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Papers by Ignacio José Lizarán Rus
Música Oral del Sur, 2012
Desde los inicios de la catalogación de la música notada, se ha detectado la necesidad de utiliza... more Desde los inicios de la catalogación de la música notada, se ha detectado la necesidad de utilizar los íncipits musicales que faciliten la identificación y estudio de las obras. Actualmente se está utilizando el lenguaje alfanumérico Plaine Easie Code para su codificación por la facilidad de almacenamiento y gestión por parte de los sistemas de información. Pero es necesario obtener una representación gráfica de los íncipits para una manejo más ágil por parte de los usuarios de los catálogos musicales. Se propone la utilización de software libre para la obtención del íncipits musical de forma gráfica, para ello se ha elaborado un script de conversión del Plaine Easie Code al software Lilypond de representación gráfica de música notada.
Historical Soundscapes is a website designed to explore historical urban soundscapes aided by the... more Historical Soundscapes is a website designed to explore historical urban soundscapes aided by the outreach potential made possible through new technologies. This innovative approach will allow users to recreate music of the past in historical locations through the use of online interactive maps with digital resources (documents, videos, sounds, etc.). The contents aim to be inclusive and help achieve a better understanding of urban culture, establishing an aesthetic and intellectual dialogue with their sensorial aural history through an interdisciplinary approach that brings together urban musicology with areas including cultural history and art history, among others. Our main aim has been to create a digital platform to map the soundscapes of the cities of Granada and Seville as a paradigm that should prove adaptable to any urban centre over different historical periods. With Historical Soundscape we have joined the increasing number of scholars adopting DH approaches in every area of the humanities during the last five year, a field that already has its own history and, above all, promises a future full of innovations and challenges. Quality and impact are two indispensable parameters in the assessment of any DH project, so we are going to present a preliminary analysis of the platform’s impact in its first year on line to show the figures of our audience and to reveal the wide international reach of the project. Historical Soundscapes is working hard to provide a useful and innovative tool for the relevant city’s educational institutions (from primary to tertiary levels), museums and tourist boards, and thus taking new steps in the direction of an effective and realistic way to transfer knowledge that can help to reduce the gap between academic research and public knowledge. http://historicalsoundscapes.com
Since the beginning of music's cataloguing was a need to use the musical incipits to identify... more Since the beginning of music's cataloguing was a need to use the musical incipits to identify and study the works. Currently is being used “Plaine & Easie Code” alfanumeric language because it is easier to storage and management in the computers, but it is convenient to change to a graphical representation because it is easier to read for the users of music catalogs. This article include a proposal the use of free software to obtain the musical incipits graphically, and develope a script to translate from “Plaine & Easie Code” to Lilypond, a music engraving program.
As in many other facets of life, the good image of a score we like and also in this case helps us... more As in many other facets of life, the good image of a score we like and also in this case helps us to better interpretation. That is why many musicians strive to have good scores, using in most cases commercial applications. But there are other alternatives by free software (Lilypond, MuseScore and Frescobaldi) that can help us achieve this goal.
Papeles del Festival de Música Española de Cádiz , 2010
As in many other facets of life, the good image of a score we like and also in this case helps us... more As in many other facets of life, the good image of a score we like and also in this case helps us to better interpretation. That is why many musicians strive to have good scores, using in most cases commercial applications. But there are other alternatives by free software (Lilypond, MuseScore and Frescobaldi) that can help us achieve this goal.
Musica oral del sur, 2012
Since the beginning of music's cataloguing was a need to use the musical incipits to identify and... more Since the beginning of music's cataloguing was a need to use the musical incipits to identify and study the works. Currently is being used “Plaine & Easie Code” alfanumeric language because it is easier to storage and management in the computers, but it is convenient to change to a graphical representation because it is easier to read for the users of music catalogs. This article include a proposal the use of free software to obtain the musical incipits graphically, and develope a script to translate from “Plaine & Easie Code” to Lilypond, a music engraving program.
