Fiona McCann - Academia.edu (original) (raw)
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Papers by Fiona McCann
Commonwealth Essays and Studies
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies, 2010
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies, 2013
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies, 2016
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies, 2021
Commonwealth Essays and Studies, 2014
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies, 2019
1. Our translation of: "C'est dans cet entre-deux que s'est formé ce livre sur Loudun. Il est léz... more 1. Our translation of: "C'est dans cet entre-deux que s'est formé ce livre sur Loudun. Il est lézardé du haut en bas, révélant la combinaison, ou le rapport, qui rend possible l'histoire" (16).
Commonwealth Essays and Studies, 2018
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies, 2019
Études irlandaises, 2016
This article explores Edna O'Brien's more recent fiction and demonstrates how Ireland's most prol... more This article explores Edna O'Brien's more recent fiction and demonstrates how Ireland's most prolific writer continues to systematically expose the ways in which oppression and repression operate in contemporary Ireland. Using Sara Ahmed's work on "willful subjects", I aim to show how O'Brien enshrines willfulness within the very aesthetics of her texts and, in so doing, offers a counter-narrative of the Republic.
Estudios Irlandeses, 2012
This paper aims to analyse the depiction of IRA female volunteers in Ann Devlin's "Naming the Nam... more This paper aims to analyse the depiction of IRA female volunteers in Ann Devlin's "Naming the Names" (1986) and Anna Burns' No Bones (2001) and to consider the relationship established between gender and violence in these texts. I investigate the extent to which the female terrorists portrayed conform to the "mother, monster, whore" paradigm identified by Laura Sjoberg and Caron Gentry (2007) in their study of women's violence in global politics and consider what differences, if any, are established with these characters' male counterparts. The ways in which both authors destabilise traditional gender stereotypes is also explored, as is the question of whether these texts might be considered as feminist fictions. 1
Irish Culture and Colonial Modernity 1800–2000, 2011
From the Famine to political hunger strikes, from telling tales in the pub to Beckett's tortu... more From the Famine to political hunger strikes, from telling tales in the pub to Beckett's tortured utterances, the performance of Irish identity has always been deeply connected to the oral. Exploring how colonial modernity transformed the spaces that sustained Ireland's oral culture, this book explains why Irish culture has been both so creative and so resistant to modernization. David Lloyd brings together manifestations of oral culture in the nineteenth and twentieth centuries, showing how the survival of orality was central both to resistance against colonial rule and to Ireland's modern definition as a postcolonial culture. Specific to Ireland as these histories are, they resonate with postcolonial cultures globally. This study is an important and provocative new interpretation of Irish national culture and how it came into being.
Commonwealth Essays and Studies, 2015
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies, 2010
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies, 2013
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies, 2016
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies, 2021
Commonwealth Essays and Studies, 2014
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies, 2019
1. Our translation of: "C'est dans cet entre-deux que s'est formé ce livre sur Loudun. Il est léz... more 1. Our translation of: "C'est dans cet entre-deux que s'est formé ce livre sur Loudun. Il est lézardé du haut en bas, révélant la combinaison, ou le rapport, qui rend possible l'histoire" (16).
Commonwealth Essays and Studies, 2018
SEPC (Société d'études des pays du Commonwealth)
Commonwealth Essays and Studies, 2019
Études irlandaises, 2016
This article explores Edna O'Brien's more recent fiction and demonstrates how Ireland's most prol... more This article explores Edna O'Brien's more recent fiction and demonstrates how Ireland's most prolific writer continues to systematically expose the ways in which oppression and repression operate in contemporary Ireland. Using Sara Ahmed's work on "willful subjects", I aim to show how O'Brien enshrines willfulness within the very aesthetics of her texts and, in so doing, offers a counter-narrative of the Republic.
Estudios Irlandeses, 2012
This paper aims to analyse the depiction of IRA female volunteers in Ann Devlin's "Naming the Nam... more This paper aims to analyse the depiction of IRA female volunteers in Ann Devlin's "Naming the Names" (1986) and Anna Burns' No Bones (2001) and to consider the relationship established between gender and violence in these texts. I investigate the extent to which the female terrorists portrayed conform to the "mother, monster, whore" paradigm identified by Laura Sjoberg and Caron Gentry (2007) in their study of women's violence in global politics and consider what differences, if any, are established with these characters' male counterparts. The ways in which both authors destabilise traditional gender stereotypes is also explored, as is the question of whether these texts might be considered as feminist fictions. 1
Irish Culture and Colonial Modernity 1800–2000, 2011
From the Famine to political hunger strikes, from telling tales in the pub to Beckett's tortu... more From the Famine to political hunger strikes, from telling tales in the pub to Beckett's tortured utterances, the performance of Irish identity has always been deeply connected to the oral. Exploring how colonial modernity transformed the spaces that sustained Ireland's oral culture, this book explains why Irish culture has been both so creative and so resistant to modernization. David Lloyd brings together manifestations of oral culture in the nineteenth and twentieth centuries, showing how the survival of orality was central both to resistance against colonial rule and to Ireland's modern definition as a postcolonial culture. Specific to Ireland as these histories are, they resonate with postcolonial cultures globally. This study is an important and provocative new interpretation of Irish national culture and how it came into being.
Commonwealth Essays and Studies, 2015
SEPC (Société d'études des pays du Commonwealth)