Eckhart Gillen - Academia.edu (original) (raw)
Talks by Eckhart Gillen
Papers by Eckhart Gillen
In a divided Germany after World War II, artists in both East and West reacted to the war's p... more In a divided Germany after World War II, artists in both East and West reacted to the war's political legacies by reviving pre-war artistic traditions. Newly energized, these traditions - including expressionism, abstraction and realism - gave birth to a wide range of powerful and meaningful contemporary artworks during the Cold War years.This substantial and profusely illustrated book, with sixteen important essays by major art historians and cultural critics, is the first comprehensive look at the full extent of post-war Germant art. It includes work in a variety of mediums by Georg Baselitz, Willi Baumeister, Bernd and Hilla Becher, Joseph Beuys, Hermann Glockner, Hannah Hoch, Jorg Immendorff, Anselm Kiefer, Blinky Palermo, A. R. Penck, Sigmar Polke, Gerhard Richter, Werner Tubke and many others."The Art of the Two Germanys" is the catalogue for a groundbreaking international exhibition that reveals for the first time the contribution of both Germanys to the growth ...
Mihag ye'sulhag yeon'gu, Jun 30, 2016
본 논문은 분단국가 안에서 분단도시 베를린이 양분되었던 미술 현장의 문제 상황을 통해 한국의 역사와 대조되는 독일의 특수성을 설명한다. 서방 연합이 통치했던 동독(GDR)의 ... more 본 논문은 분단국가 안에서 분단도시 베를린이 양분되었던 미술 현장의 문제 상황을 통해 한국의 역사와 대조되는 독일의 특수성을 설명한다. 서방 연합이 통치했던 동독(GDR)의 수도 베를린의 서쪽 지역은 독일이 통일되어 가는 과정속에서 핵심적인 역할을 맡았다. 서베를린은 극동의 교두보였다. 동독과 서독 사이의 정치적.경제적.이념적.문화적 차이에서 비롯된 깊은 분열에 대해 알기 위해서는 서베를린의 냉전기 이문화 집단 거주지(enclave)가 이상적인 장소였다. 베를린은 서방 연합과 동구권 국가에서 예술이 발전해가는 과정을 살펴볼 수 있는 최적의 장소였다. 서베를린은 미술에서의 플럭서스와 해프닝, 독일 팝아트 같은 새로운 실험이 배양될 수 있었다. 동베를린은 국제 미술계의 주요 미술사적 사건들로부터 단절되어 있었다. 그곳의 많은 예술가들은 시대착오적인 지위에 만족한 채 그들만의 예술을 발전시켜 왔다. 동독의 예술가들에게 기준은 진실성과 도덕성이었다. 서방에서 예술가들은 자신의 예술작품에 책임을 느끼지, 자신이 살고 있는 체제 또는 국가 이념과 그 사회의 도덕성은 아니다. 서베를린은 독일의 두 개념 사이에 놓인 이상적인 기준점이었다. 본 논문은 1945년부터 1990년까지 서베를린과 동베를린의 미술 현장에서 발생한 차이와 공통된 양상이 갖는 함의를 다룬다.
Cahiers d’études germaniques
Allemagne d'aujourd'hui, 2013
Distribution électronique Cairn.info pour Association pour la connaissance de l'Allemagne d'aujou... more Distribution électronique Cairn.info pour Association pour la connaissance de l'Allemagne d'aujourd'hui. © Association pour la connaissance de l'Allemagne d'aujourd'hui. Tous droits réservés pour tous pays. La reproduction ou représentation de cet article, notamment par photocopie, n'est autorisée que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement. Toute autre reproduction ou représentation, en tout ou partie, sous quelque forme et de quelque manière que ce soit, est interdite sauf accord préalable et écrit de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Il est précisé que son stockage dans une base de données est également interdit.
Distribution électronique Cairn.info pour Association pour la connaissance de l'Allemagne d'aujou... more Distribution électronique Cairn.info pour Association pour la connaissance de l'Allemagne d'aujourd'hui. © Association pour la connaissance de l'Allemagne d'aujourd'hui. Tous droits réservés pour tous pays. La reproduction ou représentation de cet article, notamment par photocopie, n'est autorisée que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement. Toute autre reproduction ou représentation, en tout ou partie, sous quelque forme et de quelque manière que ce soit, est interdite sauf accord préalable et écrit de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Il est précisé que son stockage dans une base de données est également interdit.
