Eric v.d. Luft - Academia.edu (original) (raw)
Books by Eric v.d. Luft
George A. Crawley (Author), Eric v.d. Luft (Editor), Elisabeth Lee Rennie (Foreword). Letters from the War: The Civil War Letters of a Union Sergeant from the Front to His Home in Walton, New York, and Related Letters, 1862- 1864. Gegensatz Press. 2017.
Twenty-seven letters written home by Union enlisted men in the American Civil War, with maps and ... more Twenty-seven letters written home by Union enlisted men in the American Civil War, with maps and annotations.. "The twenty-seven letters in this collection of Civil War era letters connect members of one small community in Walton, New York, near the Pennsylvania border. More than historical correspondence from the battlefield to the home front, this primary collection documents a social network of the time. Two local families, the Crawleys and the Hanfords, link through a marriage; around them is a shared web of siblings and parents; cousins, uncles, and grandparents; friends and acquaintances. Far from home, as their duties allowed, the soldiers collected paper and stamps to 'seat themselves' and check in with their network.".-- From the foreword by Elisabeth Lee Rennie.
From the Preface: "Since the 1970s I have pursued three separate but overlapping and sometimes si... more From the Preface:
"Since the 1970s I have pursued three separate but overlapping and sometimes simultaneous careers: (1) philosopher / writer / teacher / historian of the long nineteenth century, 1789-1914; (2) editor / translator / photographer / publisher / biographer / encyclopedist; (3) cataloging librarian / rare books and special collections librarian / historian of medicine. Somehow these three vocations have garnered me some acclaim, even an entry in Who’s Who in America. Each of them has resulted in some published or presented works. Because these works have been scattered in a wide variety of venues, some of which have gone out of print or have otherwise become generally unavailable — and of course with the oral presentations being gone as soon as they are given — I have thought it wise to select, epitomize, and bring them together in one place — here. Thus, what follows is what I consider to be the most important of my shorter works."
God, Evil, and Ethics presents the basic elements of the philosophy of religion tradition in a ne... more God, Evil, and Ethics presents the basic elements of the philosophy of religion tradition in a new and provocative way. The author’s original philosophical narrative is interspersed with rich selections from Plato, Boethius, Thomas Aquinas, Anselm, Pascal, Descartes, Paley, Leibniz, Hume, Hegel, Kant, Mill, Stephen, Royce, James, and Clifford. Included are Plato’s complete Phaedo and Euthyphro, Hume’s complete essays "Of Miracles" and "On Suicide," several other unabridged works, and many excerpted pieces. The history and concepts of philosophy of religion emerge more clearly through this integration and interrelation of classical texts with modern summary and interpretation.
The aim of God, Evil, and Ethics is to bring together as much important material as possible, as logically as possible, in as few pages as possible for high-quality “one-stop shopping” at a reasonable cost. It is appropriate for students in four-year college, junior college, community college, upper-level prep school, and post-graduate non-credit enrichment courses in the philosophy of religion, as well as for the intelligent general reader.
The author wrote both his doctoral dissertation and master’s thesis on Hegel’s philosophy of religion and has taught at Villanova University, Syracuse University, and SUNY Upstate Medical University. He has held Surdna, Whiting, Wood, and U.S. Dept. of Education fellowships and is listed in Who’s Who in America and Who’s Who in the World.
Karl Schmidt (1819-1864) was the last "Young Hegelian" and -- arguably -- the first existentialis... more Karl Schmidt (1819-1864) was the last "Young Hegelian" and -- arguably -- the first existentialist. This book is a translation of his 1846 "last word" on Max Stirner, Ludwig Feuerbach, David Friedrich Strauss, Bruno Bauer, and Hegel's dialectic of spirit. It is an essential text for the study of German philosophy and culture in the Vormärz. Also included as an appendix is a translation of conservative theologian Ernst Wilhelm Hengstenberg's contemporary -- and very hostile -- review of the book.
Papers by Eric v.d. Luft
PubMed, Mar 1, 2000
... The author wishes to thank Katie Salzmann, Donna M. Wells, Carole L. Nov-ick, Colleen Kiefer,... more ... The author wishes to thank Katie Salzmann, Donna M. Wells, Carole L. Nov-ick, Colleen Kiefer, Susan Keeter, Barbara Hamilton, and Peter Uvafor ... added "n" to his surname and"Wesley" as a middle name, established himself in Syracuse in 1841, led the "Jerry Rescue" ofa ...
