development in the right direction while others see it as inimical to gospel music. It is to this end that this p aper examines the emergent issues in the hybridisation of Christian gospel music in Southwest , Nigeria so as to bring to light issues that characterized the fusion of these two genres. Social cognitive theory (SCT) is used to interrogate the emergent issues raised in this study. It was discovered that hybridisation is caused by factors such as, song texts, melodic pattern, patronage system and spraying of money in church to mention just a few. The study concluded that a new genre is inevitable to accommoda te the variances experienced in some Christian gospel music so as not to taint the already established Christian gospel music.
Babarinde Damilola Mayowa, 2014
This study examines functional aesthetics of "Orin Opa" traditional vocal music of the people of ... more This study examines functional aesthetics of "Orin Opa" traditional vocal music of the people of Igbomina in Nigeria. These functions shall be viewed in terms of the social satirical, historical, identity and entertainment functions. This work is approached through the descriptive methodology, interviews and library search that are relevant to our discourse. Interestingly, it was discovered that, pure vocal music still exists and some Nigerian vocal music types still retain their traditional style and are yet to embrace Western musical styles and contemporary idioms 1 in their performances which has limited their reception outside their traditional domains. The paper concludes that, musicians of "Orin Opa" should open up and embrace modernisation, Western musical style and contemporary idioms in their performance. This we hope, will give the music a new look without necessarily losing its originality.
Babarinde Damilola Mayowa, 2014
This study examines revolutionary trends in Apala music of Musiliu Ishola, the son of one of the ... more This study examines revolutionary trends in Apala music of Musiliu Ishola, the son of one of the earliest exponents of the music, Haruna Ishola. Individual creativity and contemporary trends in this genre of traditional music are used to measure the innovations in this study. The methodology adopted includes a critical analysis of the works of Musiliu Ishola and the use of available literary materials on Apala music as well as the interview method where certain issues about the music are brought to limelight. Amongst other findings, it was discovered that Musiliu Ishola has created a new genre of Apala music which is better, richer and more appealing in terms of harmony and instrumentation in order to satisfy his audience. This study, therefore, concludes that Apala music should be placed on the same pedestal as other known genres of music so that our heritage (culture) will be properly protected.
This study examines functional aesthetics of “Orin Opa” traditional vocal music of the people of ... more This study examines functional aesthetics of “Orin Opa” traditional vocal music of the people of Igbomina in Nigeria. These functions shall be viewed in terms of the social satirical, historical, identity and entertainment functions. This work is approached through the descriptive methodology, interviews and library search that are relevant to our discourse. Interestingly, it was discovered that, pure vocal music still exists and some Nigerian vocal music types still retain their traditional style and are yet to embrace Western musical styles and contemporary idioms 1in their performances which has limited their reception outside their traditional domains. The paper concludes that, musicians of “Orin Opa” should open up and embrace modernisation, Western musical style and contemporary idioms in their performance. This we hope, will give the music a new look without necessarily losing its originality.
SSRN Electronic Journal
Delineation between Nigerian gospel and secular music has been a subject of academic debate over ... more Delineation between Nigerian gospel and secular music has been a subject of academic debate over the years, the current state of the two genres in the area of performance most times makes it almost impossible to differentiate between the two. In terms of instrumentation, performance practice, mannerism, dance movement and many more, there seems not to be a dividing line between the two even though they are separate genres of music. It is against this backdrop that this paper explores the features of both Nigeria gospel and secular music. This is to determine the boundary line between gospel and secular music. It will also serve as a background and establish a platform to build the argument on the hybridisation of Christian gospel music in Nigeria.
babarinde Damilola Mayowa, 2019
The hybridisation in the content and performance of Christian gospel and secular music, which bec... more The hybridisation in the content and performance of Christian gospel and secular music, which became a phenomenon in the 1970s, has generated a lot of arguments from scholars in recent times. Some schools of thought view this synthesis as a development in the right direction while others see it as inimical to gospel music. It is to this end that this p aper examines the emergent issues in the hybridisation of Christian gospel music in Southwest , Nigeria so as to bring to light issues that characterized the fusion of these two genres. Social cognitive theory (SCT) is used to interrogate the emergent issues raised in this study. It was discovered that hybridisation is caused by factors such as, song texts, melodic pattern, patronage system and spraying of money in church to mention just a few. The study concluded that a new genre is inevitable to accommoda te the variances experienced in some Christian gospel music so as not to taint the already established Christian gospel music.
Babarinde Damilola Mayowa, 2014
This study examines functional aesthetics of "Orin Opa" traditional vocal music of the people of ... more This study examines functional aesthetics of "Orin Opa" traditional vocal music of the people of Igbomina in Nigeria. These functions shall be viewed in terms of the social satirical, historical, identity and entertainment functions. This work is approached through the descriptive methodology, interviews and library search that are relevant to our discourse. Interestingly, it was discovered that, pure vocal music still exists and some Nigerian vocal music types still retain their traditional style and are yet to embrace Western musical styles and contemporary idioms 1 in their performances which has limited their reception outside their traditional domains. The paper concludes that, musicians of "Orin Opa" should open up and embrace modernisation, Western musical style and contemporary idioms in their performance. This we hope, will give the music a new look without necessarily losing its originality.
Babarinde Damilola Mayowa, 2014
This study examines revolutionary trends in Apala music of Musiliu Ishola, the son of one of the ... more This study examines revolutionary trends in Apala music of Musiliu Ishola, the son of one of the earliest exponents of the music, Haruna Ishola. Individual creativity and contemporary trends in this genre of traditional music are used to measure the innovations in this study. The methodology adopted includes a critical analysis of the works of Musiliu Ishola and the use of available literary materials on Apala music as well as the interview method where certain issues about the music are brought to limelight. Amongst other findings, it was discovered that Musiliu Ishola has created a new genre of Apala music which is better, richer and more appealing in terms of harmony and instrumentation in order to satisfy his audience. This study, therefore, concludes that Apala music should be placed on the same pedestal as other known genres of music so that our heritage (culture) will be properly protected.