Eugenie Romon - Academia.edu (original) (raw)

Eugenie Romon

Docteure en Langues Romanes diplômée de l'Université de Lille III autrice d'une thèse intitulée "Le Je-ne-sais-quoi et le Presque rien dans l'œuvre de Soledad Puértolas", PRAG à l'Université de Bretagne Occidentale

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Papers by Eugenie Romon

Research paper thumbnail of Un Paradis habité par le souvenir du roi Gudú

HAL (Le Centre pour la Communication Scientifique Directe), 2017

International audienc

Research paper thumbnail of Le Je-ne-sais-quoi et le Presque-rien dans l'œuvre de Soledad Puértolas

The many-sided nature of Soledad Puertolas's writing leads us to study closely the things in ... more The many-sided nature of Soledad Puertolas's writing leads us to study closely the things in common with her various pieces of writing. However hard it may be to define and to classify such phrases as "certain-something" and "scarcely-nothing", they are appropriate to designate the links either within a given genre or between the various genres ever taken up in her writings ; they are as well suitable to qualify the author's own way to apprehend times and spaces. The originality of her writing is conveyed through the variations she can play on respecting permanent features while letting new elements in. Although the genres are different, all her characters are built up in a similar way : they are no heroes, but you can feel the presence of their families in the diegesis and they keep seeking human contacts. Sewing disease and relationship to mother as set of themes in Soledad Puertolas's written work can be defined as "scarcely-nothings". All the characters, narrators or not, being part of the narrative are in charge of an investigation. Soledad Puertolas has a specific conception of time : for her, it refers more to its dismantling then to its construction : a resistance against established order often aims to slowing down the pace of time. Space is considered in a similar way since the author keeps setting up vague spaces, easily transposable despite a great number of town names mentioned. Cinema, photography as well as painting play an important part in such a pictorial writing. Her power of suggestion is a characteristic of her style, molded out of her deliberate will to get a touch of ephemerid deeply rooted in her writings

Research paper thumbnail of Les fictions chaque fois plus autofictionnelles de Soledad Puértolas

HAL (Le Centre pour la Communication Scientifique Directe), Oct 7, 2013

International audienc

Research paper thumbnail of D’un paradigme à l’autre : histoire vraie d’un maquis espagnol

HAL (Le Centre pour la Communication Scientifique Directe), Mar 14, 2014

International audienc

Research paper thumbnail of Les double-sens dans l’œuvre picturale de Salvador Dalí

HAL (Le Centre pour la Communication Scientifique Directe), 2015

International audienc

Research paper thumbnail of De Soledad Puértolas a Diego Pita

HAL (Le Centre pour la Communication Scientifique Directe), Oct 1, 2010

Research paper thumbnail of La femme dans l’œuvre de Soledad Puértolas ou Gradiva en marche

HAL (Le Centre pour la Communication Scientifique Directe), 2013

Research paper thumbnail of Y punto. de Mercedes Castro: radiografía en femenino de la sociedad española contemporánea

HAL (Le Centre pour la Communication Scientifique Directe), Sep 1, 2016

International audienc

Research paper thumbnail of Chronobiographie de Soledad Puértolas

HAL (Le Centre pour la Communication Scientifique Directe), 2010

Research paper thumbnail of Ana María Matute y la prensa

HAL (Le Centre pour la Communication Scientifique Directe), 2016

International audienc

Research paper thumbnail of Le rôle du silence dans l’œuvre de Soledad Puértolas

HAL (Le Centre pour la Communication Scientifique Directe), 2018

Research paper thumbnail of Stéréotypes et réalité des femmes espagnoles dans l'après-guerre

HAL (Le Centre pour la Communication Scientifique Directe), Dec 5, 2013

International audienc

Research paper thumbnail of Soledad Puértolas frente a su obra

HAL (Le Centre pour la Communication Scientifique Directe), May 22, 2013

International audienc

Research paper thumbnail of Mi amor en vano: historia de un cambio de perspectiva

HAL (Le Centre pour la Communication Scientifique Directe), Jun 1, 2016

International audienc

Research paper thumbnail of Les nationalismes : le cas de l'Espagne

HAL (Le Centre pour la Communication Scientifique Directe), May 24, 2014

Research paper thumbnail of Paraíso inhabitado : le testament littéraire d’Ana María Matute

HAL (Le Centre pour la Communication Scientifique Directe), Dec 1, 2016

International audienc

Research paper thumbnail of El olvidado rey Gudú : un viaje en la Edad Media moderna

HAL (Le Centre pour la Communication Scientifique Directe), Jun 1, 2016

International audienc

Research paper thumbnail of Evolution de la figure du père dans l'oeuvre de Soledad Puértolas

HAL (Le Centre pour la Communication Scientifique Directe), Sep 27, 2012

Research paper thumbnail of Relations entre autobiographie et fiction dans l’œuvre de Soledad Puértolas