The Journal of Aesthetic Education, Oct 1, 2022
This paper argues for the primacy of language over vision as a means of communication. Words conv... more This paper argues for the primacy of language over vision as a means of communication. Words convey information more clearly, accurately, reliably, and profoundly than images do. Images by themselves give only impressions; they do not denote, unless accompanied by some sort or level of description. Also, any visual image, whether physical or mental, unless it is eidetic, must involve some degree of interpretation, interpolation, or description for it to be capable of conveying information, having meaning, or even being intelligible. Pictorialism is the theory that mental imagery is visual, while descriptionalism holds that mental imagery is nonvisual. As an epistemology, pictorialism supports representationalism as a philosophy of art. The poverty and limitations of representational theories of art militate against pictorialism. Descriptionalism as an epistemology supports several versions of symbolist theories of art. The richness and versatility of symbolic interpretations of art works support descriptionalism. Pictorialism fails the test of consistency unless eidetic imagery exists. Any pictorialism that claims support from noneidetic imagery or invokes the photographic fallacy is in fact a crypto- or quasi-descriptionalism. Since the photographic fallacy denies eidetic imagery, it is invalid and misbegotten as a defense of pictorialism. The interplay between the richness of visual images and the precision of verbal descriptions is a key element in developing a comprehensive pedagogy of aesthetics.
The Dictionary of Early American Philosophers, 2012
The Dictionary of Early American Philosophers, 2012
George A. Crawley (Author), Eric v.d. Luft (Editor), Elisabeth Lee Rennie (Foreword). Letters from the War: The Civil War Letters of a Union Sergeant from the Front to His Home in Walton, New York, and Related Letters, 1862- 1864. Gegensatz Press. 2017.
Twenty-seven letters written home by Union enlisted men in the American Civil War, with maps and ... more Twenty-seven letters written home by Union enlisted men in the American Civil War, with maps and annotations.. "The twenty-seven letters in this collection of Civil War era letters connect members of one small community in Walton, New York, near the Pennsylvania border. More than historical correspondence from the battlefield to the home front, this primary collection documents a social network of the time. Two local families, the Crawleys and the Hanfords, link through a marriage; around them is a shared web of siblings and parents; cousins, uncles, and grandparents; friends and acquaintances. Far from home, as their duties allowed, the soldiers collected paper and stamps to 'seat themselves' and check in with their network.".-- From the foreword by Elisabeth Lee Rennie.
From the Preface: "Since the 1970s I have pursued three separate but overlapping and sometimes si... more From the Preface:
"Since the 1970s I have pursued three separate but overlapping and sometimes simultaneous careers: (1) philosopher / writer / teacher / historian of the long nineteenth century, 1789-1914; (2) editor / translator / photographer / publisher / biographer / encyclopedist; (3) cataloging librarian / rare books and special collections librarian / historian of medicine. Somehow these three vocations have garnered me some acclaim, even an entry in Who’s Who in America. Each of them has resulted in some published or presented works. Because these works have been scattered in a wide variety of venues, some of which have gone out of print or have otherwise become generally unavailable — and of course with the oral presentations being gone as soon as they are given — I have thought it wise to select, epitomize, and bring them together in one place — here. Thus, what follows is what I consider to be the most important of my shorter works."
God, Evil, and Ethics presents the basic elements of the philosophy of religion tradition in a ne... more God, Evil, and Ethics presents the basic elements of the philosophy of religion tradition in a new and provocative way. The author’s original philosophical narrative is interspersed with rich selections from Plato, Boethius, Thomas Aquinas, Anselm, Pascal, Descartes, Paley, Leibniz, Hume, Hegel, Kant, Mill, Stephen, Royce, James, and Clifford. Included are Plato’s complete Phaedo and Euthyphro, Hume’s complete essays "Of Miracles" and "On Suicide," several other unabridged works, and many excerpted pieces. The history and concepts of philosophy of religion emerge more clearly through this integration and interrelation of classical texts with modern summary and interpretation.
The aim of God, Evil, and Ethics is to bring together as much important material as possible, as logically as possible, in as few pages as possible for high-quality “one-stop shopping” at a reasonable cost. It is appropriate for students in four-year college, junior college, community college, upper-level prep school, and post-graduate non-credit enrichment courses in the philosophy of religion, as well as for the intelligent general reader.
