Gleyce Cruz - Profile on Academia.edu (original) (raw)
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UFMG - The Federal University of Minas Gerais
Universidade Presbiteriana Mackenzie
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Papers by Gleyce Cruz
Thesis Chapters by Gleyce Cruz
Atratores de Desenho, 2012
This research in artistic processes has three series of drawings, developed as part of my product... more This research in artistic processes has three series of drawings, developed as part of my production during the last two years of the Master's degree as object of study. The research is based on the discursive terrain of artist's writing and presents itself as a space-work-research: primarily expositive space in printed form. For the construction of the concept of Drawing Attractors, I approach its definition in physics, which is the set of dynamic behaviors and phenomena in continuous and chaotic fluctuation that occur within a system. I signal this concept by the drawing of a rings balance - as seen in the video image "Limbo" (by Cao Guimarães) - which to rotate, oscillate in a chaotic and poetic fluctuation in the density of the drawing. Each of the three chapters addresses one of the series in their different densities: rarefied drawings occupy the "Spaces of Contention", liquid drawings flow by the "Abysses and Seven Seas" and the amorphous soundness of "Drawing-Words" exist only in the opacity of this research.
Atratores de Desenho, 2012
This research in artistic processes has three series of drawings, developed as part of my product... more This research in artistic processes has three series of drawings, developed as part of my production during the last two years of the Master's degree as object of study. The research is based on the discursive terrain of artist's writing and presents itself as a space-work-research: primarily expositive space in printed form. For the construction of the concept of Drawing Attractors, I approach its definition in physics, which is the set of dynamic behaviors and phenomena in continuous and chaotic fluctuation that occur within a system. I signal this concept by the drawing of a rings balance - as seen in the video image "Limbo" (by Cao Guimarães) - which to rotate, oscillate in a chaotic and poetic fluctuation in the density of the drawing. Each of the three chapters addresses one of the series in their different densities: rarefied drawings occupy the "Spaces of Contention", liquid drawings flow by the "Abysses and Seven Seas" and the amorphous soundness of "Drawing-Words" exist only in the opacity of this research.