Ewa Dahlig-Turek - Academia.edu (original) (raw)

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Papers by Ewa Dahlig-Turek

Muzyka, Jan 12, 2022

Morfologia "rytMów polskich" w Mazowszu PolnyM oskara kolberga w świetle badań z zastosowanieM Mu... more Morfologia "rytMów polskich" w Mazowszu PolnyM oskara kolberga w świetle badań z zastosowanieM Music inforMation retrieval z godnie z tytułem, celem niniejszego opracowania jest przedstawienie wyników badań nad ukształtowaniami rytmicznymi, które obejmuję nazwą "rytmy polskie", przeprowadzonych na podstawie materiałów zawartych w dwóch tomach mazowieckich 1 Dzieł wszystkich oskara Kolberga (dalej dwok). Jest jednak także cel drugi: pokazanie użyteczności metod wspomaganych komputerowo dla badań etnomuzykologicznych, ale i dla historii muzyki. istnieją bowiem obszary, na których obie te specjalności muzykologiczne spotykają się i nawzajem wspomagają. taka też była myśl Jana stęszewskiego, który rozpoczął swój artykuł "Morfologia rytmów mazurkowych na Mazowszu polnym" 2 następująco: Jednym z ważniejszych zadań badawczych stylu chopina jest określenie stosunku jego twórczości, a zwłaszcza jego mazurków, do polskiej muzyki ludowej. kryteria, które pozwolą wykazać tę zależność, dociekania chopinologiczne czerpać winny z wyników badań prowadzonych przez etnografię muzyczną. badania te jednak, jak wiadomo, są niepełne i w dużym stopniu niewystarczające, gdyż nie są oparte o szczegółowsze studia analityczne. niniejsza próba uporządkowania niektórych zagadnień rytmiki mazurkowej, obok wyników przydatnych w rozpatrywaniu rytmiki polskiej muzyki ludowej, przez dobór materiału o określonej terytorialnej i czasowej proweniencji ułatwić może historykom polskiej muzyki wspomniane na wstępie zadanie 3 .

Interdisciplinary Studies in Musicology, 2010

Although Chopin's music is continually analysed within the context of its affinities with traditi... more Although Chopin's music is continually analysed within the context of its affinities with traditional folk music, no one has any doubt that these are two separate musical worlds, functioning in different contexts and with different participants, although similarly alien to the aesthetic of mass culture. For a present-day listener, used to the global beat, music from beyond popular circulation must be "translated" into a language he/she can understand; this applies to both authentic folk music and the music of the great composer. In the early nineties, when folk music was flourishing in Poland (I extend the term "folk" to all contemporary phenomena of popular music that refer to traditional music), one could hardly have predicted that it would help to revive seemingly doomed authentic traditional music, and especially that it would also turn to Chopin. It is mainly the mazurkas that are arranged. Their performance in a manner stylised on traditional performance practice is intended to prove their essentially "folk" character. The primary factor facilitating their relatively unproblematic transformation is their descendental triple-time rhythms. The celebrations of the bicentenary of the birth of Fryderyk Chopin, with its scholarly and cultural events of various weight geared towards the whole of society, gave rise to further attempts at transferring the great composer's music from the domain of elite culture to popular culture, which brings one to reflect on the role that folk music might play in the transmission and assimilation of artistic and traditional genres.

This paper presents an approach to developing a virtual environment for researchers interested in... more This paper presents an approach to developing a virtual environment for researchers interested in various aspects of traditional music. This undertaking draws on the combined expertise of the Institute of Art of the Polish Academy of Sciences (IAPAS) in maintaining the largest archive of Polish traditional music and of Poznan Supercomputing and Networking Center (PSNC) in developing digital library software (dLibra) and research tools for digital humanities. The work described in this paper is a part of the ongoing activities of DARIAH-PLMusic Information Retrieval Working Group.

MIRELA is a virtual environment for researchers interested in exploring various aspects of tradit... more MIRELA is a virtual environment for researchers interested in exploring various aspects of traditional music. The environment has been designed by DARIAH-PL Music Information Retrieval Working Group with the objective to offer researchers extended support in storage and management of traditional music data collections, their processing, analysis and visualisation as well as publishing of the corresponding results. The paper describes a prototype content repository that has been set up with dLibra, a multimedia digital library software developed by Poznan Supercomputing and Networking Center (PSNC), adapted for musical content and the metadata schema provided by the Institute of Art of the Polish Academy of Sciences (IAPAS). As a proof of concept, the repository was tested with a set of musical samples and related multimodal data from the IAPAS’ digitized phonographic archives of Polish traditional music. The paper also describes new content-based music processing modules: WebEsAC an...

The existence of numerous and rich traditional music collections, their importance for preserving... more The existence of numerous and rich traditional music collections, their importance for preserving cultural heritage and an increasing interest in this type of music were the key factors leading to the concept of a music research support environment for ethnomusicologists. Our experience with Polish traditional music collections and archives shows that their existence is not equivalent to their availability for search, retrieval, processing and analysis. The idea behind the environment is to provide stable infrastructure and software solutions necessary to enable musicological research and, in a wider perspective, to open traditional music resources for a larger group of users. The paper describes our motivation for building such music research support environment and a number of issues and challenges we have encountered in the process. We present the environment concept, building stages already completed and plans for its further development. The environment is founded on the dLibra...

Muzyka

Celem opracowania jest przedstawienie wyników badań nad „rytmami polskimi, tj. trójmiarowymi rytm... more Celem opracowania jest przedstawienie wyników badań nad „rytmami polskimi, tj. trójmiarowymi rytmami descendentalnymi w zapisach muzycznych z tomów Mazowsze Polne Oskara Kolberga (Dzieła Wszystkie 24 i 25). Badania nad tym materiałem, ograniczone do rytmów mazurkowych, tj. o zagęszczeniu rytmu do 4 (maksymalnie 5) sylab w takcie, przeprowadził w latach 1959–1960 Jan Stęszewski („Morfologia rytmów mazurkowych na Mazowszu Polnym. Studium analityczne”, cz. I Muzyka 4 (1959) nr 4, s. 147–159; cz. II Muzyka 5 (1960) nr 2, s. 29–53). To znakomite studium, oparte na analizie materiału pieśniowego, wszechstronnie ukazuje rytmikę mazurkową w powiązaniu ze strukturą wersyfikacyjną tekstu. Z uwagi na ograniczone możliwości ręcznego przetwarzania danych, badanie miało charakter jednostkowy: podjęcie innego zagadnienia wymagałoby ponownego przygotowania materiału. Dostępne współcześnie metody opracowywania i przetwarzania zbiorów z zastosowaniem technologii informatycznych (Music Information Ret...

Although Chopin’s music is continually analysed within the context of its affinities with traditi... more Although Chopin’s music is continually analysed within the context of its affinities with traditional folk music, no one has any doubt that these are two separate musical worlds, functioning in different contexts and with different participants, although similarly alien to the aesthetic of mass culture. For a present-day listener, used to the global beat, music from beyond popular circulation must be “translated” into a language he/she can understand; this applies to both authentic folk music and the music of the great composer. In the early nineties, when folk music was flourishing in Poland (I extend the term “folk” to all contemporary phenomena of popular music that refer to traditional music), one could hardly have predicted that it would help to revive seemingly doomed authentic traditional music, and especially that it would also turn to Chopin. It is mainly the mazurkas that are arranged. Their performance in a manner stylised on traditional performance practice is intended t...

6th International Conference on Digital Libraries for Musicology, The Hague, 2019

JCDL '20: Proceedings of the ACM/IEEE Joint Conference on Digital Libraries, 2020