Digital projects by Ignacio José Lizarán Rus
![Research paper thumbnail of Paisajes sonoros históricos (c.1200-c.1800) [ISSN: 2603-686X]](https://attachments.academia-assets.com/55693726/thumbnails/1.jpg)
](Historical soundscapes (c.1200 – c.1800) is a website (http://www.historicalsoundscapes.com) desi... more Historical soundscapes (c.1200 – c.1800) is a website (http://www.historicalsoundscapes.com) designed to explore historical urban soundscapes aided by the outreach potential made possible through new technologies. This innovative approach will allow users to recreate music of the past in historical locations through the use of online interactive maps with digital resources (documents, videos, sounds, etc.). The contents aim to be inclusive and help achieve a better understanding of urban culture, establishing an aesthetic and intellectual dialogue with their sensorial aural history through an interdisciplinary approach that brings together urban musicology with areas including cultural history and art history, among others. Our main aim has been to create a digital platform to map the soundscapes of the cities of Granada and Seville as a paradigm that should prove adaptable to any urban centre over different historical periods. This platform is intended to be a useful and innovative tool for the educational institutions (from primary to tertiary education), museums, tourist boards, etc. of different cities.
ISSN: 2603-686X.
Legal Deposit: GR 107-2018.
Editors: Juan Ruiz Jiménez and Ignacio José Lizarán Rus.
Edited in Granada by Paisajes sonoros históricos
Book chapters by Ignacio José Lizarán Rus
Hearing the City in Early Modern Europe, T. Knighton, A. Mazuela-Anguita (eds.). Turnhout, Brepols, 2018
Historical Soundscapes is a website designed to explore historical urban soundscapes aided by the... more Historical Soundscapes is a website designed to explore historical urban soundscapes aided by the outreach potential made possible through new technologies. This innovative approach will allow users to recreate music of the past in historical locations through the use of online interactive maps with digital resources (documents, videos, sounds, etc.). The contents aim to be inclusive and help achieve a better understanding of urban culture, establishing an aesthetic and intellectual dialogue with their sensorial aural history through an interdisciplinary approach that brings together urban musicology with areas including cultural history and art history, among others. Our main aim has been to create a digital platform to map the soundscapes of the cities of Granada and Seville as a paradigm that should prove adaptable to any urban centre over different historical periods. With Historical Soundscape we have joined the increasing number of scholars adopting DH approaches in every area of the humanities during the last five year, a field that already has its own history and, above all, promises a future full of innovations and challenges. Quality and impact are two indispensable parameters in the assessment of any DH project, so we are going to present a preliminary analysis of the platform’s impact in its first year on line to show the figures of our audience and to reveal the wide international reach of the project. Historical Soundscapes is working hard to provide a useful and innovative tool for the relevant city’s educational institutions (from primary to tertiary levels), museums and tourist boards, and thus taking new steps in the direction of an effective and realistic way to transfer knowledge that can help to reduce the gap between academic research and public knowledge.
http://historicalsoundscapes.com
Música Oral del Sur, 2012
Desde los inicios de la catalogación de la música notada, se ha detectado la necesidad de utiliza... more Desde los inicios de la catalogación de la música notada, se ha detectado la necesidad de utilizar los íncipits musicales que faciliten la identificación y estudio de las obras. Actualmente se está utilizando el lenguaje alfanumérico Plaine Easie Code para su codificación por la facilidad de almacenamiento y gestión por parte de los sistemas de información. Pero es necesario obtener una representación gráfica de los íncipits para una manejo más ágil por parte de los usuarios de los catálogos musicales. Se propone la utilización de software libre para la obtención del íncipits musical de forma gráfica, para ello se ha elaborado un script de conversión del Plaine Easie Code al software Lilypond de representación gráfica de música notada.
Historical Soundscapes is a website designed to explore historical urban soundscapes aided by the... more Historical Soundscapes is a website designed to explore historical urban soundscapes aided by the outreach potential made possible through new technologies. This innovative approach will allow users to recreate music of the past in historical locations through the use of online interactive maps with digital resources (documents, videos, sounds, etc.). The contents aim to be inclusive and help achieve a better understanding of urban culture, establishing an aesthetic and intellectual dialogue with their sensorial aural history through an interdisciplinary approach that brings together urban musicology with areas including cultural history and art history, among others. Our main aim has been to create a digital platform to map the soundscapes of the cities of Granada and Seville as a paradigm that should prove adaptable to any urban centre over different historical periods. With Historical Soundscape we have joined the increasing number of scholars adopting DH approaches in every area of the humanities during the last five year, a field that already has its own history and, above all, promises a future full of innovations and challenges. Quality and impact are two indispensable parameters in the assessment of any DH project, so we are going to present a preliminary analysis of the platform’s impact in its first year on line to show the figures of our audience and to reveal the wide international reach of the project. Historical Soundscapes is working hard to provide a useful and innovative tool for the relevant city’s educational institutions (from primary to tertiary levels), museums and tourist boards, and thus taking new steps in the direction of an effective and realistic way to transfer knowledge that can help to reduce the gap between academic research and public knowledge. http://historicalsoundscapes.com
Since the beginning of music's cataloguing was a need to use the musical incipits to identify... more Since the beginning of music's cataloguing was a need to use the musical incipits to identify and study the works. Currently is being used “Plaine & Easie Code” alfanumeric language because it is easier to storage and management in the computers, but it is convenient to change to a graphical representation because it is easier to read for the users of music catalogs. This article include a proposal the use of free software to obtain the musical incipits graphically, and develope a script to translate from “Plaine & Easie Code” to Lilypond, a music engraving program.