Using antisera against growth hormone-releasing factor, cell bodies and axon processes were ident... more Using antisera against growth hormone-releasing factor, cell bodies and axon processes were identified in the hypothalamus and the median eminence of the monkey Macaca irus. Cell bodies were located mainly in the arcuate nucleus and along the third ventricle wall, and occasionally in the ventromedial nucleus. Irnmunostained axons were also observed in the dorsolateral hypothalamus. No immunostained cell bodies were identified in the hypothalamic magnocellular nuclei (paraventricular, supraoptic and suprachiasmatic nuclei). In the median eminence, bundles of fibers were present in the external layer. These cell bodies and fibers did not react with antisera against neurophysin, somatostatin, gonadotropin-releasing hormone, and corticotropin-releasing factor.
The dramatic fall of the Berlin Wall in 1989 brought the division of Germany to an end. This book... more The dramatic fall of the Berlin Wall in 1989 brought the division of Germany to an end. This book -- a survey of German art between 1945 and 1990 -- compares how art mirrored the different political circumstances in the two German states during this period. It reveals for the first time how artists from East and West Germany responded to the Nazi dictatorship, the Holocaust and the world war, and various political developments, showing that the dividing line between East and West was much less strict than has been imagined. Authorities on German art discuss major works by such artists as Max Beckmann, Max Ernst, Otto Dix, Josef Albers, Georg Baselitz, Eva Hesse, Gerhard Richter, Josef Beuys, Anselm Kiefer, Hanne Darboven, and others. The book also includes biographies of the artists. This handsome book is the catalogue for the exhibition "Deutschlandbilder" to be held at the 47 Berliner Festwochen from September 1997 until January 1998.
Allemagne d'aujourd'hui, 2017
Distribution électronique Cairn.info pour Association pour la connaissance de l'Allemagne d'aujou... more Distribution électronique Cairn.info pour Association pour la connaissance de l'Allemagne d'aujourd'hui. © Association pour la connaissance de l'Allemagne d'aujourd'hui. Tous droits réservés pour tous pays. La reproduction ou représentation de cet article, notamment par photocopie, n'est autorisée que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement. Toute autre reproduction ou représentation, en tout ou partie, sous quelque forme et de quelque manière que ce soit, est interdite sauf accord préalable et écrit de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Il est précisé que son stockage dans une base de données est également interdit.
In a divided Germany after World War II, artists in both East and West reacted to the war's p... more In a divided Germany after World War II, artists in both East and West reacted to the war's political legacies by reviving pre-war artistic traditions. Newly energized, these traditions - including expressionism, abstraction and realism - gave birth to a wide range of powerful and meaningful contemporary artworks during the Cold War years.This substantial and profusely illustrated book, with sixteen important essays by major art historians and cultural critics, is the first comprehensive look at the full extent of post-war Germant art. It includes work in a variety of mediums by Georg Baselitz, Willi Baumeister, Bernd and Hilla Becher, Joseph Beuys, Hermann Glockner, Hannah Hoch, Jorg Immendorff, Anselm Kiefer, Blinky Palermo, A. R. Penck, Sigmar Polke, Gerhard Richter, Werner Tubke and many others."The Art of the Two Germanys" is the catalogue for a groundbreaking international exhibition that reveals for the first time the contribution of both Germanys to the growth ...
Mihag ye'sulhag yeon'gu, Jun 30, 2016
본 논문은 분단국가 안에서 분단도시 베를린이 양분되었던 미술 현장의 문제 상황을 통해 한국의 역사와 대조되는 독일의 특수성을 설명한다. 서방 연합이 통치했던 동독(GDR)의 ... more 본 논문은 분단국가 안에서 분단도시 베를린이 양분되었던 미술 현장의 문제 상황을 통해 한국의 역사와 대조되는 독일의 특수성을 설명한다. 서방 연합이 통치했던 동독(GDR)의 수도 베를린의 서쪽 지역은 독일이 통일되어 가는 과정속에서 핵심적인 역할을 맡았다. 서베를린은 극동의 교두보였다. 동독과 서독 사이의 정치적.경제적.이념적.문화적 차이에서 비롯된 깊은 분열에 대해 알기 위해서는 서베를린의 냉전기 이문화 집단 거주지(enclave)가 이상적인 장소였다. 베를린은 서방 연합과 동구권 국가에서 예술이 발전해가는 과정을 살펴볼 수 있는 최적의 장소였다. 서베를린은 미술에서의 플럭서스와 해프닝, 독일 팝아트 같은 새로운 실험이 배양될 수 있었다. 동베를린은 국제 미술계의 주요 미술사적 사건들로부터 단절되어 있었다. 그곳의 많은 예술가들은 시대착오적인 지위에 만족한 채 그들만의 예술을 발전시켜 왔다. 동독의 예술가들에게 기준은 진실성과 도덕성이었다. 서방에서 예술가들은 자신의 예술작품에 책임을 느끼지, 자신이 살고 있는 체제 또는 국가 이념과 그 사회의 도덕성은 아니다. 서베를린은 독일의 두 개념 사이에 놓인 이상적인 기준점이었다. 본 논문은 1945년부터 1990년까지 서베를린과 동베를린의 미술 현장에서 발생한 차이와 공통된 양상이 갖는 함의를 다룬다.
