Inessa Amorim - Academia.edu (original) (raw)
Papers by Inessa Amorim
Literatura Italiana Traduzida, Nov 7, 2020
In order to efficiently cope with the high throughput, reliability, heterogeneity of Quality-of-S... more In order to efficiently cope with the high throughput, reliability, heterogeneity of Quality-of-Service (QoS), and massive connectivity requirements of future 6G multi-antenna wireless networks, multiple access and multiuser communication system design need to depart from conventional interference management strategies, namely fully treat interference as noise (as commonly used in 4G/5G, MU-MIMO, CoMP, Massive MIMO, millimetre wave MIMO) and fully decode interference (as in Non-Orthogonal Multiple Access, NOMA). This paper is dedicated to the theory and applications of a more general and powerful transmission framework based on Rate-Splitting Multiple Access (RSMA) that splits messages into common and private parts and enables to partially decode interference and treat remaining part of the interference as noise. This enables RSMA to softly bridge and therefore reconcile the two extreme strategies of fully decode interference and treat interference as noise and provide room for spectral efficiency, energy efficiency and QoS enhancements, robustness to imperfect Channel State Information at the Transmitter (CSIT), and complexity reduction. This paper provides an overview of RSMA and its potential to address the requirements of 6G.
Revista Literatura Italiana Traduzida, 2020
Basile nas telas do cinema: modernidade e revisionismo em Gatta Cenerentola, por Adriana Aparecid... more Basile nas telas do cinema: modernidade e revisionismo em Gatta
Cenerentola, por Adriana Aparecida de Jesus Reis e Inessa Rosa de
Amorim
De acordo com Câmara Cascudo, “Maria Borralheira, Cinderela, está em todos os idiomas e terras, mas raramente num bloco compacto, com os episódios que julgamos constituir a verdadeira história". Um dos primeiros registros literários desse conto de fadas foi realizado pelo escritor napolitano Giambattista Basile no século XVII em sua obra-prima Lo cunto de li cunti ou Pentamerone, traduzida integralmente do napolitano para o português brasileiro como O conto dos contos, por Francisco Degani, em 2018. O registro pioneiro de Basile de “La gatta cenerentola” (“A gata borralheira”) serviu de inspiração para as versões de “A gata borralheira” de Perrault e “Cinderela” dos Irmãos Grimm.
Revista Água Viva, 2021
In Lo cunto de li cunti (The tale of tales), Giambattista Basile conceives a narrative model that... more In Lo cunto de li cunti (The tale of tales), Giambattista Basile conceives a narrative model that not only influences the formation of the oral wonder tale but also sets a clear logic for most wonder tale collections that came immediately after it (cf. ZIPES, 2006). This model introduces various components: fairies, ogres, the game, the court, fortune, the journey, transformations, and the body (cf. RAK, 2005; 2013). Each tale includes a type of journey to the woods, the ocean or another city. Such journey reflects the trip that a courtier used to go on after coming of age to see the world or test himself. The survival of the traveler along the way depends on the appearance of fairies and ogres, beings that arbitrarily choose to help them or destroy them. Fortune plays an important part. Bodies are interwoven in the plot. They are embellished, tortured, demolished and rejuvenated while the protagonist tries to survive, no matter the cost, and increase their social status in a world ...
A ironia em foco: conhecendo as crônicas de Mário Prata
Caminhos Do Maravilhoso Em Giambattista Basile
In Lo cunto de li cunti (The tale of tales), Giambattista Basile conceives a narrative model that... more In Lo cunto de li cunti (The tale of tales), Giambattista Basile conceives a narrative model that not only influences the formation of the oral wonder tale but also sets a clear logic for most wonder tale collections that came immediately after it (cf. ZIPES, 2006). This model introduces various components: fairies, ogres, the game, the court, fortune, the journey, transformations, and the body (cf. RAK, 2005; 2013). Each tale includes a type of journey to the woods, the ocean or another city. Such journey reflects the trip that a courtier used to go on after coming of age to see the world or test himself. The survival of the traveler along the way depends on the appearance of fairies and ogres, beings that arbitrarily choose to help them or destroy them. Fortune plays an important part. Bodies are interwoven in the plot. They are embellished, tortured, demolished and rejuvenated while the protagonist tries to survive, no matter the cost, and increase their social status in a world ...