The author wrote both his doctoral dissertation and master’s thesis on Hegel’s philosophy of religion and has taught at Villanova University, Syracuse University, and SUNY Upstate Medical University. He has held Surdna, Whiting, Wood, and U.S. Dept. of Education fellowships and is listed in Who’s Who in America and Who’s Who in the World.
Karl Schmidt (1819-1864) was the last "Young Hegelian" and -- arguably -- the first existentialis... more Karl Schmidt (1819-1864) was the last "Young Hegelian" and -- arguably -- the first existentialist. This book is a translation of his 1846 "last word" on Max Stirner, Ludwig Feuerbach, David Friedrich Strauss, Bruno Bauer, and Hegel's dialectic of spirit. It is an essential text for the study of German philosophy and culture in the Vormärz. Also included as an appendix is a translation of conservative theologian Ernst Wilhelm Hengstenberg's contemporary -- and very hostile -- review of the book.
PubMed, Mar 1, 2000
... The author wishes to thank Katie Salzmann, Donna M. Wells, Carole L. Nov-ick, Colleen Kiefer,... more ... The author wishes to thank Katie Salzmann, Donna M. Wells, Carole L. Nov-ick, Colleen Kiefer, Susan Keeter, Barbara Hamilton, and Peter Uvafor ... added "n" to his surname and"Wesley" as a middle name, established himself in Syracuse in 1841, led the "Jerry Rescue" ofa ...
The Journal of Aesthetic Education, Oct 1, 2022
This paper argues for the primacy of language over vision as a means of communication. Words conv... more This paper argues for the primacy of language over vision as a means of communication. Words convey information more clearly, accurately, reliably, and profoundly than images do. Images by themselves give only impressions; they do not denote, unless accompanied by some sort or level of description. Also, any visual image, whether physical or mental, unless it is eidetic, must involve some degree of interpretation, interpolation, or description for it to be capable of conveying information, having meaning, or even being intelligible. Pictorialism is the theory that mental imagery is visual, while descriptionalism holds that mental imagery is nonvisual. As an epistemology, pictorialism supports representationalism as a philosophy of art. The poverty and limitations of representational theories of art militate against pictorialism. Descriptionalism as an epistemology supports several versions of symbolist theories of art. The richness and versatility of symbolic interpretations of art works support descriptionalism. Pictorialism fails the test of consistency unless eidetic imagery exists. Any pictorialism that claims support from noneidetic imagery or invokes the photographic fallacy is in fact a crypto- or quasi-descriptionalism. Since the photographic fallacy denies eidetic imagery, it is invalid and misbegotten as a defense of pictorialism. The interplay between the richness of visual images and the precision of verbal descriptions is a key element in developing a comprehensive pedagogy of aesthetics.
The Dictionary of Early American Philosophers, 2012
The Dictionary of Early American Philosophers, 2012
The Dictionary of Early American Philosophers, 2012
The Dictionary of Early American Philosophers, 2012
Eric Luft (Class of 1974) recounts a feeling of liberation upon arriving at Bowdoin. Luft describ... more Eric Luft (Class of 1974) recounts a feeling of liberation upon arriving at Bowdoin. Luft describes becoming a double major in Philosophy and Religion, and building relationships with professors both in and outside the classroom. Luft mentions participating in Masque and Gown and the rifle team and also reflects on Bowdoin’s social environment as it related to fraternities and the College\u27s transition to coeducation. Additionally, Luft speaks about student activism and protesting the Vietnam War off-campus. Finally, Luft reminisces about finding community at Bowdoin and emphasizes that while the academics were difficult there was a palpable sense of support
Schopenhauer's Fourfold Root, 2016
Heidegger Circle Proceedings, 2021
The purpose of this paper is to relate the concept of thrownness as Heidegger develops it in Bein... more The purpose of this paper is to relate the concept of thrownness as Heidegger develops it in Being and Time to his later writings on technology and to our own environmental crisis. We can regard technology as either instrumentalism or art. The former leads to enframing, inauthenticity, and ruin. The latter leads to poiêsis, authenticity, and being at home in the world. As historical beings, we are thrown into this crisis and must choose. To live authentically, we must be true to our thrownness, engaging the world as we engage ourselves.