Cahiers d’études germaniques
Allemagne d'aujourd'hui, 2013
Distribution électronique Cairn.info pour Association pour la connaissance de l'Allemagne d'aujou... more Distribution électronique Cairn.info pour Association pour la connaissance de l'Allemagne d'aujourd'hui. © Association pour la connaissance de l'Allemagne d'aujourd'hui. Tous droits réservés pour tous pays. La reproduction ou représentation de cet article, notamment par photocopie, n'est autorisée que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement. Toute autre reproduction ou représentation, en tout ou partie, sous quelque forme et de quelque manière que ce soit, est interdite sauf accord préalable et écrit de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Il est précisé que son stockage dans une base de données est également interdit.
Distribution électronique Cairn.info pour Association pour la connaissance de l'Allemagne d'aujou... more Distribution électronique Cairn.info pour Association pour la connaissance de l'Allemagne d'aujourd'hui. © Association pour la connaissance de l'Allemagne d'aujourd'hui. Tous droits réservés pour tous pays. La reproduction ou représentation de cet article, notamment par photocopie, n'est autorisée que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement. Toute autre reproduction ou représentation, en tout ou partie, sous quelque forme et de quelque manière que ce soit, est interdite sauf accord préalable et écrit de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Il est précisé que son stockage dans une base de données est également interdit.
Using antisera against growth hormone-releasing factor, cell bodies and axon processes were ident... more Using antisera against growth hormone-releasing factor, cell bodies and axon processes were identified in the hypothalamus and the median eminence of the monkey Macaca irus. Cell bodies were located mainly in the arcuate nucleus and along the third ventricle wall, and occasionally in the ventromedial nucleus. Irnmunostained axons were also observed in the dorsolateral hypothalamus. No immunostained cell bodies were identified in the hypothalamic magnocellular nuclei (paraventricular, supraoptic and suprachiasmatic nuclei). In the median eminence, bundles of fibers were present in the external layer. These cell bodies and fibers did not react with antisera against neurophysin, somatostatin, gonadotropin-releasing hormone, and corticotropin-releasing factor.
The dramatic fall of the Berlin Wall in 1989 brought the division of Germany to an end. This book... more The dramatic fall of the Berlin Wall in 1989 brought the division of Germany to an end. This book -- a survey of German art between 1945 and 1990 -- compares how art mirrored the different political circumstances in the two German states during this period. It reveals for the first time how artists from East and West Germany responded to the Nazi dictatorship, the Holocaust and the world war, and various political developments, showing that the dividing line between East and West was much less strict than has been imagined. Authorities on German art discuss major works by such artists as Max Beckmann, Max Ernst, Otto Dix, Josef Albers, Georg Baselitz, Eva Hesse, Gerhard Richter, Josef Beuys, Anselm Kiefer, Hanne Darboven, and others. The book also includes biographies of the artists. This handsome book is the catalogue for the exhibition "Deutschlandbilder" to be held at the 47 Berliner Festwochen from September 1997 until January 1998.
Allemagne d'aujourd'hui, 2017
Distribution électronique Cairn.info pour Association pour la connaissance de l'Allemagne d'aujou... more Distribution électronique Cairn.info pour Association pour la connaissance de l'Allemagne d'aujourd'hui. © Association pour la connaissance de l'Allemagne d'aujourd'hui. Tous droits réservés pour tous pays. La reproduction ou représentation de cet article, notamment par photocopie, n'est autorisée que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement. Toute autre reproduction ou représentation, en tout ou partie, sous quelque forme et de quelque manière que ce soit, est interdite sauf accord préalable et écrit de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Il est précisé que son stockage dans une base de données est également interdit.
German History, 2009
In a divided Germany after World War II, artists in both East and West reacted to the war's p... more In a divided Germany after World War II, artists in both East and West reacted to the war's political legacies by reviving pre-war artistic traditions. Newly energized, these traditions - including expressionism, abstraction and realism - gave birth to a wide range of powerful and meaningful contemporary artworks during the Cold War years.This substantial and profusely illustrated book, with sixteen important essays by major art historians and cultural critics, is the first comprehensive look at the full extent of post-war Germant art. It includes work in a variety of mediums by Georg Baselitz, Willi Baumeister, Bernd and Hilla Becher, Joseph Beuys, Hermann Glockner, Hannah Hoch, Jorg Immendorff, Anselm Kiefer, Blinky Palermo, A. R. Penck, Sigmar Polke, Gerhard Richter, Werner Tubke and many others."The Art of the Two Germanys" is the catalogue for a groundbreaking international exhibition that reveals for the first time the contribution of both Germanys to the growth of contemporary art.