A ironia em foco: conhecendo as crônicas de Mário Prata
Literatura Italiana Traduzida, Nov 7, 2020
In order to efficiently cope with the high throughput, reliability, heterogeneity of Quality-of-S... more In order to efficiently cope with the high throughput, reliability, heterogeneity of Quality-of-Service (QoS), and massive connectivity requirements of future 6G multi-antenna wireless networks, multiple access and multiuser communication system design need to depart from conventional interference management strategies, namely fully treat interference as noise (as commonly used in 4G/5G, MU-MIMO, CoMP, Massive MIMO, millimetre wave MIMO) and fully decode interference (as in Non-Orthogonal Multiple Access, NOMA). This paper is dedicated to the theory and applications of a more general and powerful transmission framework based on Rate-Splitting Multiple Access (RSMA) that splits messages into common and private parts and enables to partially decode interference and treat remaining part of the interference as noise. This enables RSMA to softly bridge and therefore reconcile the two extreme strategies of fully decode interference and treat interference as noise and provide room for spectral efficiency, energy efficiency and QoS enhancements, robustness to imperfect Channel State Information at the Transmitter (CSIT), and complexity reduction. This paper provides an overview of RSMA and its potential to address the requirements of 6G.
Revista Literatura Italiana Traduzida, 2020
Basile nas telas do cinema: modernidade e revisionismo em Gatta Cenerentola, por Adriana Aparecid... more Basile nas telas do cinema: modernidade e revisionismo em Gatta
Cenerentola, por Adriana Aparecida de Jesus Reis e Inessa Rosa de
Amorim
De acordo com Câmara Cascudo, “Maria Borralheira, Cinderela, está em todos os idiomas e terras, mas raramente num bloco compacto, com os episódios que julgamos constituir a verdadeira história". Um dos primeiros registros literários desse conto de fadas foi realizado pelo escritor napolitano Giambattista Basile no século XVII em sua obra-prima Lo cunto de li cunti ou Pentamerone, traduzida integralmente do napolitano para o português brasileiro como O conto dos contos, por Francisco Degani, em 2018. O registro pioneiro de Basile de “La gatta cenerentola” (“A gata borralheira”) serviu de inspiração para as versões de “A gata borralheira” de Perrault e “Cinderela” dos Irmãos Grimm.
Revista Água Viva, 2021
In Lo cunto de li cunti (The tale of tales), Giambattista Basile conceives a narrative model that... more In Lo cunto de li cunti (The tale of tales), Giambattista Basile conceives a narrative model that not only influences the formation of the oral wonder tale but also sets a clear logic for most wonder tale collections that came immediately after it (cf. ZIPES, 2006). This model introduces various components: fairies, ogres, the game, the court, fortune, the journey, transformations, and the body (cf. RAK, 2005; 2013). Each tale includes a type of journey to the woods, the ocean or another city. Such journey reflects the trip that a courtier used to go on after coming of age to see the world or test himself. The survival of the traveler along the way depends on the appearance of fairies and ogres, beings that arbitrarily choose to help them or destroy them. Fortune plays an important part. Bodies are interwoven in the plot. They are embellished, tortured, demolished and rejuvenated while the protagonist tries to survive, no matter the cost, and increase their social status in a world ...
A ironia em foco: conhecendo as crônicas de Mário Prata
Caminhos Do Maravilhoso Em Giambattista Basile
In Lo cunto de li cunti (The tale of tales), Giambattista Basile conceives a narrative model that... more In Lo cunto de li cunti (The tale of tales), Giambattista Basile conceives a narrative model that not only influences the formation of the oral wonder tale but also sets a clear logic for most wonder tale collections that came immediately after it (cf. ZIPES, 2006). This model introduces various components: fairies, ogres, the game, the court, fortune, the journey, transformations, and the body (cf. RAK, 2005; 2013). Each tale includes a type of journey to the woods, the ocean or another city. Such journey reflects the trip that a courtier used to go on after coming of age to see the world or test himself. The survival of the traveler along the way depends on the appearance of fairies and ogres, beings that arbitrarily choose to help them or destroy them. Fortune plays an important part. Bodies are interwoven in the plot. They are embellished, tortured, demolished and rejuvenated while the protagonist tries to survive, no matter the cost, and increase their social status in a world ...
A ironia em foco: conhecendo as crônicas de Mário Prata