As in many other facets of life, the good image of a score we like and also in this case helps us... more As in many other facets of life, the good image of a score we like and also in this case helps us to better interpretation. That is why many musicians strive to have good scores, using in most cases commercial applications. But there are other alternatives by free software (Lilypond, MuseScore and Frescobaldi) that can help us achieve this goal.
Papeles del Festival de Música Española de Cádiz , 2010
As in many other facets of life, the good image of a score we like and also in this case helps us... more As in many other facets of life, the good image of a score we like and also in this case helps us to better interpretation. That is why many musicians strive to have good scores, using in most cases commercial applications. But there are other alternatives by free software (Lilypond, MuseScore and Frescobaldi) that can help us achieve this goal.
Musica oral del sur, 2012
Since the beginning of music's cataloguing was a need to use the musical incipits to identify and... more Since the beginning of music's cataloguing was a need to use the musical incipits to identify and study the works. Currently is being used “Plaine & Easie Code” alfanumeric language because it is easier to storage and management in the computers, but it is convenient to change to a graphical representation because it is easier to read for the users of music catalogs. This article include a proposal the use of free software to obtain the musical incipits graphically, and develope a script to translate from “Plaine & Easie Code” to Lilypond, a music engraving program.
Historical soundscapes (c.1200 – c.1800) is a website (http://www.historicalsoundscapes.com) desi... more Historical soundscapes (c.1200 – c.1800) is a website (http://www.historicalsoundscapes.com) designed to explore historical urban soundscapes aided by the outreach potential made possible through new technologies. This innovative approach will allow users to recreate music of the past in historical locations through the use of online interactive maps with digital resources (documents, videos, sounds, etc.). The contents aim to be inclusive and help achieve a better understanding of urban culture, establishing an aesthetic and intellectual dialogue with their sensorial aural history through an interdisciplinary approach that brings together urban musicology with areas including cultural history and art history, among others. Our main aim has been to create a digital platform to map the soundscapes of the cities of Granada and Seville as a paradigm that should prove adaptable to any urban centre over different historical periods. This platform is intended to be a useful and innovative tool for the educational institutions (from primary to tertiary education), museums, tourist boards, etc. of different cities.
ISSN: 2603-686X.
Legal Deposit: GR 107-2018.
Editors: Juan Ruiz Jiménez and Ignacio José Lizarán Rus.
Edited in Granada by Paisajes sonoros históricos
Hearing the City in Early Modern Europe, T. Knighton, A. Mazuela-Anguita (eds.). Turnhout, Brepols, 2018
Historical Soundscapes is a website designed to explore historical urban soundscapes aided by the... more Historical Soundscapes is a website designed to explore historical urban soundscapes aided by the outreach potential made possible through new technologies. This innovative approach will allow users to recreate music of the past in historical locations through the use of online interactive maps with digital resources (documents, videos, sounds, etc.). The contents aim to be inclusive and help achieve a better understanding of urban culture, establishing an aesthetic and intellectual dialogue with their sensorial aural history through an interdisciplinary approach that brings together urban musicology with areas including cultural history and art history, among others. Our main aim has been to create a digital platform to map the soundscapes of the cities of Granada and Seville as a paradigm that should prove adaptable to any urban centre over different historical periods. With Historical Soundscape we have joined the increasing number of scholars adopting DH approaches in every area of the humanities during the last five year, a field that already has its own history and, above all, promises a future full of innovations and challenges. Quality and impact are two indispensable parameters in the assessment of any DH project, so we are going to present a preliminary analysis of the platform’s impact in its first year on line to show the figures of our audience and to reveal the wide international reach of the project. Historical Soundscapes is working hard to provide a useful and innovative tool for the relevant city’s educational institutions (from primary to tertiary levels), museums and tourist boards, and thus taking new steps in the direction of an effective and realistic way to transfer knowledge that can help to reduce the gap between academic research and public knowledge.
http://historicalsoundscapes.com