HAL (Le Centre pour la Communication Scientifique Directe), 2016

International audienc

Research paper thumbnail of Le rôle du hasard dans l’œuvre de Soledad Puértolas

HAL (Le Centre pour la Communication Scientifique Directe), Mar 1, 2016

International audienc

Research paper thumbnail of Un Paradis habité par le souvenir du roi Gudú

HAL (Le Centre pour la Communication Scientifique Directe), 2017

International audienc

Research paper thumbnail of Le Je-ne-sais-quoi et le Presque-rien dans l'œuvre de Soledad Puértolas

The many-sided nature of Soledad Puertolas's writing leads us to study closely the things in ... more The many-sided nature of Soledad Puertolas's writing leads us to study closely the things in common with her various pieces of writing. However hard it may be to define and to classify such phrases as "certain-something" and "scarcely-nothing", they are appropriate to designate the links either within a given genre or between the various genres ever taken up in her writings ; they are as well suitable to qualify the author's own way to apprehend times and spaces. The originality of her writing is conveyed through the variations she can play on respecting permanent features while letting new elements in. Although the genres are different, all her characters are built up in a similar way : they are no heroes, but you can feel the presence of their families in the diegesis and they keep seeking human contacts. Sewing disease and relationship to mother as set of themes in Soledad Puertolas's written work can be defined as "scarcely-nothings". All the characters, narrators or not, being part of the narrative are in charge of an investigation. Soledad Puertolas has a specific conception of time : for her, it refers more to its dismantling then to its construction : a resistance against established order often aims to slowing down the pace of time. Space is considered in a similar way since the author keeps setting up vague spaces, easily transposable despite a great number of town names mentioned. Cinema, photography as well as painting play an important part in such a pictorial writing. Her power of suggestion is a characteristic of her style, molded out of her deliberate will to get a touch of ephemerid deeply rooted in her writings

Research paper thumbnail of Les fictions chaque fois plus autofictionnelles de Soledad Puértolas

HAL (Le Centre pour la Communication Scientifique Directe), Oct 7, 2013

International audienc

Research paper thumbnail of D’un paradigme à l’autre : histoire vraie d’un maquis espagnol

HAL (Le Centre pour la Communication Scientifique Directe), Mar 14, 2014

International audienc

Research paper thumbnail of Les double-sens dans l’œuvre picturale de Salvador Dalí

HAL (Le Centre pour la Communication Scientifique Directe), 2015

International audienc

Research paper thumbnail of De Soledad Puértolas a Diego Pita

HAL (Le Centre pour la Communication Scientifique Directe), Oct 1, 2010

Research paper thumbnail of La femme dans l’œuvre de Soledad Puértolas ou Gradiva en marche

HAL (Le Centre pour la Communication Scientifique Directe), 2013

Research paper thumbnail of Y punto. de Mercedes Castro: radiografía en femenino de la sociedad española contemporánea

HAL (Le Centre pour la Communication Scientifique Directe), Sep 1, 2016

International audienc

Research paper thumbnail of Chronobiographie de Soledad Puértolas

HAL (Le Centre pour la Communication Scientifique Directe), 2010

Research paper thumbnail of Ana María Matute y la prensa

HAL (Le Centre pour la Communication Scientifique Directe), 2016

International audienc

Research paper thumbnail of Le rôle du silence dans l’œuvre de Soledad Puértolas

HAL (Le Centre pour la Communication Scientifique Directe), 2018

Research paper thumbnail of Stéréotypes et réalité des femmes espagnoles dans l'après-guerre

HAL (Le Centre pour la Communication Scientifique Directe), Dec 5, 2013

International audienc

Research paper thumbnail of Soledad Puértolas frente a su obra

HAL (Le Centre pour la Communication Scientifique Directe), May 22, 2013

International audienc

Research paper thumbnail of Mi amor en vano: historia de un cambio de perspectiva

HAL (Le Centre pour la Communication Scientifique Directe), Jun 1, 2016

International audienc

Research paper thumbnail of Les nationalismes : le cas de l'Espagne

HAL (Le Centre pour la Communication Scientifique Directe), May 24, 2014

Research paper thumbnail of Paraíso inhabitado : le testament littéraire d’Ana María Matute

HAL (Le Centre pour la Communication Scientifique Directe), Dec 1, 2016

International audienc

Research paper thumbnail of El olvidado rey Gudú : un viaje en la Edad Media moderna

HAL (Le Centre pour la Communication Scientifique Directe), Jun 1, 2016

International audienc

Research paper thumbnail of Evolution de la figure du père dans l'oeuvre de Soledad Puértolas

HAL (Le Centre pour la Communication Scientifique Directe), Sep 27, 2012

Research paper thumbnail of Relations entre autobiographie et fiction dans l’œuvre de Soledad Puértolas

HAL (Le Centre pour la Communication Scientifique Directe), 2016

International audienc

Research paper thumbnail of Le rôle du hasard dans l’œuvre de Soledad Puértolas

HAL (Le Centre pour la Communication Scientifique Directe), Mar 1, 2016

International audienc

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